Danzon Cubano
Aaron Copland (arr. R Mark Rogers)
General Info
Year: 1942 / 1946 / 2000
Duration: c. 7:00
Difficulty: V (see Ratings for explanation)
Original Medium: Two pianos
Publisher: Boosey & Hawkes
Cost: Score and Parts (print) - $110.00 | Score Only (print) - $11.00
Instrumentation
Full Score
C Piccolo
Flute I-II
Oboe I-II
English Horn
Bassoon I-II
Contrabassoon
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
B-flat Contrabass Clarinet
B-flat Soprano Saxophone
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
String Bass
Piano
Timpani
Percussion, including:
- Claves
- Cowbell
- Crash Cymbals
- Gourd
- Maracas
- Slapstick
- Snare Drum
- Suspended Cymbal
- Temple Blocks (2)
- Wood Block
- Xylophone
Errata
None discovered thus far.
Program Notes
This transcription for experienced concert bands is based on Copland's work inspired by his travels to Cuba. The themes of the Danzón are derived from melodic and rhythmic fragments heard by Copland in the dance halls there. Light and elegant, it's a charming work
- Program Note from publisher
Danzón Cubano is a composition for two pianos by American composer Aaron Copland. The piece, written in 1942, was inspired by the Cuban genre of the same name. It was first arranged for orchestra in 1946.
After having premiered El Salón México in Mexico City in 1937, Copland traveled to Havana and other Latin American countries to study their rhythms and musical forms, with which he had a fascination. This trip to Havana led him to write two pieces: Las agachadas, a choral work, and the Danzón Cubano, for two pianos. He completed the latter while he was in Oakland, in the fall of 1942. However, it was largely based on themes, melodies and rhythms that Copland himself either heard or recorded during his stay in Cuba. As Copland himself explained: "The Danzón Cubano is in no sense intended to be an authentic danzón, but only an American tourist's impression". It was written to celebrate the twentieth anniversary of the League of Composers, in a concert entitled Salute to the League of Composers, which was held at New York's Town Hall in December 9, 1942.
- Program Note from Wikipedia
Media
(Needed - please join the WRP if you can help.)
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- Boston University (Mass.) Concert Band (Jennifer Bill, conductor) – 11 December 2017
Works for Winds by This Composer
- Appalachian Spring (arr. Morita) (1944)
- Appalachian Spring (arr. Patterson) (1944)
- Buckaroo Holiday from "Rodeo" (tr. Megan) (1941/2000)
- Buckaroo Holiday from "Rodeo" (tr. Sudduth) (1941)
- Canticle of Freedom (arr. Duffy) (2000)
- Celebration (arr. Lang) (1938/1945)
- Ceremonial Fanfare
- A Copland Portrait (arr. Grundman) (1986)
- A Copland Tribute (arr. Grundman) (1986)
- Danzón Cubano (tr. Rogers) (1949/2000)
- The Dodger (arr. Knox) (c. 1880/1950/)
- The Dodger. See also: Old American Songs I
- Down a Country Lane (tr. Patterson) (1962/1991)
- El Salón México (tr. Hindsley) (1939/1972)
- Emblems (1964)
- Excerpts from "Appalachian Spring" (arr. Longfield) (1944)
- Fanfare for the Common Man (1942/1944)
- Fanfare for the Common Man (arr. Longfield) (1942/1944/2007)
- Finale from "Symphony No. 3" (trans. Patterson) (1946/)
- Four Dance Episodes from "Rodeo" (1946)
- Hoe Down from "Rodeo" (arr. Moss)
- Hoe Down from "Rodeo" (tr. Rogers)
- Inaugural Fanfare
- Laurie's Song (tr. Martin) (1954/ )
- Laurie's Song (arr. Silbert and Buchanan) (1954/ )
- Letter from Home (arr. Belski) (1944)
- Lincoln Portrait (tr. Beeler) (1942/1951)
- Old American Songs (arr. Moss) (1950/2006)
- Old American Songs I (arr. Silvester) (1950/2001)
- Old American Songs II (arr. Duffy) (1952/2001)
- Our Town (arr. Singleton)
- An Outdoor Overture (1938/1948)
- Preamble for a Solemn Occasion (1949/1974)
- The Promise of Living (arr. Curnow) (1954/2012)
- The Promise of Living (tr. Duffy) (1954/2000)
- The Promise of Living (tr. Hile) (1954)
- The Promise of Living (tr. Singleton) (1954/2002)
- Quiet City (arr. Hunsberger) (1941/1992)
- The Red Pony (1969)
- Scenes from "Billy the Kid" (arr. Hilliard) (1941/2000)
- Stomp Your Foot (tr. Duffy) (1954/1956/2000)
- Symphony No. 3. See: Finale from "Symphony No. 3"
- Themes from "An Outdoor Overture" (arr. Curnow) (1938/2014)
- Three Excerpts from "Our Town" and "Simple Gifts" (arr. Cohen)
- Three Latin American Sketches (arr. Mikkelson) (1972/2021)
- Variations on a Shaker Melody (1960)
- Waltz and Celebration (arr. Lang) (1944/1972)
Resources
- Copland, A.; Rogers, M. (2000). Danzón Cubano [score]. Boosey & Hawkes: [New York, NY?]
- Danzón Cubano, Wikipedia Accessed 12 December 2017
- Girsberger, Russ. Percussion Assignments for Band & Wind Ensemble. Volume I: A-K. Galesburg, MD: Meredith Music Publications, 2004, 67. Print.