Enrique Granados Campiña (27 July 1867, Lérida, Spain – 24 March 1916, English Channel) was a Spanish pianist and composer of classical music. His music is in a uniquely Spanish style and, as such, is representative of musical nationalism.
As a young man Granados studied piano in Barcelona, where his teachers included Francisco Jurnet and Joan Baptista Pujol. In 1887 he went to Paris to study. He was unable to become a student at the Paris Conservatoire, but he was able to take private lessons with a conservatoire professor, Charles-Wilfrid de Bériot. Bériot insisted on extreme refinement in tone production, which strongly influenced Granados’s own teaching of pedal technique. He also fostered Granados's abilities in improvisation. Just as important were his studies with Felip Pedrell. He returned to Barcelona in 1889. His first successes were at the end of the 1890s, with the zarzuela Maria del Carmen, which attracted the attention of King Alfonso XIII.
Granados's music can be divided into basically three styles or periods: 1. A romantic style including such pieces as Escenas Romanticas and Escenas Poeticas. 2. A more typically nationalist, Spanish style including such pieces as Danzas Españolas (Spanish Dances), 6 Piezas sobre cantos populares españoles (Six Pieces based on popular Spanish songs). 3. The Goya (Goyesca) period, which includes the piano suite Goyescas, the opera Goyescas, various Tonadillas for voice and piano, and other works.
Granados was an important influence on at least two other important Spanish composers and musicians, Manuel de Falla and Pablo Casals.
Works for Winds
- Intermezzo from "Goyescas" (arr. Dupont, ed. Clark) (1915/1932)
- Lament of the Maja and the Nightingale (arr. Elliot)
- Spanish Dance No 5 (arr. Yeago)
- Spanish Dance No 9 (arr. La Plante)
- Tonadillas Suite (arr. Ford)