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Country Band March

From Wind Repertory Project
Charles Ives

Charles Ives (trans. Sinclair)


General Info

Year: 1903 / 1974
Original Medium: Theater Orchestra
Duration: c. 4:15
Difficulty: IV (see Ratings for explanation)
Publisher: Theodore Presser Company
Cost: Score and Parts - $95.00   |   Score (Purchase) - $9.50


Instrumentation

Full Score
Piccolo
Flute I-II
Oboe I-II
Bassoon I-II
Eb Soprano Clarinet
Bb Soprano Clarinet I-II-III
Eb Alto Clarinet
Bb Bass Clarinet
Eb Contrabass Clarinet
Alto Saxophone I-II
Tenor Saxophone
Baritone Saxophone
Cornet (in Bb) I-II-III
Trumpet (in Bb) I-II
Horn in F I-II-III-IV
Trombones I-II-III
Euphonium
Tuba
Percussion I-II-III, including

  • Bass Drum
  • Bells
  • Cymbals
  • Snare Drum
  • Triangle
  • Xylophone


Errata

An impossible mute change occurs in the 2nd trumpet part at m. 18. The player may reasonably omit the prior 2-3 measures in order to take the mute, because the notes are covered in tenor sax and 3rd cornet, respectively.


Program Notes

Country Band March was composed around 1903, four years after Ives' graduation from Yale and five years prior to his lucrative insurance partnership with Julian Myrick. Ives had just resigned as organist at Central Presbyterian Church, New York, thus ending thirteen and one-half years as organist of various churches. He was, according to Henry Cowell, "exasperated ... by the routine harmony for hymns." During this period Ives finished his Second Symphony (1902), composed three organ pieces that were later incorporated into his Third Symphony (1904), composed the Overture and March "1776" and various songs and chamber pieces. Apparently, the Country Band March received no performances, and only a pencil score-sketch is in evidence today. Later, Ives seemed very interested in this music, since he incorporated nearly all of it, in one form or another, into the "Hawthorne" movement of Sonata No. 2 (Concord)," The Celestial Railroad,’’ the Fourth Symphony (second movement) and especially "Putnam's Camp" from Three Places in New England.

From the "out of tune" introduction to the pandemonium which reigns at the close, the Country Band March is a marvelous parody of the realities of performance by a country band. While the main march theme is probably Ives' own, the march features an impressive list of quotations that includes Arkansas Traveler, Battle Cry of Freedom, British Grenadiers, The Girl I Left Behind Me, London Bridge, Marching Through Georgia, "Massa's in de Cold, Cold Ground, My Old Kentucky Home, Violets, Yankee Doodle, May Day Waltz and Semper Fidelis. There is rarely anything straightforward about the use of this material; the tunes are subjected to Ives's famous techniques of "poly-everything." Of particular interest is Ives's use of "ragtime" elements to enliven this already spirited march.

- Program Note from score


The Country Band March was composed in 1903 and arranged for full band in 1973 by James Sinclair of Yale University. The piece displays some of Ives’ most distinguishing characteristics, particularly the use of quotations of tunes that were popular in his childhood. Unlike other composers who make use of similar material, Ives sought deliberately to capture the inaccuracies of rhythm and intonation that he usually heard in amateur performances. The results can be wildly humorous and raucous, and affectionately nostalgic, often at the same time.Country Band March later became part of larger works by Ives: the Symphony No. 4 and the "Putnam’s Camp" movement of Three Places in New England.

- Program Note by Richard Franko Goldman


This free-for-all collage of children's tunes, country fiddling, patriotic songs, and two Sousa march allusions (Semper Fidelis and Washington Post, The) was composed first for theater orchestra and later expanded, along with Overture and March "1776" to form Putnam's Camp, the central movement of Ives's orchestral set Three Places in New England. Composed no earlier than 1905, Country Band March recalls the blatant band shenanigans embodied in its sister piece Overture and March "1776" and at the same time points ahead to the frenetic ragtime episodes in Charlie Rutlage and Runaway Horse on Main Street. Clearly defined throughout Sinclair's virtuosic transcription is Ives' use of ragtime to poke infinite fun at the band's late entrances, bad cut-offs, delayed patter, and general miscounting -- often accentuating the major-minor (and other) clashes unleashed by unheeded key signatures. If one had to classify Country Band March in traditional terms, it would be what John Philip Sousa and his contemporaries often dubbed a "humoresque" or "musical joke" -- a grandchild really of Wolfgang Amadeus Mozart's sextet subtitled The Village Musicians, K522.

- Program note by Jonathan Elkus


Awards


Commercial Discography


State Ratings

  • New York: Grade VI


Performances

To submit a performance please join The Wind Repertory Project

  • Western Carolina University (Cullowhee, N.C.) Wind Ensemble (Margaret Underwood, conductor)– 15 November 2019
  • The College of New Jersey (Ewing) Wind Ensemble (Eric Laprade, conductor) – 18 October 2019
  • University of Delaware (Newark) Wind Ensemble (Lauren Reynolds, conductor) – 27 September 2019
  • Indiana University (Bloomington) Concert Band (Jason H. Nam, conductor) – 6 April 2019
  • Wind Symphony of Clovis (Calif.) (Lawrence R. Sutherland, conductor) - 19 December 2018 (2018 Midwest Clinic)
  • Wind Symphony of Clovis (Clovis, Calif.) (Lawrence R. Sutherland, conductor) – 17 October 2018
  • Stephen F. Austin State University (Nacogdoches, Tex.) Wind Ensemble (David Campo, conductor) – 9 October 2018
  • Arizona State University (Tempe) Wind Orchestra (Gary W. Hill, conductor) – 25 September 2018
  • Temple University (Philadelphia, Penn.) Wind Symphony (Patricia Cornett, conductor) – 28 September 2018
  • Quad City Wind Ensemble (Davenport, Iowa) (Brian Hughes, conductor) - 12 May 2018
  • Mercyhurst University (Erie, Penn.) Wind Ensemble (Scott Meier, conductor) - 5 May 2018
  • University of Florida (Gainesville) Wind Symphony (David Waybright, conductor) – 5 April 2018
  • University of Oklahoma (Norman) Wind Symphony (William Wakefield, conductor) – 19 February 2018
  • United States Air Force Band (Washington, D.C.) (Larry H. Lang, conductor) – 3 February 2018
  • University of Michigan (Ann Arbor) Symphony Band (Michael Haithcock, conductor) – 2 February 2018
  • University of Richmond (Va.) Wind Ensemble (David Niethamer, conductor) – 19 November 2017
  • San Francisco Wind Ensemble (Brad Hogarth, conductor) – 10 June 2017 (Golden Gate Park Band Festival)
  • Johns Hopkins University (Baltimore, Md.) Peabody Wind Ensemble (Harland D. Parker, conductor) – 28 April 2017
  • University of Arizona (Tucson) Wind Ensemble (Chad R. Nicholson, conductor) – 23 March 2017
  • University of Georgia Hodgson Wind Symphony (Jaclyn Hartenberger, conductor) – 22 March 2017


Works for Winds by this Composer


Resources