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Chaconne (Bach)
Johann Sebastian Bach (arr Yasuhide Ito)
Subtitle: From Partita No. 2 for Solo Violin in D minor, BWV 1004
General Info
Year: c. 1720 / 1987 / 2017
Duration: c. 8:30 (1988 version); c. 11:52 (2017 version)
Difficulty: V (see Ratings for explanation)
Original Medium: Violin
Publisher: Bravo Music
Cost: Score and Parts (print) - $180.00 | Score Only (print) - $20.00
Instrumentation
Full Score
C Piccolo
Flute I-II
Oboe
Bassoon
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
B-flat Contrabass Clarinet (2017 version only)
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
String Bass
Timpani
Percussion I-II-III, including:
- Bass Drum
- Castanets
- Chimes
- Crash Cymbals
- Glockenspiel
- Marimba
- Snare Drum
- Suspended Cymbal
- Tambourine
- Tam-Tam
- Triangle
- Vibraphone (2017 version only)
Errata
None discovered thus far.
Program Notes
Chaconne is a form of ancient dance, one of many variations. Bach adopted the form and transformed it into a grand ten-minute masterpiece that features a solo violin. This work has seemingly inspired many composers after him. Brahms and Busoni, for example, have arranged the piece for the piano. There are also arrangements for string orchestras.
This summer, I myself have written an arrangement featuring the saxophone, too. This rendition for the wind band was originally written in 1987.
- Program Note by arranger
The Partita in D minor for solo violin (BWV 1004) by Johann Sebastian Bach was written between 1717 and 1720. It is a part of his compositional cycle called Sonatas and Partitas for Solo Violin. The Chaconne (called Ciaccona) is the fifth of five movements.
Professor Helga Thoene suggests that this partita, and especially its last movement, was a tombeau written in memory of Bach's first wife, Maria Barbara Bach (who died in 1720), though this theory is controversial. Yehudi Menuhin called the Chaconne "the greatest structure for solo violin that exists". Violinist Joshua Bell has said the Chaconne is "not just one of the greatest pieces of music ever written, but one of the greatest achievements of any man in history. It's a spiritually powerful piece, emotionally powerful, structurally perfect."
Raymond Erickson has identified approximately two hundred transcriptions and arrangements of Bach's Ciaccona.
- Program Note from Wikipedia
The 2017 edition can be considered the completed version, preceded by a version arranged in the year 1988, which featured only extracts from the original Bach piece.
A great number of composers have arranged the Chaconne the final movement of J.S. Bach's Partita in D minor for solo violin, BWV 1004 into various renditions. Some well-known ones include J. Brahms' (1833-1897) Piano for the Left-Hand, Hideo Saito's (1902-1974) orchestral arrangement, and in particular, F. Busoni's piano arrangement has recreated Bach in a hugely dynamic way. As far as these "arrangements" go, they were newly devised creations, while retaining the essence of the original, hence, leading to an attractive idea for me to create an arrangement that hails the colorful attributes of a wind ensemble.
The idea of using the trombone ensemble as the introduction of the piece was put forward by Kenichi Watanabe, an esteemed friend of mine. It inspired me to orchestrate the entire work utilizing, to some extent, Schoenberg's Klangfarbenmelodie (sound-color melody) with reference to Busoni's arrangement.
Moreover, this piece is created based on the golden ratio: the ratio between the minor and major in the beginning, the ratio between the major and minor part at the end, all contemplated to be close to the golden ratio (with the part leading to the major being almost half).
In comparison, various parts in the 1988 edition were shortened, in relation to the golden ratio. It featured a total count of 34 four-bar units. The original features 64. The 2017 edition, being a "complete" version in my terms, actually features 61, still shorter than the original.
This piece, including the original Bach piece, tends to be performed with a slightly heavy tempo. However, chaconne is originally dance music, and should be performed with a rather light tempo, hence the simplified design for the tempo of this piece.
This piece was first performed on 22 June 2017 at Senzoku Gakuen Maeda Hall, by the Senzoku Gakuen College of Music Green-Tie Wind Ensemble, conducted by Sachio Fujioka.
-Program note by arranger
Media
State Ratings
- Louisiana: V
- Texas: V. Complete
Performances
To submit a performance please join The Wind Repertory Project
- Senzoku Gakuen College of Music (Kawasaki, Japan) Green Tie Wind Ensemble (Yukio Fujioka, conductor) - 22 June 2017 *Revised Version Premiere Performance*
Works for Winds by This Composer
Adaptable Music
- The Bach Initiative (Flex instrumentation) (arr. Folliard) (2019)
- Choral Prelude BWV 727 (Flex instrumentation) (arr. Costa)
- Come, Sweet Death (Flex instrumentation) (tr. Reed; arr. Benson) (1736/1976/2019)
- Contrapunctus XIV (Flex instrumentation) (arr. Aho) (2018)
- French Suite No. 2 (Flex instrumentation) (arr. Shishikura) (1722/)
- Fugue en sol mineur BWV 578 (Flex instrumentation) (arr. Costa) (1703-1707/)
- O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (arr. Grainger; ed. Brand and Brion) (1724?/1937-1942/1987)
- Prelude and Fugue in B-flat major (Flex instrumentation) (arr. Ring) (?/2020)
- Three Fugues by J.S. Bach (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 2 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 16 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 23 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Wachet Auf (Flex instrumentation) (arr. DeJonge) (1731/2020)
All Wind Works
- 5 Preludes and Fugues (arr. Beyrent)
- Adagio (arr. Hautvast)
- Adagio (arr. Warner)
- Air (arr. Hautvast)
- Air (arr. Klemke) (c. 1730/2006)
- Air (tr. Lang) (c. 1730/1958)
- Air for Woodwind Choir (arr. Blahnik)
- Allegro: From Brandenburg Concerto #3 (arr. Daehn) (1721/1980)
- Arioso (arr. De Haan) (1729/2000)
- Arioso (arr. Hill) (1729/1984)
- Arioso (arr. Reed) (1729/1998)
- The Art of Fugue (tr. Amis) (c. 1745)
- Ave Maria
- Ave Maria (Bach-Gounod) (arr. Lovrien) (1853/2004)
- Bach: Air (arr. McGinty) (c. 1730/)
- The Bach Buch (tr. Pann) (2011)
- Bach Chorale and March (arr. Wilson) (c. 1730/1990)
- Bach: Chorale and Variation (arr. McGinty) (1994)
- Bach Fugue (arr. Kinyon) (/1984)
- The Bach Initiative (Flex instrumentation) (arr. Folliard) (2019)
- Bach's Fugue à la Gigue (ed. Brand). See: Fugue à la Gigue
- Bach's Fugue à la Gigue (tr. Holst; ed. Mitchell) (1921/2005)
- Before Thy Throne I Now Appear (arr. Bukvich) (1750/1993)
- Berceuse (arr. Hautvast) (/1994)
- Bourrée (arr. Isaac) (1720/1969)
- Brandenburg Concerto No. 3 (arr. Marlatt) (1721/2011)
- Brandenburg Concerto No 3. See also: Allegro: From Brandenburg Concerto #3
- Canzona (orch. Stock)
- Chaconne (arr. Ito) (1720/1987)
- Chaconne and Festive Aria (arr. Daehn)
- Chaconne in D Minor (arr. Daehn) (1720/)
- Chaconne in D Minor (tr. Whitwell) (1720/2015)
- Choral Prelude BWV 727 (Flex instrumentation) (arr. Costa)
- Chorale and Fugue (arr. Warner)
- Chorale and Fugue in F Major (arr. Daehn) (1988)
- Chorale Prelude on "A Mighty Fortress Is Our God" (tr. Damrosch; adapt. O'Toole)
- Chorale in C Minor (arr. Topolewski) (2012)
- Christ He Is My Life (arr. Cailliet) (1973)
- Christmas Pastorale (arr. Hastings) (1970)
- Ciaccona (arr. Votta) (1720/2021)
- Come, Blessed Peace (arr. Tolmage) (1736/1958)
- Come, Sweet Death (arr. Reed) (1736/1976)
- Come, Sweet Death (Flex instrumentation) (tr. Reed; arr. Benson) (1736/1976/2019)
- Concerto IV (Alto Saxophone and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
- Concerto IV (Alto Saxophone, Piano and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
- Concerto IV (Flute and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
- Concerto IV (Flute, Piano and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
- Concerto IV (Soprano Saxophone and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
- Concerto IV (Soprano Saxophone, Piano and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
- Concerto for Prince Johann (arr. Daehn) (c. 1713 / 2011)
- Contrapunctus I (arr. Barnes) (c. 1745/1988)
- Contrapunctus I (arr. King) (c. 1745/1960)
- Contrapunctus III (arr. King) (c. 1745/1955)
- Contrapunctus IX (arr. Clark) (c. 1745/2005)
- Contrapunctus V (arr. Daehn) (c. 1745)
- Contrapunctus XIV (Flex instrumentation) (arr. Aho) (2018)
- Deck Thyself, My Soul, With Gladness (arr. Reed) (1990)
- Fantasia and Fugue in C Minor (arr. Elgar; tr. Topolewski) (1727?)
- Fantasia and Fugue in C Minor (arr. Elgar; arr. Nowlin) (1727?/2016)
- Fantasia and Fugue in C minor, BWV 537 (arr. Hunsberger) (1727?/1997)
- Fantasia and Fugue in G minor (arr. Horovitz) (c. 1838/1986)
- Fantasia and Fugue in G minor, BWV 542 "The Great" (arr. Boyd) (c. 1838/1985)
- Fantasia in C (arr. Sterk) (1706/2017)
- Fantasia in G, BWV 572 (arr. Boyd) (1703-7/1957/1985)
- Fantasia in G, BWV 572 (arr. Goldman) (1703-7/1957/2012)
- Fervent is My Longing; Fugue in G Minor (tr. Cailliet) (c. 1710/1935/2006)
- Forget Me Not, O Dearest Lord (arr. Reed) (c. 1736/1985)
- French Suite No. 2 (Flex instrumentation) (arr. Shishikura) (1722/)
- Fugue à la Gigue (tr. Holst; ed. Brand) (1921/2008)
- Fugue à la Gigue (ed. Mitchell). See: Bach's Fugue à la Gigue
- Fugue à la Gigue (arr. Rondeau) (1921/2011)
- Fugue en sol mineur BWV 578 (Flex instrumentation) (arr. Costa) (1703-1707/)
- Fugue in B-flat Major (arr. Daehn) (1722/1988)
- Fugue in E-flat Major (tr. Abrams and Jones) (1739/2019)
- Fugue in G Minor (arr. Kimura) (1703-1707/1993)
- Fugue in G Minor (arr. Rechtman) (1703-1707/)
- Fugue No. 2 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 16 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 23 (Flex instrumentation) (arr. Danyew) (1722/2020)
- God Still Lives (arr. Reed)
- Goldberg Variations (arr. Colgrass)
- Hertzlich tut mich verlangen. See: Fervent is My Longing; Organ Fugue in G Minor
- If Thou Be Near (arr. Moehlmann) (1725/1940)
- If Thou Be Near (arr. Reed) (1725/1984)
- In Dulci Jubilo (arr. Reed) (1970)
- Jesu, Joy of Man's Desiring (tr. Cailliet) (1723/1962)
- Jesu, Joy of Man's Desiring (arr. Custer) (1723/1975/1997)
- Jesu, Joy of Man's Desiring (arr. Hazo) (1723/2012)
- Jesu, Joy of Man's Desiring (tr. Leidzen) (1723/1936)
- Jesu, Joy of Man's Desiring (arr. Moerenhout) (1723/2019)
- Jesu, Joy of Man's Desiring (arr. Pekas) (1723/)
- Jesu, Joy of Man's Desiring (arr. Reed) (1723/)
- Jesu, Joy of Man's Desiring (arr. Sapieyevski) (1723/)
- Jesu, Joy of Man's Desiring (arr. Sparke) (1723/2004)
- Jig Fugue (arr. Marlatt) (2003)
- Komm, Susser Tod (arr. Leidzen) (1736/1936)
- A Little Bach Suite (arr. Gordon) (1966)
- Little Fugue (arr. Romm; adapt. Custer) (c. 1705/1974/1991)
- Little Fugue in G minor (arr. Howland) (c. 1705/1974/2015)
- Little Fugue in G Minor, BWV 578 (arr. Parks)
- March (arr. Grainger) (1946)
- My Heart, Ever Faithful (arr. Barnes) (1988)
- My Heart is Filled With Longing (arr. Reed) (c. 1710/1986)
- My Jesus, Oh What Anguish (arr. Reed)
- My Soul Longeth to Depart in Peace
- Nun komm der Heiden Heiland (arr. McAlister)
- Nun komm, der Heiden Heiland (arr. Stert) (c. 1748/2013)
- O Jesu Christ, meins Lebens Licht (arr. Westover) (c. 1736/2017)
- O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (arr. Grainger; ed. Brand and Brion) (1724?/1937-1942/1987)
- Our Father Who Art in Heaven (arr. Reed) (1710/1988)
- Passacaglia (arr. Glover) (c. 1703-1713?/2014)
- Passacaglia and Fugue in C minor (tr. Hunsberger) (1703-1713?/ 1968/1975)
- Passacaglia and Thema Fugatum in C Minor (tr. Stowkowski; ed. Sosnowchik) (1703-1713?/2014)
- Passacaglia and Fugue in C minor (tr. Falcone) (ca. 1712/1969)
- Passacaglia from "Cantata No. 12" (arr. Daehn) (1714/2011)
- Präludium und Fuge d-Moll (tr. Rechtman) (1722/2003)
- Prelude IV (arr. Reed) (1722/1983)
- Prelude and Fugue No. 6, BWV 535 (arr. Anthenien) (1722/1979)
- Prelude and Fugue in A-flat, BWV 557 (tr. Moehlmann) (1964)
- Prelude and Fugue in Bb major (Brass Ensemble) (arr. Beyrent)
- Prelude and Fugue in B-flat major (Brass Quintet) (arr. Beyrent)
- Prelude and Fugue in B-flat major, BWV 553 (arr. Moehlmann) (1852/1955)
- Prelude and Fugue in B-flat major BWV 553 (Flex instrumentation) (arr. Ring) (?/2020)
- Prelude and Fugue in B-flat minor, BWV 559 (arr. Moehlmann) (1852/1969)
- Prelude and Fugue in C major (arr. Beyrent)
- Prelude and Fugue in D major, BWV 532 (arr. Steinmetz) (1710/2018)
- Prelude and Fugue in D minor, BWV 554 (arr. Beyrent) (1722/2001)
- Prelude and Fugue in D minor, BWV 555 (arr. Coleman) (1852/2017)
- Prelude and Fugue in D minor, BWV 554 (tr. Moehlmann) (1852/1988)
- Prelude and Fugue in D minor (tr. Rechtman). See: Präludium und Fuge d-Moll
- Prelude and Fugue in E-flat, BWV 552 (setting Hunsberger) (c. 1739/2009)
- Prelude and Fugue in F major (arr. Moehlmann) (1852/?)
- Prelude and Fugue in F minor, BWV 555 (arr. Moehlmann) (1852/1954)
- Prelude and Fugue in G minor, BWV 535 (tr. Moehlmann) (1852/1939)
- Prelude, Chorale and Fugue (arr. Godfrey) (1919)
- Prelude in E-flat, BWV 552 (arr. Tamura) (c. 1739/2001)
- Prelude No. 22 (tr. Lynch) (c. 1722/2013)
- "Ricercare a 6" from Musical Offering, BWV 1079 (tr. McAlister)
- Saint Anne's Fugue (arr. Rhoads) (1965)
- Sarabande (arr. Kennaway) (1972/1977/1995)
- Second Bach Suite for Band (tr. Tolmage) (1965)
- Sehet was die liebe tut (arr. Grainger) (1937)
- Sheep May Safely Graze (arr. Reed) (1713/1981)
- Sinfonia from "Cantata No 29" (arr. Ninmer)
- Sinfonia from "Cantate 156" (arr. Daniels) (1729/)
- Sixteen Chorales (ed. King) (1958)
- Sixteen Chorales (arr. Lake) (1938)
- Sleepers, Awake! (arr. Patterson) (1731/1995)
- Sleepers, Awake! (arr. Reed) (1731)
- Sleepers, Awake! (tr. Sparke) (1731/2002)
- Songs of Exaltation (arr. Gordon) (1974)
- St. Anne. See: Prelude and Fugue in E-flat
- Three Fugues by J.S. Bach (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 2 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 16 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 23 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Thus Do You Fare, My Jesus (arr. Reed)
- Toccata, Adagio and Fugue in C Major (arr. Rechtman) (c. 1717)
- Toccata, Adagio, and Fugue, BWV 564 (tr. Paynter) (c. 1717/2000)
- Toccata, Adagio and Fugue (tr. Knox) (c. 1717)
- Toccata, Aria, and Fugue in C Major (tr. Knox) (c. 1717)
- Toccata & Fuge d-Moll (arr. Goldhammer) (1705/2011)
- Toccata and Fugue in D minor (arr. Goldhammer). See: Toccata & Fuge d-Moll
- Toccata and Fugue in D minor (tr. Goto) (1705/2014)
- Toccata and Fugue in D minor (tr. Hindsley) (1705)
- Toccata and Fugue in D minor (tr. Hunsberger) (1705/1998)
- Toccata and Fugue in D minor (tr. Leidzen) (1705/1942)
- Toccata and Fugue in D minor (arr. Lopez) (1705/2010)
- Toccata and Fugue in D minor (tr. Nowlin) (1705/2015)
- Violin Partita No. 3 in E major (arr. Kitakata) (1720/2018?)
- Wachet Auf (Flex instrumentation) (arr. DeJonge) (1731/2020)
- Wachet auf (arr. Marlatt) (1731/)
- Wachet auf, ruft uns die Stimme (arr. Lauf Jr.) (1731/2019)
- Who Puts His Trust in God Most Just (arr. Croft) (1978)
- Wir Glauben All’ An Einen Gott (arr. Stokowski) (1739)
Resources
- Partita for Violin No. 2 (Bach) Wikipedia Accessed 23 September 2020
- Yasuhide Ito website Accessed 23 September 2020