Don Giovanni
Wolfgang Amadeus Mozart (arranged by Josef Triebensee)
General Info
Year: 1787 / 1976
Duration:
Difficulty: VI (see Ratings for explanation)
Publisher: Musica Rara
Cost: $67.95
Movements
10. Presto presto pria ch’ei venga
11. Eh via buffone
12. Ah taci, ingiusto core
13. Deh vieni alla finestra
14. Metà di voi qua vadano
15. Vedrai, carino
16. Per queste tue manine
17. Mi tradì quell’ alma ingrata
18. Non mi dir, bell’idol mio
19. Già la mensa è preparata
Instrumentation
Full Score
Oboe I-II
Bassoon I-II
B-flat Soprano Clarinet I-II
Horn in F I-II
Errata
None discovered thus far.
Program Notes
Harmoniemusik (music for a small wind band) enjoyed a great vogue in Europe in the last quarter of the 18th and first quarter of the 19th centuries. J.C. Bach, Haydn, Mozart, Beethoven, Rosetti, Krommer, Druschetzky, and numerous other composers of varying stature composed for the medium. In Vienna, in particular, the nobility vied with one another in maintaining ensembles (usually pairs of oboes, clarinets, horns, and bassoons) of the finest available musicians. Transcriptions of popular operas of the day were especially in demand as repertoire. Meysel's Handbuch lists a very large number of arrangements of operas by Boieldieu, Cherubini, Cimarosa, Dalayrac, Leseur, Mehul, Mozart, Paer, Paisiello, Salieri, Spontini, and others well-known in their lifetimes.
The source of this arrangement is a transcription by Josef Triebensee. He was born in Wittengau, Bohemia, November 21, 1772, the son of Johann Georg Triebensee, a distinguished oboist. Joseph received oboe instruction from this father and composition lessons from J.C. Albrechtsberger. He was engaged as oboist in the Karntnertortheaster in Vienna (1791-1794) and later in the National Theater (1794-1796). His wife was the daughter of Johann Nepomuk Wendt, himself a noted oboist, composer, and transcriber for wind ensembles.
Triebensee became leader of the octet of Prince Alois Liechtenstein in 1796. While in this post he was very active as a composer and transcriber. In 1809 he resigned his position in the Liechtenstein court and devoted the next two years to compositional activities. Later he worked in Brno and Vienna. He succeeded Carl Maria von Weber in 1816 as director of the opera in Prague, retiring in 1838. He died there in 1846. His transcriptions for winds are based on operas, symphonies, keyboard works, and ballets popular in his day. The date of the Don Giovanni transcription is unknown. It could not have been before May 7, 1788, the date of the first Vienna performance of the work. This is evidenced by Triebensee's use of the additions made by Mozart for the first Vienna performance - Dalla sua pace and Mi tradi quell' alma ingrata. The premiere of the opera had taken place in Prague on October 29, 1787.
- Program note from score
Media
(Needed - please join the WRP if you can help.)
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- University of Cincinnati (Ohio) College-Conservatory of Music Chamber Winds (Detrich Morrison-Jones, conductor) - 26 October 2021
- San Luis Obispo (Calif.) Wind Orchestra (Jennifer Martin, conductor) – 1 December 2018
Works for Winds by This Composer
Adaptable Music
- Ave Verum Corpus (Flex instrumentation) (arr. Kjaernes) (1791/1997)
- The Impresario Overture (Flex instrumentation) (arr. Ring) (1786/2020)
- A Little Night Music (Flex instrumentation) (arr. Galvin) (1787/2020)
- The Magic of Mozart (Flex instrumentation) (arr. Huckeby) (1991/2015)
- Mozartarium (Flex instrumentation) (arr. Shishikura) (2012)
- Symphony No. 40 (Flex instrumentation) (arr. Stanton) (1788/2011)
All Wind Works
- Abduction from the Seraglio (arr. Isaac) (1782/1967)
- The Abduction from the Seraglio (tr. Longfield) (1782/2003)
- Abduction from the Seraglio (arr. Wendt) (1782/1975)
- Adagio (arr. Hautvast) (1798/2009)
- Adagio, K. 411
- Alla Turca (arr. Saleh; ed. Steinquest) (1783)
- Allegro Molto (arr. Thornton) (1776/1975)
- Allegro from "Symphony No. 10" (arr. Bobrowitz) (c. 1770/2015)
- Amadeus (arr. Mortimer) (1791/1999)
- Andante Gracioso (arr. Thornton) (1776/1975)
- Ave Verum Corpus (arr. Kreines) (1791)
- Ave Verum Corpus (Flex instrumentation) (arr. Kjaernes) (1791/1997)
- Ave Verum Corpus (arr. Buehlman) (1791/1967)
- Ave Verum Corpus (arr. Williams) (1791/2006)
- Classical Suite for Piano and Band (with Haydn; arr. Curnow) (2005)
- Concerto for 2 Pianos (tr. Dich) (c. 1779/2007)
- Concerto for Bassoon, K191 (arr. Yeago) (1774)
- Concerto for Clarinet, K622 (arr. Rumbelow) (1791/1997)
- Concerto for Horn in E-flat, K417 (arr. Rumbelow) (1783/2000)
- Concerto for Oboe in C major, K314 (arr. Rumbelow) (1777)
- Concerto No. 3 in E-flat Major, K.447 (arr. Bardeen) (c. 1787/1964)
- Concerto No. 3 in E-flat Major, K.447 (tr. Yeago) (c. 1787)
- Concerto No. 4 in E-flat Major, K.495 (tr. Yeago) (c. 1786)
- Così Fan Tutte (arr. Hovey) (1790/1974)
- "Così Fan Tutte" Overture (arr. Jourdan) (1790/1997)
- Die Schlittenfahrt (arr. Hautvast)
- Divertimento in B-flat No. 4, K.186 (1773)
- Divertimento in B-flat major, No. 1 K.270
- Divertimento in Eb, K 166 (1773)
- Don Giovanni (arr. Josef Triebensee)
- Don Giovanni Overture (arr. Thorne) (1787/2017)
- Ein Musikalischer Spass (A Musical Joke) (arr. Thompson)
- Eine Kleine Nachtmusik (arr. Erickson)
- Fantasia in F (arr. Schaefer) (1790/1962)
- Figaro's Wedding (arr. Mayr) (1786/1909)
- Fugue in G minor (arr. Shumway) (c. 1781/1961)
- Horn Quintet in E-flat major (arr. Hoet) (1782/2008)
- Il Re Pastore (arr. Barnes) (1795/1965)
- Il Re Pastore (arr. Hovey) (1795/1968)
- The Impresario Overture (arr. Glover) (1786/2007)
- The Impresario Overture (Flex instrumentation) (arr. Ring) (1786/2020)
- Là ci darem la mano from "Don Giovanni" (arr. Ninmer) (1787/)
- La Clemenza di Tito (arr. Hovey) (1791/1973)
- Le Nozze di Figaro. See also: The Marriage of Figaro
- Le Nozze di Figaro (arr. Bernardini) (1786)
- Le Nozze di Figaro (tr. Peters) (1786/2013)
- Le Nozze di Figaro (tr. Takahashi) (1786/2006)
- A Little Night Music (Flex instrumentation) (arr. Galvin) (1787/2020)
- The Magic Flute (arr. Heidenreich) (1791/1977)
- Magic Flute: Overture (arr. Laurendeau) (1791/1900/1935)
- The Magic of Mozart (Flex instrumentation) (arr. Huckeby) (1991/2015)
- The Marriage of Figaro (arr. Slocum) (1786/1958)
- The Marriage of Figaro. See also: Le Nozze di Figaro
- The Marriage of Figaro Overture. See also: Figaro's Wedding
- Menuetto and Rondo (arr. Snavely) (1783/1972)
- Minuet and Trio (arr. Longfield) (1782/2011)
- Mozart! (arr. Harnsberger) (2006)
- Mozart: Symphony No. 29, First Movement (arr. Bobrowitz) (1774/2013)
- Mozart Alleluia (arr. John O'Reilly)
- A Mozart Celebration (arr. Erickson) (1991)
- A Mozart Festival (arr. Johnson) (1957)
- Mozart Minuet and Rondo (arr. John O'Reilly)
- Mozart Serenade and Dance (arr. John O'Reilly)
- Mozartarium (Flex instrumentation) (arr. Shishikura) (2012)
- Overture to "Abduction from the Seraglio" (arr. Longfield) (1782/2003)
- Overture to "The Magic Flute" (arr. Blomhert) (1791/1982)
- Overture to "The Marriage of Figaro" Harmoniemusik (arr. Wendt) (1786)
- Piano Concerto No. 10. See: Concerto for 2 Pianos
- Requiem, K.626 (arr. Longfield) (1792/2005)
- Romanza from "Horn Concerto No 3, K 447 (arr. Clark) (1787/1997)
- Rondo (arr. Coles) (1791/1955)
- Rondo from the Posthorn Serenade, K320 (arr. Marcus)
- Rondo in Eb for Horn and Orchestra (arr. Saras)
- Serenade in E-flat Major K375 (ed. Leeson & Zaslaw) (1781/1979)
- Serenade K361 also known as Serenade No. 10 "Gran Partita"
- Serenade K375 also known as Serenade No. 11 in E-flat Major
- Serenade No 10 in Bb "Gran Partita" (tr. Thompson) (1781/2019)
- Serenade No 11 in Eb (ed. Fennell) (c. 1781/1791/1995)
- Serenade No. 12 in C minor. See: Serenade in C minor K388
- Serenade in C minor K388
- The Sleigh Ride (arr. Dunnigan) (1791/1998)
- Sonata in A (3rd Movement -- Rondo alla turca) also known as the Turkish March arr. (arr. Amis)
- Sonata for Oboe and Wind Ensemble (arr. Marek)
- Swing Mozart 2004 (arr. Tsunoda) (2004)
- Symphony No. 15 Finale (arr. Daehn) (1722/2006)
- Symphony No. 29: First Movement (arr. Bobrowitz). See: Mozart: Symphony No. 29, First Movement
- Symphony No. 40 (Flex instrumentation) (arr. Stanton) (1788/2011)
- Titus Overture (arr. Moehlmann) (1791/1955)
- Turkish March (arr. Longfield) (ca. 1783/2002)
Resources
- Kuster, Konrad. (1996). Mozart: A Music Biography. Oxford: Clarenden Press.