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Bill Douglas

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Bill Douglas


Bill Douglas (b. 7 November 1944, London, Ontario, Canada) is a Canadian composer, pianist and bassoonist.

Douglas began piano lessons at four and taught himself ukulele and guitar when he was seven. At age eight, he started to write songs influenced by early rock musicians such as Little Richard, The Everly Brothers, and Elvis Presley. His two brothers formed a band in which he which performed these tunes and other rock songs from the 1950s.

When he was thirteen, Douglas started to play bassoon and became very interested in both classical music and jazz. By this time, he had definitely decided on a career in music. His heroes in jazz were Bill Evans, Miles Davis, and John Coltrane, and he wrote his first jazz tunes at fourteen.

He received an Associate of the Royal Conservatory of Toronto diploma in classical piano at age seventeen. From 1962 to 1966, Douglas attended the University of Toronto and obtained a BA in music education. During this time, he became very interested in 20th-century classical music, and started composing pieces influenced by Anton Webern, Elliott Carter, and Igor Stravinsky, as well as such contemporary jazz artists as Paul Bley and Gary Peacock. He played fourth bassoon in the Toronto Symphony, and often played jazz piano gigs on weekends.

Douglas was awarded a Woodrow Wilson Fellowship in 1966, and attended Yale University from 1966 to 1969. There he met clarinetist Richard Stoltzman, and they have been touring and recording ever since. He received a Master of Music degree majoring in bassoon in 1968, and a Master of Musical Arts degree in composition in 1969. After Yale, he received a Canada Council award to study composition in London for a year.

From 1970 to 1977, Douglas taught at the California Institute of the Arts in Valencia, California. Here, he became very interested in African and Indian music. He started writing a series of rhythm studies for his students called Rock Etudes (later, the name was changed to Vocal Rhythm Etudes). These were influenced by African, Indian, and Brazilian music, as well as contemporary classical music, jazz, and funk (particularly the 70s funk of Miles Davis and Herbie Hancock). They have been used in many schools around North America, and he performs at least one of them in all his concerts. Douglas also started to write short tonal and modal lyrical pieces for his students. These eventually became part of his concert repertoire, and he has recorded many of them. He also recorded, in 1976, three RCA albums of classical chamber music with pianist Peter Serkin and Tashi.

In 1977, he moved to Boulder, Colorado, to teach at the Naropa Institute. He continues to teach there and to tour with Richard Stoltzman and his own groups. With Stoltzman, he also often plays with bassist Eddie Gomez. Some of his bassoon students from Cal Arts moved to Boulder with him, and they formed the Boulder Bassoon Band which played together for twenty years.

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