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Double Concerto
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Subtitle: Baroque
General Info
Year: 2018
Duration:
Difficulty: (see Ratings for explanation)
Publisher: Unknown
Cost: Score and Parts - Unknown
Movements
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Instrumentation
(Needed - please join the WRP if you can help.)
Errata
None discovered thus far.
Program Notes
In a musical style strongly influenced by (and occasionally parodying) American popular music, the subtitle “Baroque” may seem a puzzle at first. It is also the key to Pann’s approach in composing for multiple wind soloists and ensemble. With Bach’s Brandenburgs in the rear-view mirror, Pann has created a glorious hybrid of inspirations with intricate counterpoint, cadenzas, beautiful slow textures, and wild rides, creating a 16-minute, fast-slow-fast concerto grosso.
- Program Note from publisher
Media
None discovered thus far.
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- Arizona State University (Tempe) Wind Symphony (Jason Caslor, conductor; Christopher Creviston, saxophone; Joshua T. Gardner, clarinet) – 6 April 2022
- United States Air Force Band (clarinetist Sara Reese, clarinet; Carolyn Braus, saxophone) - 2019
- Oklahoma State University (Stillwater) Wind Ensemble (Joseph Missal, conductor; Babette Belter, clarinet; Jeffrey Loeffert, saxophone) – 12 February 2019
- Penn State University (University Park) Symphonic Wind Ensemble (Dennis Glocke, conductor) – 9 February 2019
Works for Winds by this Composer
- American Child
- At Her Ladyship's Request (2017)
- The Bach Buch (as transcriber) (2011)
- Baroque (2018)
- Concerto Logic
- Double Concerto (2018)
- Four Factories (2006)
- The High Songs (2015)
- Hold This Boy and Listen (2008)
- Labyrinth (2019)
- My Brother's Brain (2011)
- Richard and Renée (2009)
- Serenade for Winds (2009)
- Slalom (2002/2008)
- A Spanish Silhouette (2010)
- The Three Embraces (2013)
- The Wranger (2006/2016)
Resources
- Carter Pann website Accessed 5 April 2022