Christmas Intrada, A

Alfred Reed

Alfred Reed

General Info

Year: 1980
Duration: c. 9:00
Difficulty: IV (see Ratings for explanation)
Publisher: Hal Leonard
Cost: Score and Parts (print) - $70.00   |   Score Only (print) - $7.50

Instrumentation

Full Score
C Piccolo/Flute III
Flute I-II
Oboe I-II
English Horn
Bassoon I-II
Contrabassoon
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
B-flat Contrabass Clarinet
E-flat Alto Saxophone
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Cornet I-II
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
String Bass
Timpani
Percussion I-II, including:

• Bass Drum
• Bells
• Chimes I-II
• Crash Cymbals
• Tambor
• Triangle

Antiphonal Brass (Trumpet I-II-III and Trombone I-II on both left and right sides)

Errata

None discovered thus far.

Program Notes

The celebration of the Nativity has called forth countless songs, dances, carols, plays, and combinations of these, involving both vocal and instrumental forces. Throughout the centuries, music for the Nativity has intertwined the feeling of radiant joy and infinite tenderness in many different ways.

A Christmas Intrada represents an attempt to portray, in musical terms alone, five contrasting moods associated with the festivities of the Christmas season. These five sections are played without pause. They are: Fanfare: Christus Natus Est, for brass, chimes, bells and percussion only; Lullaby for the Christ Child played by the woodwind and saxophones; Processional of the Kings and Shepherds played by the full group; Carol for the Holy Night for woodwinds, saxophones and muted brass; and, finally, Wassail and Alleluia beginning with the bells and chimes alone, and gradually growing to include not only the full group but also antiphonal brass choirs, to bring the entire work to a joyous and triumphant conclusion.

A Christmas Intrada was commissioned by the Middle Tennessee State University Band and dedicated to the bands who annually participate in the Contest of Champions, on the occasion of its twentieth anniversary (1981). The first performance took place on that occasion, at Murfreesboro, Tennessee, October 23, 1981, with the U.S. Marine Band, plus antiphonal brass choirs.

- Program Note from Illinois State University Symphonic Band concert program, 1 December 2016

Media

• Audio CD: United States Army Field Band - 1998

State Ratings

• Louisiana: IV

Performances

To submit a performance please join The Wind Repertory Project

• Triangle Wind Ensemble (Cary, N.C.) (Evan Feldman, conductor) - 11 December 2022
• Wisconsin Lutheran College (Milwaukee) Concert Band (Erin Meissner, conductor) – 7 December 2018
• Prairie Wind Ensemble (East Peoria, Ill.) (Jim Tallman, conductor) – 10 December 2017
• Lone Star Symphonic Band (Katy, Texas) (Bob Bryant, conductor) – 11 December 2016
• Illinois State University (Normal) Symphonic Band (Dan Dietrich, conductor) – 1 December 2016
• Flint (Mich.) Concert Band (Bruce Nieuwenhuis, conductor) - 18 December 2015
• McMurry University (Abilene, Texas) Wind Ensemble (David Robinson, conductor) – 4 December 2014

Works for Winds by This Composer

Adaptable Music

• Come, Sweet Death (Flex instrumentation) (as transcriber; arr. Benson) (1736/1976/2019)
• A Festival Prelude (Flex instrumentation) (arr. Haga) (1962/2019)
• Two Bagatelles (Flex instrumentation) (arr. Clark) (1983/1997/2010)

All Wind Works

• Acclamation!
• Alleluia! Laudamus Te (1973)
• Arioso (as arranger) (1729/1998)
• Armenian Dances (1972-1978)
  • Armenian Dances, Part One (1972/1974)
  • Armenian Dances, Part Two (1978)
• Around the World in 80 Days: Selections (as arranger; ed. Rogers) (1957/2017)
• Autumn Leaves (as arranger; ed. Rogers) (1947/2017)
• Ballade (1956/1999)
• Bachianas Brasileiras No. 4 Suite (as arranger) (1965)
• Berceuse and Finale from "The Firebird" (as editor; arr. McAlister) (1910/2005)
• The Big East March (1997)
• Canto e Camdombe
• Carmen (as editor; tr. McAlister) (1875/2000)
• A Celebration Fanfare (1989)
• A Ceremonial Fanfare (1971)
• Ceremony of Flourishes (1964)
• Chanson Triste (as arranger) (1878/1989)
• Characteristic Dances from "The Nutcracker Suite" (as editor with McAlister; tr. Rogan) (1892/2001)
• Children's Suite (2000)
• A Christmas Suite (1974)
• Chorale Prelude in E minor (1953/1966)
• A Christmas Celebration (1987)
• A Christmas Intrada (1980)
• Clear Track Polka (as arranger) (1869/2000)
• Come, Sweet Death (as arranger) (1736/1976)
• Come, Sweet Death (as transcriber; arr. Benson) (1736/1976/2019)
• Concertino (as arranger; ed. McCathren) (1811/1962)
• Concertino for Marimba and Winds (1993)
• Concerto for Trumpet and Winds (1995/1997)
  • Sonata
  • Slow Blues, Jazz Waltz
  • Song, Samba
• Curtain Up! (1991)
• Dance of the Hours (as editor; tr. Kennedy) (1876/)
• Danza Caribe (1986)
• Deck Thyself, My Soul, With Gladness (as arranger) (1653/1724/1990)
• Divertimento for Flute and Band (1998)
• Double Wind Quintet (1975)
• East and West (2003)
• El Camino Real (1985)
• El Camino Real (arr. Longfield) (1985/2013)
• The Enchanted Island (1980)
• The Entertainer (as arranger) (1902/1974)
• Evolutions (1993)
• Exhortation and Praise (2003)
• Fanfare and Processional (2005)
• The Fantasticks (as arranger) (1966)
• Fantasy on "Black Is the Color of My True Love's Hair" (as arranger) (1973)
• A Festival Prelude (1962)
• A Festival Prelude (Flex instrumentation) (arr. Haga) (1962/2019)
• A Festive Overture (1963)
• Fifth Suite for Band (1995)
• Fifth Symphony (1995)
• Finlandia (as editor; tr. McAlister) (1900/2004)
• First Suite for Band (1975)
• Five Cameos (2002)
• Five Dances for Five Clarinets and Band
• Forget Me Not, O Dearest Lord (as arranger) (c. 1736/1985)
• Fourth Suite for Band (1994)
• Fourth Symphony (1992)
• French Suite
• Funiculi Funicula (as arranger) (1880/1994)
• The Garden of Proserpine
• Giligia (2000)
• Golden Eagle (1989/1995)
• Golden Jubilee (1987)
• The Golden Year (1997)
• Greensleeves (1993/2011)
• Gypsy Dance (as arranger) (1872/1997)
• Havana Moon
• Highlights from "Exodus" (as arranger) (1960/1962)
• Highlights from Walt Disney's "Mary Poppins" (as arranger) (1963/1965)
• The Hounds of Spring (1981)
• Huldigungsmarsch (as editor) (1864/2002)
• Hungarian Rhapsody No. 2 (as editor; tr. McAlister) (1853/2002)
• Hymn Variants (1992)
• I Left my Heart in San Francisco (as transcriber; ed. Rogers) (1954/1963)
• Imperatrix (1972)
• In Dulci Jubilo (as arranger) (1970)
• In Memoriam (1972)
• Intrada Drammatica (1968/1992)
• Jazz Waltz. See: Concerto for Trumpet and Winds
• Jesu, Joy of Man's Desiring (as arranger) (1723/1981)
• Jidai (2001)
• Joyeux Noël (Brass Ensemble) (1998)
• Joyeux Noël (Wind Ensemble) (1998/2001/2002)
• A Jubilant Overture (1970)
• A Jubilant Overture (arr. Conaway) (1970/2011)
• The King of Love My Shepherd Is (1995)
• L’Arlésienne Suite No 2 (as editor, with McAlister) (1872/2002)
• Laid-Back Rag
• Light Cavalry Overture (as editor; tr. McAlister) (1866/2003)
• A Little Concert Suite (1984)
• Lumberjack Overture
• Macarena (as arranger) (1992)
• Mancini! (as arranger) (1965)
• March Grandioso (as arranger) (1901/1969)
• Mary Poppins (as arranger) (1964/2006)
• Might and Majesty
• Millennium III (1999)
• Mr. Music (1990)
• The Music-Makers (1968)
• Music for Hamlet (1973/2018)
• Music in the Air! (2000)
• The Music Man: Highlights (as arranger) (1957/1959)
• My Fair Lady (as arranger) (1956/?)
• My Heart Is Filled With Longing (as arranger) (c. 1710/1986)
• Nimrod (as arranger) (1899/1965)
• Nocturne (as arranger) (1886/1953/1975)
• A Nordic Trilogy (with Erickson and Davis) (1967)
• A Northern Legend (1972)
• O Little Town (as arranger)
• O Most Wonderful (as arranger)
• Ode for Trumpet (1956)
• Old and New (2002)
• Othello (1977)
• Our Father Who Art in Heaven (as arranger) (1710/1988)
• Passacaglia (1967)
• Pavane for a Dead Princess (as orchestrator; ed. McAlister) (1899/1988)
• Piccolo Concerto in C major (as arranger) (1728-29/1962/1969)
• Pilgrim's Chorus (as arranger) (1845/1991)
• The Pledge of Allegiance (1970)
• Pomp and Circumstance Military March No. 1 (as editor; tr. Retford) (1907/2000)
• Pomp and Circumstance Military March No. 2 (as editor; tr. Retford) (1907/2000)
• Pomp and Circumstance Military March No. 3 (as editor; tr. Retford) (1907/2000)
• Pomp and Circumstance Military March No. 4 (as editor; tr. Retford) (1907/2000)
• Praise Jerusalem! (1986)
• Prelude IV (as arranger) (1722/1983)
• Prelude and Capriccio (1978)
• Prelude, Op. 9, No. 1 (as arranger) (1894/1985)
• Prelude to Act III from "Lohengrin" (as arranger, with McAlister) (1850/2006)
• Presentation of the Silver Rose (as arranger) (1910/1988)
• Pro Texana (1984)
• Punchinello (1974)
• Radetzky March (as arranger) (1848/1993)
• Rahoon (1965)
• The Ramparts of Courage (1995)
• Rosalind in the Forest of Arden (2005)
• Rushmore (1981)
• Russian Christmas Music (1944)
• Russian Christmas Music (arr. Curnow) (1944/1990)
• A Sacred Suite
• Salutations! (1995)
• Samba. See: Concerto for Trumpet and Winds
• Seascape: A Dramatic Intermezzo (1962)
• Second Century (1986)
• Second Suite for Band (1980)
• Second Symphony (1979)
• Selections from Walt Disney's "Mary Poppins" (as editor; arr. Kostal) (1963/1964)
• Serenade (1966)
• Seventh Suite for Band (2002)
• The Severn Suite (as arranger) (1973)
• Siciliana Notturno (1977)
• Silver Shadow (1998/1999)
• Sine Nomine (as arranger) (1906/1976)
• Sixth Suite for Band
• Slavonic Folk Suite (1953/1987)
• Slow Blues. See: Concerto for Trumpet and Winds
• Sonata. See: Concerto for Trumpet and Winds
• Song. See: Concerto for Trumpet and Winds
• Song of the High Cascades
• Song of Threnos (1964)
• A Springtime Celebration (1991)
• The Strenuous Life (as arranger) (1902/1974)
• Sumus Futuro (1999)
• A Symphonic Prelude (1963)
• Symphony for Brass and Percussion (1952/1967)
• Symphony No. 1. See: Symphony for Brass and Percussion
• Symphony No. 2. See: Second Symphony
• Symphony No. 3 (1988)
  • Variations on the Porazzi Theme of Wagner (1882/1988)
• Symphony No. 4. See: Fourth Symphony
• Symphony No. 5. See: Fifth Symphony
• Tannhäuser Grand March (as editor; tr. McAlister) (1847/2005)
• Tarantella (1996)
• Testament of an American (1974)
• Theme from "Lawrence of Arabia" (as arranger) (1963)
• Third Suite for Band (1982)
• Third Symphony. See: Symphony No. 3
• Three Chorales (as arranger; ed. McAlister) (?/2013)
• Three Revelations from the Lotus Sutra (1984)
• Three Symphonic Preludes (as arranger)
• Thunder and Lightning (1999)
• The Tsar's Farewell (as arranger) (2001)
• Twelfth Night (2003)
• Two Bagatelles (Flex instrumentation) (arr. Clark) (1983/1997/2010)
• Two Bagatelles (1983/1995)
• Two Bagatelles for Concert Band (1983/1997)
• Two Bagatelles for Four Trombones (1983)
• Variations on the Porazzi Theme of Wagner. See: Symphony No. 3
• Victory! (2005)
• Vilia (as arranger) (1905/1990)
• Vilabella March (as editor) (1970)
• Viva Musica! (1984)
• Wapawekka (1963)
• With Trumpets And Drums (1992)

Resources

• Reed, A. (1980). A Christmas Intrada : For Concert Band/Wind Ensemble and (Opt.) Antiphonal Brass Choirs : 1980 [score]. Piedmont Music: [s.l.].
• Reed, Alfred. "A Christmas Intrada: Some Seasonal Thoughts...Before the Season!." The School Musician vol. 54, no. 1, August-September 1982, pp. 12-14.