Please DONATE to help with maintenance and upkeep of the Wind Repertory Project!

Appalachian Spring (arr Patterson)

From Wind Repertory Project
Aaron Copland

Aaron Copland (trans. Patterson)


This article is a stub. If you can help add information to it,
please join the WRP and visit the FAQ (left sidebar) for information.


Subtitle: Ballet Suite


General Info

Year: 1944 /
Duration: c. 25:35
Difficulty: (see Ratings for explanation)
Original Medium: Chamber orchestra
Publisher: Merlin Patterson
Cost: Score and Parts - Unknown


Instrumentation

(Needed, please join the WRP if you can help.)


Errata

None discovered thus far.


Program Notes

Appalachian Spring is a composition by Aaron Copland that premiered in 1944 and has achieved widespread and enduring popularity as an orchestral suite. The ballet, scored for a thirteen-member chamber orchestra, was created upon commission of choreographer and dancer Martha Graham with funds from the Coolidge Foundation. It premiered on Monday, October 30, 1944, at the Library of Congress in Washington D.C., with Martha Graham dancing the lead role. Copland was awarded the 1945 Pulitzer Prize for Music for his achievement.

The orchestral suite is divided into eight sections. Copland describes each scene thus:

Very slowly. Introduction of the characters, one by one, in a suffused light.

Fast/Allegro. Sudden burst of unison strings in A major arpeggios starts the action. A sentiment both elated and religious gives the keynote to this scene.

Moderate/Moderato. Duo for the Bride and her Intended – scene of tenderness and passion.

Quite fast. The Revivalist and his flock. Folksy feeling – suggestions of square dances and country fiddlers.

Still faster/Subito Allegro. Solo dance of the Bride – presentiment of motherhood. Extremes of joy and fear and wonder.

Very slowly (as at first). Transition scene to music reminiscent of the introduction.

Calm and flowing/Doppio Movimento. Scenes of daily activity for the Bride and her Farmer husband.

There are five variations on a Shaker theme. The theme, sung by a solo clarinet, was taken from a collection of Shaker melodies compiled by Edward D. Andrews, and published under the title The Gift to Be Simple. The melody borrowed and used almost literally is called Simple Gifts.

Moderate. Coda/Moderato - Coda. The Bride takes her place among her neighbors. At the end the couple are left "quiet and strong in their new house." Muted strings intone a hushed prayer-like chorale passage. The close is reminiscent of the opening music.

- Program Note from Wikipedia


Commercial Discography


State Ratings

  • Louisiana: V
  • Texas: V. Complete


Performances

To submit a performance please join The Wind Repertory Project


Works for Winds by this Composer


Resources