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Concerto for Trombone (arr Wick)

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Gordon Jacob

Gordon Jacob (arr. Denis Wick)


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General Info

Year: 1956 / 1999
Duration: c. 18:50
Difficulty: V+ (see Ratings for explanation)
Original Medium: Trombone and orchestra
Publisher: Denis Wick Publishing
Cost: Score and Parts (print) - £60.00


Instrumentation

Full Score
Solo Trombone
C Piccolo
Flute I-II
Oboe I-II
Bassoon I-II
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
E-flat Contrabass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet (or Cornet) I-II-III
F Horn I-II
Trombone I-II
Bass Trombone
Euphonium
Tuba
String Bass
Timpani
Percussion I-II-III

(percussion detail desired)


Errata

None discovered thus far.


Program Notes

Probably one of Gordon’s best-known and popular concertos, and one of the few with full orchestra, this concerto is one of the true standards in the original trombone solo literature. At the time it was composed (1956) there were few concertos for the instrument, and this work is almost certainly the most performed of all that have been written, before and since it appeared.

The nobility of the instrument is prominent at the very start of the work with its opening and closing maestoso recitative-like passages, between which a syncopated allegro molto forms the main part of the first movement. In the second movement the trombone sings its plaintive song, at one point in a higher register than an accompanying flute. The final movement with its march theme rounds off the work in rousing style. The trombone in this work has to be very flexible and agile as well as powerful and regal.

- Program Note by Steiner & Bell


Commercial Discography

None discovered thus far.


Media


State Ratings

None discovered thus far.


Performances

To submit a performance please join The Wind Repertory Project

  • Indiana University (Bloomington) Symphonic Band (Eric M. Smedley, conductor; Jonathan Kraft, trombone) – 3 April 2018


Works for Winds by this Composer


Resources

  • Eric Smedley, personal correspondence, March 2018