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Canzon Duodecimi Toni (arr. Bryan)
Giovanni Gabrieli (arr. Dalian Bryan)
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General Info
Year: 1597 / 2021
Duration: c. 3:25
Difficulty: (see Ratings for explanation)
Publisher: Manuscript
Cost: Score and Parts - Unknown
Instrumentation
(Needed - please join the WRP if you can help.)
Errata
None discovered thus far.
Program Notes
Giovanni Gabrieli’s music has been regarded as some of the most representative and influential music of the Renaissance, with much of it still performed regularly. Gabrieli, who served as organist at the Basilica San Marco in Venice, Italy, from 1584 until his death in 1612, wrote for voices, instrumental ensembles, and organ. The Basilica, itself an architectural wonder, contains a main floor flanked by a balcony high above on either side. Gabrieli would often take advantage of this space by placing instrumental choirs in both balconies, performing his music antiphonally.
Canzon duodecimi toni, from his Sacrae Symphoniae, uses two brass choirs which took full advantage of the space within the Basilica San Marco. Contrasting moments of majesty and introspection alternate within this work, creating a conversation between choirs and providing a unique and fascinating aural experience for the listener.
- Program Note from University of Kansas Wind Ensemble concert program, 20 October 2016
Media
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State Ratings
None discovered thus far.
Performances
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- State University of New York at Fredonia Wind Ensemble (Paula Holcomb, conductor) - 16 October 2021
Works for Winds by This Composer
Adaptable Music
- Canzon per Sonare No. 4 (Flex instrumentation) (arr. Marlatt) (c. 1597/2012)
All Wind Works
- Canzon Duodecimi Toni (arr. Bryan) (1597/2021)
- Canzon Duodecimi Toni (ed.King) (1597/1958)
- Canzon in Double Echo (ed. King) (/1973)
- Canzon Noni Toni (arr. King) (1597/19--?)
- Canzon per Sonar Primi Toni, no. 1 (arr. Higgins) (1597/2014)
- Canzon per Sonare No. 4 (Flex instrumentation) (arr. Marlatt) (c. 1597/2012)
- Canzon pian’ e forte (arr. Taillard) (1597/2002)
- Canzon primi toni
- Canzon primi toni a 8 (1597/2007)
- Canzon Quarta (arr. Hautvast) (1608/2011)
- Canzon quarti toni (adapt. King) (1597/1959)
- Canzon septimi toni 8, no. 2 (ed. Block) (1597/1972)
- Canzon septimi toni No 1
- Canzon septimi toni No 2 (1597/1958)
- Canzon septimi toni no. 2 (ed. Crees) (1597/1996)
- Canzona No. 1 (arr. Margolis) (1597/1985)
- Canzon VI á 7 (arr. Magatagan) (<1612/2013)
- Canzona VI (arr. Salfelder) (<1612/2020?)
- Canzona per sonare No. 2 (ed. King) (1608/1959)
- Canzona per sonare No. 4 (ed. King) (1608/1957)
- Canzoni XVI & XVII (arr. Salfelder and Peltz) (1608/2021)
- Canzoni 27 & 28 for 4 Trumpets and 4 Trombones (ed. Lumsden) (1608/1967)
- Jubilate Deo (tr. Mathie) (1597/2008)
- O Magnum Mysterium (arr. Higgins) (1587/2015)
- Sonata Octavi Toni (ed. King) (1597/1957)
- Sonata Octavi Toni (ed. Sherman) (1597/2021)
- Sonata Pian' E Forte
- Sonata Pian'e Forte (ed. Higgins)
- Sonata Pian'e Forte (ed. King) (1958)
- Sonata Pian’ e forte a 8 (orch. Stokowski) (1597)
- Sonata XIX a 15 (ed. Smith) (<1612/1970)
- Sonata XX a 22 (tr. Scatterday) (1615)
- Two Canzonas
Resources
None discovered thus far.