Down Longford Way & Shenandoah

Katharine Parker

Katharine Parker (orch. Percy Aldridge Grainger; trans. Leroy Osmon)

General Info

Year: 1928 / 1935 / 1990
Duration: c. 4:00
Difficulty: III (see Ratings for explanation)
Original Medium: Piano
Publisher: RBC Publications
Cost: Score and Parts (print) - $55.00 | Score Only (print) - $8.00

Instrumentation

Full Score
Flute
Oboe
English Horn (optional)
Bassoon
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
B-flat Contrabass Clarinet
B-flat Soprano Saxophone
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II
Trombone I-II-III
Euphonium
Tuba
Timpani
Percussion, including:

Bells
Crash Cymbals
Gong
Suspended Cymbal

Errata

None discovered thus far.

Program Notes

Down Longford Way is a Tasmanian folk song collected by Katharine Parker, and Shenandoah is a windlass chanty collected by Charles Rosher.

- Program Note from score

The composition is actually two short folk songs that Grainger "dished up" (his term for arranged). Down Longford Way is an arrangement of in "elastic scoring" (flexible instrumentation) of Katharine Parker's music. Grainger arranged it in 1935. Shenandoah was one of Grainger's Sea Chantey Songs for male chorus.

- Program Note from Teaching Music Through Performance in Band

Down Longford Way is based on a Tasmanian folk song collected by Katharine Parker (1886–1971), who was a student of Grainger. The work originates from Parker’s 1928 composition for solo piano entitled Four Musical Sketches. Parker sent her composition to Grainger in 1930 and he orchestrated the second movement in 1935. Leroy Osmon transcribed the orchestral work for band in 1990.

This beautiful ballad is written in a simple ABA’ form. The piece opens with a slow, gorgeous melody played by soprano saxophone that shifts through changing instrumental colors, followed by a quiet, introspective section marked by solo horn and euphonium countermelodies. The glorious reiteration of the opening melody builds to a rich and powerful conclusion.

- University of North Carolina, Greensboro, University Band concert program, 2 October 2018

Commercial Discography

Audio flash drive: University of West Georgia (Carrollton) Wind Ensemble (Josh Byrd, conductor) – 2020

State Ratings

Alabama: Class CC
Florida: III
Georgia: III
Kansas: III
Louisiana: III
Oklahoma: III-A
South Carolina: IV
Texas: III (Down Longford Way only)
Virginia: III

Performances

To submit a performance please join The Wind Repertory Project

Kountze (Tx.) High School Wind Ensemble(Brad Long, conductor)- 28 April 2020 (UIL Concert and Sightreading Contest)
Shenandoah Conservatory (Winchester, Va.) Concert Band (Keith Taylor, conductor) - 5 March 2020
University of West Georgia (Carrollton) Wind Ensemble (Josh Byrd, conductor) – 22 February 2020 (CBDNA 2020 Southern Division Conference, Natchitoches, La.)
Illinois Wesleyan University (Bloomington) May Term Band (Dan Drake, conductor) – 29 May 2019
Ball State University (Muncie, Ind.) Concert Band (Austin Hinkle, conductor) – 24 April 2019
University of Missouri - St. Louis Wind Ensemble (Gary Brandes, conductor) - 17 October 2018
University of North Carolina, Greensboro, University Band (Carolina Perez, conductor) – 2 October 2018
Troy Middle School (Joliet/Shorewood, Ill.) Symphonic Band (Ted Lega, conductor) - 2009

Works for Winds by This Composer

Adaptable Music

Irish Tune from County Derry (Flex instrumentation) (arr. Klarfeld) (1918/2014/2020)
Molly on the Shore (Flex instrumentation) (arr. Sheehan) (1920/2020)
O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (as arranger; ed. Brand and Brion) (1724?/1937-1942/1987)
Prelude in the Dorian Mode (Flex instrumentation) (as scorer)
Shepherd's Hey (Flex instrumentation) (arr. Fisher) (1918/2020)
Two Movements from "Lincolnshire Posy" (Flex instrumentation) (arr. Sweeney) (1937/2019)

All Wind Works

Angelus ad Virginem (as arranger) (1940s)
The Annunciation Carol
The Annunciation Carol (tr. Grainger) (13th Cent./1942/1993)
Arrival Platform Humlet (arr. Eichenberger) (1912/)
Arrival Platform Humlet (tr. Simpson) (1912/1916/1995)
Arrival Platform Humlet (tr. Patterson) (1916/2011)
Australian Up-Country Tune (arr. Bainum) (1930/1970)
Bell Piece (ed. Duffy and Ould) (1935/1953/1991)
Blithe Bells (1931)
Blithe Bells (arr. Jager) (1931/1989)
Blithe Bells (ed. Ould) (1931/2013)
A Bridal Lullaby (arr. Hartley)
Brigg Fair (arr. Ballenger) (1905/1991)
British Waterside (arr. Moss) (1921)
British Waterside (arr. Wilson) (1921/1998)
Children's March (rev. Erickson) (1919/1971)
Children's March (rev. Rogers) (1919/1995)
Children's March (arr. Wagner) (1919/2000)
Choral No 2 for Organ (as scorer; ed. Rogers) (1890/1941/20--?)
Colonial Song (1912/1918)
Colonial Song (ed. Rogers) (1918/1997)
Colonial Song (ed. Topolewski) (1918/2001)
Colonial Song (arr. Wagner) (1919/2014)
Country Gardens (1918/1990)
Country Gardens (arr. Sousa, Brion and Schissel) (1918/1953)
Country Gardens (arr. Karrick) (1918/2013)
Country Gardens (arr. Clark) (1918/1931)
County Derry Air (ed. Ould)
Danish Folk Music Settings (arr. Kreines) (1926-41/1950/)
Danny Deever (arr. Carpenter)
Died for Love
Died for Love (arr. Conway) (1912/2011?)
Down Longford Way & Shenandoah (as orchestrator; arr. Osmon) (1928/1935/1990)
The Duke of Marlborough Fanfare (1939)
The Duke of Marlborough Fanfare (ed. Hunsberger) (1939/2000)
The Duke of Marlborough Fanfare (arr. Ragsdale) (1939/1995)
Early One Morning (arr. Kreines). See: Two Grainger Melodies
Eastern Intermezzo (arr. Warshaw) (1899/1922/)
Faeroe Island Dance (1946//1954/1969)
Father and Daughter (arr. Ragsdale) (1912)
Folk Tune (as arranger) (1923/1942)
Four Grainger Songs (arr. Svanoe) (2003) (unpublished)
Gay but Wistful (tr. Patterson) (1916/2011)
Gay But Wistful. See also: Tune in a Popular London Style
A Grainger Threesome (arr. Ragsdale) (2007)
Green Bushes (1906/2007) (tr. Pappajohn)
Green Bushes. See also: Themes from "Green Bushes"
Gumsucker's March (arr. Rogers) (1914/1942/1996)
Handel in the Strand (arr. Brion and Schissel) (1912/2001)
Handel in the Strand (arr. Goldman) (1912/1961)
Handel in the Strand (arr. Rohrer) (1912/2015)
Harlem 125th Street Walkabout (arr. Hartley)
Harvest Hymn (tr. Kreines) (1940/1983)
Hill Song No. 1 (1902)
Hill Song No. 1 (adapt. Rogers) (1901/1922/1923/1997)
Hill-Song Nr. 1 (trans. Clark) (1901/1922/1923/2019)
Hill Song No. 2 (arr. Rogers) (1907/1929/1990)
Horkstow Grange from "Lincolnshire Posy" (adapt. Sweeney) (1937/2008)
The Hunter in His Career (arr. Robinson)
The Immovable Do (1940)
I'm Seventeen Come Sunday (tr. Daehn) (1905-12/1987)
I'm Seventeen Come Sunday (arr. Wagner) (1905-12/1999)
In a Nutshell (tr. Patterson) (1916/2011)
In Dahomey (arr. Miller)
Irish Tune (arr. Stotter) (1918)
Irish Tune from County Derry (1918)
Irish Tune from County Derry (arr. Clark and Schmidt) (1918/2001)
Irish Tune from County Derry (arr. Erickson) (1918/1970)
Irish Tune from County Derry (Flex instrumentation) (arr. Klarfeld) (1918/2014/2020)
Irish Tune from County Derry (arr. Kreines) (1918/1996)
Irish Tune from County Derry (ed. Renshaw) (1918)
Irish Tune from County Derry (ed. Rogers) (1918/1994)
Irish Tune from County Derry/Shepherd's Hey (tr. Stamp) (1918/2021)
The Jungle Book Suite (arr. Ragsdale) (2011)
Jutish Medley (arr. Kreines)
Lads of Wamphray March (1905/1941)
Lads of Wamphray March (ed. Kreines) (1905/1937/2003)
Lads of Wamphray Ballad (arr. Ragsdale) (1905/2018)
Lincolnshire Posy (1937/1940)
Lincolnshire Posy (ed. Fennell) (1937/1987/2010)
Lincolnshire Posy (ed. Fennell; rev. Rogers) (1937/1987/2010/2020)
Lincolnshire Posy (arr. Higgins) (1937/2008)
Lincolnshire Posy (arr. Osika) (1937/)
Lisbon from "Lincolnshire Posy" (adapt. Sweeney) (1937/2017)
Lord Maxwell's Goodnight (orch. Wilson)
Lord Peter's Stable Boy (1925/1930)
Lord Peter's Stable Boy (arr. Kreines)
Lost Lady Found (arr. Sweeney) (1937/2011)
March (as arranger) (1946)
Marching Song of Democracy (1917/1948/1991)
Marching Song of Democracy (ed. Brion) (1917/1948/1991)
Marching Tune (2013) (arr. Story)
The Merry King (ed. Schissel) (1905/2006)
Mock Morris (arr. Kreines) (1910/1991)
Mock Morris (arr. Patterson) (1910/ )
Mock Morris (arr. Perna) (1910/2010/2016)
Mock Morris (arr. Simpson) (2010/1993)
Molly on the Shore (ed. Rogers) (1920/1998)
Molly on the Shore (ed. Clark and Schmidt) (1920/2002)
Molly on the Shore (arr. Johnston) (1920/2011)
Molly on the Shore (tr. Ragsdale) (1920/1978)
My Dark-Haired Maid (ed. Ragsdale) (1899)
My Robin Is to the Greenwood Gone (arr. Strum) (1912/1999)
Near Woodstock Town (arr. Cramer) (2004)
Nightingale and the Two Sisters, The (arr. Kreines) (1931)
Northern March. See: Youthful Suite
O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (setting) (1724?/1937-1942/1987)
Pagodes from "Estampes" (as arranger) (1903/1928/1996)
A Percy Grainger Portrait (arr. Wagner) (2010)
Percy Grainger Suite (arr. Kreines) (1983)
A Percy Grainger Suite (arr. Erickson) (1996)
The Power of Rome and the Christian Heart (1947/1953)
Prelude in the Dorian Mode (Flex instrumentation) (as scorer)
Scotch Strathspey and Reel (arr. Osmon) (1901-1911/1982)
Sehet was die liebe tut (as arranger) (1937)
Sheep Shearing Song (as arranger) (1904/1923/1942/2017)
Shenandoah (arr. Osmon)
Shepherd's Hey (1918)
Shepherd's Hey (arr. Clark) (1918/2001)
Shepherd's Hey (ed. Rogers) (1918/1994)
Shepherd's Hey (arr. De Stefano) (1918/2012)
Shepherd's Hey (Flex instrumentation) (arr. Fisher) (1918/2020)
Spoon River (1919-29/1940s)
Spoon River (arr. Bainum) (1922/1967/2009)
Spoon River (ed. Carson & Naylor) (1922/2010)
Spoon River (arr. Sheldon) (1922)
Spoon River (arr. Story) (1922/2014)
Six Dukes Went A-Fishin' (arr. Kreines)
The Sussex Mummers' Christmas Carol (scored Goldman) (1916/1965)
The Sussex Mummers' Christmas Carol (arr. Clark) (1916/1996)
The Sussex Mummers' Christmas Carol (arr. Simpson) (1916/1988)
The Sussex Mummers' Christmas Carol (arr. Stotter) (1911/1916/2006)
Themes from "Green Bushes" (arr. L. Daehn) (1906/1987)
This is Not My Plaid (arr. Ragsdale) (2014)
Three Tragic Ballads (arr. Ragsdale) (1924, 1902, 1909/2016)
A Tribute to Grainger (arr. Ragsdale) (1999)
Tune in a Popular London Style (arr. Rogers) (1916/2005)
Tuscan Serenade (as arranger) (1865/1937/1994)
Two Grainger Melodies (trans. Kreines) (1912/1988)
Two Grainger Sweets - Harvest Hymn and Mock Morris (arr. Krienes)
Two Movements from "Lincolnshire Posy" (arr. Ryan) (1937/2019)
Two Movements from "Lincolnshire Posy" (Flex instrumentation) (arr. Sweeney) (1937/2019)
Walking Tune (Woodwind Quintet) (1900)
Walking Tune (arr. L. Daehn) (1900/1940/1988)
Walking Tune (arr. Simpson)
The Warriors (tr. Pappajohn) (1916/1998)
We Have Fed Our Sea for a Thousand Years (1911)
The Widow's Party (arr. Moon) (1923/1929/2011)
The Widow's Party (arr. Osmon) (1923/1929/2009)
Willow, Willow (1911/1992) (orch. Simpson)
Ye Banks and Braes O' Bonnie Doon (1949)
Ye Banks and Braes O' Bonnie Doon (arr. Ragsdale) (1903/1936/2008)
Ye Banks and Braes O' Bonnie Doon (arr. Sweeney) (1949/2006)
Youthful Suite (tr. Rogers) (1899/1950)
- Northern March (arr. Rogers) (c. 1900/2010)
- Rustic Dance (1899/1950/2010)
- Eastern Intermezzo
- English Waltz (1899-1901/1940-1947/1999)
Zanzibar Boat Song (arr. Hazzard) (1902/2013)

Resources

Grainger, P.; Parker, K.; Rosher, C.; Osmon, L. (1990). Don Longford Way and Shenandoah [score]. RBC Publications: San Antonio, Tex.
Miles, Richard B. 2000. Teaching Music Through Performance in Band. Volume 3. Chicago: GIA Publications. pp. 226-229.
Parker, K.; Grainger, P. (1936). Down Longford Way [score]. Boosey & Hawkes: New York.