Fantasia in G Major (Bach)

Johann Sebastian Bach

Johann Sebastian Bach (trans. Richard Franko Goldman and Robert L. Leist)

This work bears the designation BWV 572, Gravement.

General Info

Year: 1703-7 / 1960 / 2012
Duration: c. 6:35
Difficulty: IV (see Ratings for explanation)
Original Medium: Organ
Publisher: Theodore Presser
Cost: Score and Parts - $85.00 | Score Only - $9.95

Instrumentation

Full Score
C Piccolo
Flute I-II
Oboe I-II
Bassoon I-II
E-flat Soprano Clarinet
B-flat Soprano Clarinet S-I-II-III
E-flat Alto Clarint B-flat Bass Clarinet
E-flat lto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II
B-flat Cornet I-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
String Bass
Timpani
Percussion, including:

Bass Drum
Suspended Cymbal

Errata

Cornet II. 11 meas. after reh. B: add reh. C
Trombone I. 15 meas. after reh. H: add reh. I (eye)

For more errata, see Kopetz article in The Instrumentalist

Program Notes

The great G Major Fantasia for organ was composed between 1703 and 1707 during Bach's residence in Arnstadt. It was here, at the beginning of his career, that his music was found to be too full of "wonderful variations and foreign tones"; and certainly the Fantasia is strikingly dissonant in its constant texture of suspensions. But the breadth of the five-part polyphonic writing and the richness of the harmonic sonority make the Fantasia one of the grandest of all Bach's compositions for organ. It is also one that lends itself most perfectly to the sound and sonorities of the modern wind band.

The transcription by Richard Franko Goldman and Robert L. Leist was undertaken as a memorial to Edwin Franko Goldman, who was the first bandmaster to include the works of Bach regularly in the band's concert repertoire, and who did so much to introduce the music of this great master to wide audiences. In this transcription an attempt is made to recapture the sound of the Baroque organ through the medium of the modern band. The first performance of this transcription was given by The Goldman Band, Richard Franko Goldman conducting, on July 1, 1957.

- Note by MusicExpert.com

Perusing the score of Bach's Fantasia in G Major may give the impression that this work has little technical challenge and will come together with ease. While this work can indeed be performed by community bands, honor bands, high school bands, and collegiate groups, ample rehearsal time must be allotted. For younger players, the primary challenge is to look beyond whole notes and half notes to find the expressive musical line in each part. Controlling the timbre and pitch of sustained harmonies will take concentration and muscular development. Fortunately, this piece translates very well to the wind band medium and would program appropriately in the middle portion of a concert set.

- Note from Great Music for Wind Bands

Media

Audio: Sample download; ensemble and conductor unknown
Audio CD: Cleveland Symphonic Winds (Frederick Fennell, conductor)
Audio CD: Marcus High School Wind Symphony (John Whitwell, conductor)

State Ratings

Arkansas: Grade IV
Florida: FBA Band Grade V
Georgia: GA Band Grade V
Iowa: IA HS MUSIC ASSOC BAND GRADE IV
Indiana: ISSMA SENIOR BAND GROUP I
Louisiana: BAND 2011 GRADE III
Louisiana: BAND 2011 GRADE V
Massachusetts: GRADE IV
Michigan: SENIOR HIGH CLASS AA
Minnesota: MN HS LEAGUE BAND GRADE I
Minnesota: Category 1
North Carolina: Concert Band.Grade V
New York: 20 05 CONCERT BAND LEVEL V
Oklahoma: CONCERT BAND CLASS VA
South Carolina: SC Band Grade V
Tennessee: Grade IV
Texas: Band Grade V.Complete
Virginia: CONCERT BAND GRADE IV

Performances

To submit a performance please join The Wind Repertory Project

University of British Columbia (Vancouver) Symphonic Wind Ensemble (Josh Rauw, conductor) - 19 November 2021
University of Minnesota (Minneapolis) Wind Ensemble (Emily Threinen, conductor) – 1 October 2021
University of Texas at Arlington Wind Symphony (Douglas Stotter, conductor) - 9 May 2021
Wayne (Neb.) State College Wind Ensemble (David Bohnert, conductor) - 17 November 2020
James Madison University (Harrisonburg, Va.) Wind Symphony (Isaac McMahon, conductor) - 26 October 2020
Texas Tech University (Lubbock) Symphonic Band (Sarah McKoin, conductor) – 19 February 2020 (CBDNA 2020 Southwestern Division Conference, Norman, Okla.)
University of Colorado Boulder Wind Symphony (Melinda Mason, conductor) – 6 February 2020
Austin (Tx.) Symphonic Band (Richard Floyd, conductor) – 1 February 2020
Milton (Ga.) High School Wind Ensemble (David Vandwalker, conductor) – 19 January 2020
San Luis Obispo (Calif.) Wind Orchestra (Jennifer Martin, conductor) – December 15, 2019
University of Oklahoma (Norman) Wind Symphony (Tim Parduen, conductor) – 24 November 2019
United States Coast Guard Band (New London, Conn.) (Jeffrey A. Spenner, conductor) – 24 November 2019
Texas Tech University (Lubbock) Symphony Band (Eric Allen, conductor) – 24 November 2019
University of Cincinnati (Ohio) College-Conservatory of Music Wind Ensemble (Thomas Gamboa, conductor) – 20 November 2019
Millikin University (Decatur, Ill.) Symphonic Wind Ensemble (Corey Seapy, conductor) – 13 October 2019
University of North Carolina, Greensboro, Symphonic Band (Jonathan Caldwell, conductor) – 3 October 2019
Texas Tech University (Lubbock) Symphonic Band (Joe Pagan, conductor) – 23 September 2019
Eastern Wind Symphony (Woodcliff Lake, N.J.) (Todd Nichols, conductor)– 26 April 2019
University of Texas (Austin) Symphony Band (Matthew Sedatole, conductor; Connor Brubaker, organ) – 10 April 2019
University of Iowa (Iowa City) Concert Band (Eric Bush, conductor) – 8 April 2019

Works for Winds by This Composer

Adaptable Music

The Bach Initiative (Flex instrumentation) (arr. Folliard) (2019)
Choral Prelude BWV 727 (Flex instrumentation) (arr. Costa)
Come, Sweet Death (Flex instrumentation) (tr. Reed; arr. Benson) (1736/1976/2019)
Contrapunctus XIV (Flex instrumentation) (arr. Aho) (2018)
French Suite No. 2 (Flex instrumentation) (arr. Shishikura) (1722/)
Fugue en sol mineur BWV 578 (Flex instrumentation) (arr. Costa) (1703-1707/)
O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (arr. Grainger; ed. Brand and Brion) (1724?/1937-1942/1987)
Prelude and Fugue in B-flat major (Flex instrumentation) (arr. Ring) (?/2020)
Three Fugues by J.S. Bach (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 2 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 16 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 23 (Flex instrumentation) (arr. Danyew) (1722/2020)
Wachet Auf (Flex instrumentation) (arr. DeJonge) (1731/2020)

All Wind Works

5 Preludes and Fugues (arr. Beyrent)
Adagio (arr. Hautvast)
Adagio (arr. Warner)
Air (arr. Hautvast)
Air (arr. Klemke) (c. 1730/2006)
Air (tr. Lang) (c. 1730/1958)
Air for Woodwind Choir (arr. Blahnik)
Arioso (arr. De Haan) (1729/2000)
Arioso (arr. Hill) (1729/1984)
Arioso (arr. Reed) (1729/1998)
The Art of Fugue (tr. Amis) (c. 1745)
Ave Maria
Ave Maria (Bach-Gounod) (arr. Lovrien) (1853/2004)
Bach: Air (arr. McGinty) (c. 1730/)
The Bach Buch (tr. Pann) (2011)
Bach Chorale and March (arr. Wilson) (c. 1730/1990)
Bach: Chorale and Variation (arr. McGinty) (1994)
Bach Fugue (arr. Kinyon) (/1984)
The Bach Initiative (Flex instrumentation) (arr. Folliard) (2019)
Bach's Fugue à la Gigue (ed. Brand). See: Fugue à la Gigue
Bach's Fugue à la Gigue (tr. Holst; ed. Mitchell) (1921/2005)
Berceuse (arr. Hautvast) (/1994)
Bourrée (arr. Isaac) (1720/1969)
Brandenburg Concerto No. 3 (arr. Marlatt) (1721/2011)
Canzona (orch. Stock)
Chaconne (arr. Ito) (1720/1987)
Chaconne and Festive Aria (arr. Daehn)
Chaconne in D Minor (arr. Daehn)
Choral Prelude BWV 727 (Flex instrumentation) (arr. Costa)
Chorale and Fugue (arr. Warner)
Chorale and Fugue in F Major (arr. Daehn) (1988)
Chorale Prelude on "A Mighty Fortress Is Our God" (tr. Damrosch; adapt. O'Toole)
Chorale in C Minor (arr. Topolewski) (2012)
Christ He Is My Life (arr. Cailliet) (1973)
Christmas Pastorale (arr. Hastings) (1970)
Ciaccona (arr. Votta) (1720/2021)
Come, Blessed Peace (arr. Tolmage) (1736/1958)
Come, Sweet Death (arr. Reed) (1736/1976)
Come, Sweet Death (Flex instrumentation) (tr. Reed; arr. Benson) (1736/1976/2019)
Concerto IV (Alto Saxophone and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
Concerto IV (Alto Saxophone, Piano and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
Concerto IV (Flute and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
Concerto IV (Flute, Piano and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
Concerto IV (Soprano Saxophone and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
Concerto IV (Soprano Saxophone, Piano and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
Concerto for Prince Johann (arr. Daehn) (c. 1713 / 2011)
Contrapunctus I (arr. Barnes) (c. 1745/1988)
Contrapunctus I (arr. King) (c. 1745/1960)
Contrapunctus III (arr. King) (c. 1745/1955)
Contrapunctus IX (arr. Clark) (c. 1745/2005)
Contrapunctus V (arr. Daehn) (c. 1745)
Contrapunctus XIV (Flex instrumentation) (arr. Aho) (2018)
Deck Thyself, My Soul, With Gladness (arr. Reed) (1990)
Fantasia and Fugue in C Minor (arr. Elgar; tr. Topolewski) (1727?)
Fantasia and Fugue in C Minor (arr. Elgar; arr. Nowlin) (1727?/2016)
Fantasia and Fugue in C minor, BWV 537 (arr. Hunsberger) (1727?/1997)
Fantasia and Fugue in G minor (arr. Horovitz) (c. 1838/1986)
Fantasia and Fugue in G minor, BWV 542 "The Great" (arr. Boyd) (c. 1838/1985)
Fantasia in C (arr. Sterk) (1706/2017)
Fantasia in G, BWV 572 (arr. Boyd) (1703-7/1957/1985)
Fantasia in G, BWV 572 (arr. Goldman) (1703-7/1957/2012)
Fantasia on a Bach Chorale Prelude (arr. Ito) (2013)
Fervent is My Longing; Fugue in G Minor (tr. Cailliet) (c. 1710/1935/2006)
Forget Me Not, O Dearest Lord (arr. Reed) (c. 1736/1985)
French Suite No. 2 (Flex instrumentation) (arr. Shishikura) (1722/)
Fugue à la Gigue (tr. Holst; ed. Brand) (1921/2008)
Fugue à la Gigue (ed. Mitchell). See: Bach's Fugue à la Gigue
Fugue à la Gigue (arr. Rondeau) (1921/2011)
Fugue en sol mineur BWV 578 (Flex instrumentation) (arr. Costa) (1703-1707/)
Fugue in B-flat Major (arr. Daehn) (1722/1988)
Fugue in E-flat Major (tr. Abrams and Jones) (1739/2019)
Fugue in G Minor (arr. Kimura) (1703-1707/1993)
Fugue in G Minor (arr. Rechtman) (1703-1707/)
Fugue No. 2 (Flex instrumentation) (arr. Danyew) (1722/2020)
Fugue No. 16 (Flex instrumentation) (arr. Danyew) (1722/2020)
Fugue No. 23 (Flex instrumentation) (arr. Danyew) (1722/2020)
God Still Lives (arr. Reed)
Hertzlich tut mich verlangen. See: Fervent is My Longing; Organ Fugue in G Minor
If Thou Be Near (arr. Moehlmann) (1725/1940)
If Thou Be Near (arr. Reed) (1725/1984)
In Dulci Jubilo (arr. Reed) (1970)
Jesu, Joy of Man's Desiring (tr. Cailliet) (1723/1962)
Jesu, Joy Of Man's Desiring (tr. Leidzen) (1723/1936)
Jesu, Joy Of Man's Desiring (arr. Moerenhout) (1723/2019)
Jesu, Joy of Man's Desiring (arr. Pekas) (1723/)
Jesu, Joy Of Man's Desiring (arr. Reed) (1723/)
Jesu, Joy of Man's Desiring (arr. Sapieyevski) (1723/)
Jig Fugue (arr. Marlatt) (2003)
Komm, Susser Tod (arr. Leidzen) (1736/1936)
A Little Bach Suite (arr. Gordon) (1966)
Little Fugue (arr. Romm; adapt. Custer) (c. 1705/1974/1991)
Little Fugue in G minor (arr. Howland) (c. 1705/1974/2015)
Little Fugue in G Minor, BWV 578 (arr. Parks)
March (arr. Grainger) (1946)
My Heart, Ever Faithful (arr. Barnes) (1988)
My Heart is Filled With Longing (arr. Reed) (c. 1710/1986)
My Jesus, Oh What Anguish (arr. Reed)
My Soul Longeth to Depart in Peace
Nun komm der Heiden Heiland (arr. McAlister)
Nun komm, der Heiden Heiland (arr. Stert) (c. 1748/2013)
O Jesu Christ, meins Lebens Licht (arr. Westover) (c. 1736/2017)
O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (arr. Grainger; ed. Brand and Brion) (1724?/1937-1942/1987)
Our Father Who Art in Heaven (arr. Reed) (1710/1988)
Passacaglia and Fugue in C minor (tr. Hunsberger) (1703-1713?/ 1968/1975)
Passacaglia and Thema Fugatum in C Minor (tr. Stowkowski; ed. Sosnowchik) (1703-1713?/2014)
Passacaglia and Fugue in C minor (tr. Falcone) (ca. 1712/1969)
Passacaglia from "Cantata No. 12" (arr. Daehn) (1714/2011)
Präludium und Fuge d-Moll (tr. Rechtman) (1722/2003)
Prelude IV (arr. Reed) (1722/1983)
Prelude and Fugue No. 6, BWV 535 (arr. Anthenien) (1722/1979)
Prelude and Fugue in A-flat, BWV 557 (tr. Moehlmann) (1964)
Prelude and Fugue in Bb major (Brass Ensemble) (arr. Beyrent)
Prelude and Fugue in B-flat major (Brass Quintet) (arr. Beyrent)
Prelude and Fugue in B-flat major, BWV 553 (arr. Moehlmann) (1852/1955)
Prelude and Fugue in B-flat major BWV 553 (Flex instrumentation) (arr. Ring) (?/2020)
Prelude and Fugue in B-flat minor, BWV 559 (arr. Moehlmann) (1852/1969)
Prelude and Fugue in C major (arr. Beyrent)
Prelude and Fugue in D major, BWV 532 (arr. Steinmetz) (1710/2018)
Prelude and Fugue in D minor, BWV 554 (arr. Beyrent) (1722/2001)
Prelude and Fugue in D minor, BWV 555 (arr. Coleman) (1852/2017)
Prelude and Fugue in D minor, BWV 554 (tr. Moehlmann) (1852/1988)
Prelude and Fugue in D minor (tr. Rechtman). See: Präludium und Fuge d-Moll
Prelude and Fugue in E-flat, BWV 552 (setting Hunsberger) (c. 1739/2009)
Prelude and Fugue in F major (arr. Moehlmann) (1852/?)
Prelude and Fugue in F minor, BWV 555 (arr. Moehlmann) (1852/1954)
Prelude and Fugue in G minor, BWV 535 (tr. Moehlmann) (1852/1939)
Prelude, Chorale and Fugue (arr. Godfrey) (1919)
"Ricercare a 6" from Musical Offering, BWV 1079 (tr. McAlister)
Saint Anne's Fugue (arr. Rhoads) (1965)
Sarabande (arr. Kennaway) (1972/1977/1995)
Second Bach Suite for Band (tr. Tolmage) (1965)
Sehet was die liebe tut (arr. Grainger) (1937)
Sheep May Safely Graze (arr. Reed) (1713/1981)
Sinfonia from "Cantata No 29" (arr. Ninmer)
Sinfonia from "Cantate 156" (arr. Daniels) (1729/)
Sixteen Chorales (ed. King) (1958)
Sixteen Chorales (arr. Lake) (1938)
Sleepers, Awake! (arr. Patterson) (1731/1995)
Sleepers, Awake! (arr. Reed) (1731)
Sleepers, Awake! (tr. Sparke) (1731/2002)
Songs of Exaltation (arr. Gordon) (1974)
St. Anne. See: Prelude and Fugue in E-flat
Three Fugues by J.S. Bach (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 2 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 16 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 23 (Flex instrumentation) (arr. Danyew) (1722/2020)
Thus Do You Fare, My Jesus (arr. Reed)
Toccata, Adagio and Fugue in C Major (arr. Rechtman) (c. 1717)
Toccata, Aria, and Fugue in C Major (tr. Knox) (c. 1717)
Toccata & Fuge d-Moll (arr. Goldhammer) (1705/2011)
Toccata and Fugue in D minor (arr. Goldhammer). See: Toccata & Fuge d-Moll
Toccata and Fugue in D minor (tr. Goto) (1705/2014)
Toccata and Fugue in D minor (tr. Hindsley) (1705)
Toccata and Fugue in D minor (tr. Hunsberger) (1705/1998)
Toccata and Fugue in D minor (tr. Leidzen) (1705/1942)
Toccata and Fugue in D minor (arr. Lopez) (1705/2010)
Toccata and Fugue in D minor (tr. Nowlin) (1705/2015)
Toccata, Adagio, and Fugue, BWV 564 (tr. Paynter) (c. 1717/2000)
Toccata, Adagio and Fugue (tr. Knox) (c. 1717)
Violin Partita No. 3 in E major (arr. Kitakata) (1720/2018?)
Wachet Auf (Flex instrumentation) (arr. DeJonge) (1731/2020)
Wachet auf (arr. Marlatt) (1731/)
Wachet auf, ruft uns die Stimme (arr. Lauf Jr.) (1731/2019)
Who Puts His Trust in God Most Just (arr. Croft) (1978)
Wir Glauben All’ An Einen Gott (arr. Stokowski) (1739)

Resources

Bach, J.; Goldman, R.; Leist, R. (1960). Fantasia in G Major [score]. Mercury Music: Bryn Mawr, Penn.
Kopetz, Barry. (1993). "Bach's Fantasia in G: An Interpretive Analysis." The Instrumentalist 48, no. 1; pp. 25-34.
Miles, Richard B., and Larry Blocher. (2010). Teaching Music through Performance in Band. Volume 1. Chicago: GIA Publications. pp. 481-487.
Nicholson, Chad. (2009). Great Music for Wind Band: A Guide to the Top 100 Works in Grades IV, V, VI. Galesville, MD: Meredith Music Publications. pp 2-3.
Smith, Norman E. (2002). Program Notes for Band. Chicago: GIA Publications, pp. 24.