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Famishius Fantasticus

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Michael Markowski

Michael Markowski


General Info

Year: 2012
Duration: c. 3:55
Difficulty: V (see Ratings for explanation)
Publisher: Michael Markowski
Cost: Score and Parts - $145.00   |   Score Only - $30.00


Instrumentation

Full Score
C Piccolo
Flute I-II
Oboe
Bassoon I-II
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet I-II
B-flat Contrabass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II
Trombone I-II-III
Bass Trombone
Euphonium (Bass Clef & Treble Clef)
Tuba
String Bass
Timpani
Percussion I-II-III-IV-V, including:

  • Bass Drum
  • Brake Drum
  • Crash Cymbals
  • Flexatone
  • Glockenspiel
  • Mahler Hammer
  • Snare Drum
  • Tam-Tam
  • Triangle
  • Vibraphone
  • Wood Block
  • Xylophone

Percussionists 4 and 5 are asked to find various items to dump on the stage floor that "bounce, rattle, or crash."


Errata

None discovered thus far.


Program Notes

2012 marked the 100th birthday of the late and great Looney Tunes director Chuck Jones. His work -- and the work of his colleagues, Tex Avery, Bob Clampett, Friz Freleng, to name a few -- has helped shape my personality for as far back as I can remember. When I was first asked to write a piece that "captured the energy of the students," I couldn't help but think that Wile E. Coyote was the man (or animal) for the job. The title, Famishius Fantasticus, is a direct allusion to the faux binomial (the scientific Latin name) of Wile E. Coyote, as shown in the opening freeze-frame of the 1956 Looney Tunes cartoon, There They Go-Go-Go! If this was actually Latin (and again, it is totally made up), one would probably pronounce it fah-ME-see-oos fahn-tahs-TEE-coos, which might roughly translate into something like, "Fantastically Famished" or "Fantastically Hungry."

Many composers of the Looney Tunes era have defined the cartoon music genre, perhaps most notably Carl Stalling (with the help of Raymond Scott's extensive Warner Brothers catalogue) and MGM's Scott Bradley. Famishius Fantasticus is not an attempt to rewrite these masters, but rather to take the techniques that make these scores so exciting -- colorful and period orchestration, extended performance techniques, exotic percussion and sound effects, constantly shifting musical textures -- and draw my own composition for the wind band medium. Of course, without the animated accompaniment, the visual gags are best left to our imaginations.

Above all else, Famishius Fantasticus is intended to be a wild concert-closer, a "That's not all, folks!" encore, an existential cat-and-mouse (or coyote-and-roadrunner) chase, and is dedicated to all my friends and colleagues who vehemently go after their dreams, who never give up, and who continue to try new things no matter how many crazy ideas might blow up in their faces.

- Program Note by composer


Commercial Discography

None discovered thus far.


Audio Links


State Ratings

None discovered thus far.


Performances

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Works for Winds by this Composer


References