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Dances with Winds

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Shelley Hanson

Shelley Hanson


General Info

Year: 2008
Duration: c. 12:00
Difficulty: IV (see Ratings for explanation)
Publisher: C. Alan Publications
Cost: Score and Parts - $120.00   |   Score Only - $25.00


Movements

1. Gaida (Bagpipe) - 3:43
2. The Irish Star - 4:41
3. Serbian Dance - 3:11


Instrumentation (Flexible)

Full Score
C Piccolo/Flute II
Flute I
Oboe (or soprano sax or clarinet)
Bassoon (or bass clarinet or euphonium)
B-flat Soprano Clarinet I-II (or alto sax for II)
B-flat Trumpet I-II (or clarinet or soprano sax or alto sax)
Horn in F I (or alto sax)
Horn in F II (or tenor sax)
Trombone (or bassoon or bass clarinet or tenor sax)
Tuba (or Euphonium or Trombone or Bassoon or Bass Clarinet or Contrabass Clarinet or String Bass)
Optional Percussion (Drum Set, ideally)

Optional Timpani and Xylophone


Errata

None discovered thus far.


Program Notes

Dances with Winds is based on folk tunes from three very different European regions.

Movement 1, Gaida, is named after the Macedonian bagpipe, which is less strident that the Celtic bagpipe. The two famous bagpipe tunes that are used show that a gaida can sound either very plaintive or very joyful.

Movement 2, The Irish Star, uses the well-known Irish folk tune “Star of the County Down.” Most often played in march tempo, this tune also can be performed as a waltz. Both versions are used here.

Movement 3, Serbian Dance, is a very fast folk dance called a “kolo.” This particular tune is often referred to as “Ciganski Urnebes.” Urnebes is a very popular type of Serbian salad, and Ciganski means “Gypsy,” so this wild dance is a “Gypsy Salad.”

Each movement may be played separately or as a complete work.

- Program Note by composer


Performance Notes

The instrumentation of Dances with Winds is flexible. Although the “ideal” instrument is listed first for each part, only the flute and clarinet parts must be played by those instruments. This piece may be played by a woodwind choir, or if desired parts may be doubled for performance by a small band. The percussion parts are entirely optional. If only one percussionist is available, the Percussion I part should be used in preference to Timpani/Xylophone. Percussion dynamics are often marked at a lesser level than the ensemble as a whole to encourage the percussionist to play sensitively.


Commercial Discography


State Ratings

None discovered thus far.


Performances

To submit a performance please join The Wind Repertory Project

  • Gustavus Adolphus College (St. Peter, Minn.) Wind Symphony (Emma Silber, conductor) - 11 May 2019
  • University of North Dakota (Bismarck) Wind Ensemble Chamber Players (James Popejoy, conductor) - 28 April 2019
  • Gettysburg (Penn.) College Wind Symphony (Russell McCutcheon, conductor) – 30 September 2016
  • Orange County Wind Symphony (Anaheim, Calif.) (Anthony Mazzaferro, conductor) - 23 November 2014
  • Austin (Minn.) High School Wind Ensemble (Bradley Mariska, conductor) - 4 March 2014
  • Macalester College Wind Ensemble (Shelley Hanson, conductor) - 22 November 2013


Works for Winds by this Composer

Adaptable Music


All Wind Works


References

  • Hanson, S. (2008). Dances with Winds [score]. C. Alan Publications: Greensboro, N.C.