This work bears the alternate title "All Soul's Day: Op. 10, no. 8."
Year: 1885 / 1955 / 1987
Duration: c. 7:25
Original Medium: Soprano and piano
Publisher: Ludwig Music Publishing Co.
Cost: Score and Parts - $55.00 | Score Only - $12.00
E-flat Soprano Clarinet
B-flat Soprano Clarinet Solo
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Cornet Solo
B-flat Cornet I-II-III
Horn in F I-II-III-IV
- Crash Cymbals
- Snare Drum
Score and Trumpet 1 - Measure 50 (beat 3), the correct note is F, not G as printed.
Richard Strauss was one of Germany's greatest composers. A great master of orchestration, he created tone poems in which the orchestra became one marvelous instrument, capable of expressing the whole gamut of human emotions. Among them Till Eulenspiegel, Death and Transfiguration, Don Quixote and The Hero's Life, beside his fabulous operas such as Der Rosenkavalier, Salome and others, are masterpieces.
His art songs also achieved fame and success, among which Allerseelen became a great favorite. Several times it has been transcribed for orchestra; however, the present setting is the first for symphonic band. The melody surges throughout, much in the style of Wagner. This edition adds another classic tone-poem to the band repertoire.
- Program Note from score
Richard Strauss enjoyed early success as a conductor and composer, and was influenced by the work of Wagner. Strauss developed the tone poem to an unrivalled level of expressiveness and achieved great success with his operas. While he did serve as musical director in the courts of Munich, Weimar and Berlin, Strauss’s relationship with the government in Germany was ambiguous, a fact that protected him but led to post-war difficulties and self-imposed exile in Switzerland.
Allerseelen was written by Strauss as part of a collection of eight lieder in 1885 when he was just 21 years old. Allerseelen, which is translated as “All Souls’ Day” in English, was initially performed by soprano voice and piano. Allerseelen exhibits powerful emotions and intense romanticism. The melody and rich accompaniment make it one of the most well known lieder of Strauss. Allerseelen is set to text by Hermann von Gilm zu Rosenegg (1812-1864).
Place on the table the fragrant mignonettes,
Bring the last red asters inside,
and let us speak again of love,
As once in May.
Give me your hand, so that I may secretly press it;
And if someone sees, it’s all the same to me.
Just give me one of your sweet glances,
As once in May.
Every grave blooms and is fragrant tonight,
One day in the year are the dead free,
Come to my heart, so that I may have you again,
As once in May.
- Program Note from Broken Arrow High School Wind Ensemble concert program, 16 December 2015
(Needed - please join the WRP if you can help.)
- Minnesota: II
- North Carolina: V
- Texas: IV. Complete
To submit a performance please join The Wind Repertory Project
- Texas Tech University (Lubbock) Symphonic Band (Eric Allen, conductor) - 1 April 2021
- Central Michigan University (Mount Pleasant) Wind Symphony (James Batcheller, conductor) - 12 November 2020
- University of North Texas (Denton) Wind Ensemble (Daniel Cook, conductor) – 18 February 2020
- Indiana University (Bloomington) Concert Band (Jason H. Nam, conductor) – 12 November 2019
- Illinois State University (Normal) Symphonic Band (Marykatheryne E. Kuhne, conductor) – 4 October 2019
- Encore Concert Band (Mokena, Ill.) (Bill Schuetter, conductor) - 5 May 2019
- Penn State University (University Park) Symphonic Band (Robert Kickey, conductor) – 6 December 2018
- Kennesaw (Ga.) State University Wind Ensemble (David Kehler, conductor) – 15 November 2018
- Central Davidson (N.C.) High School Wind Ensemble (Rodney Workman, conductor) – 4 October 2018
- University of Georgia (Athens) Hodgson Wind Symphony (Achim Reus, conductor) -19 September 2018
- Portland (Ore.) Wind Symphony (Chris Chapman, conductor) - 14 May 2018
- Grand View University (Des Moines, IA) Wind Ensemble (Mark A. Doerffel, conductor) - 26 February 2017
- University of Oregon (Eugene) Wind Ensemble (Rodney Dorsey, conductor) – 22 November 2016
- Broken Arrow (Okla.) High School Wind Ensemble (Mallory Thompson, conductor) - 16 December 2015 (2015 Midwest Clinic)
- University of Iowa Symphony Band (Joe Cernuto, conductor) - 19 November 2015
- Los Alamos (N.M.) Community Winds (Ted Vives, conductor) – 24 October 2015
- Northwestern University (Evanston, Ill.) Symphonic Wind Ensemble (Mallory Thompson, conductor) – 23 October 2015
- California State University, Northridge, Wind Ensemble (Lawrence Stoffel, conductor) – 8 October 2015
- San Francisco Wind Ensemble (Martin H. Seggelke, conductor, Esther Reyo, soprano) - 8 November 2014
- Cuesta Wind Ensemble (Jennifer Martin, conductor) - 24 September 2014
Works for Winds by this Composer
- Acht Lieder (trans. Iijima) (1885/2017)
- Allerseelen (arr. Davis, ed. Fennell) (1885/1955/1987)
- Allerseelen (trans. Heger) (1885/1933)
- Also Sprach Zarathustra: Fanfare (arr. Longfield) (1896/2001)
- At the Summit from "Eine Alpensinfonie" (arr. Miller)
- Auf Stillem Waldespfad (arr. Davis) (2010)
- Concerto No 1 for Horn and Symphonic Band (tr. Anderson)
- Dance of the Seven Veils from "Salome" (arr. Morita) (1907/2011)
- Don Juan (tr. Hindsley) (1888/197-?)
- Don Juan (tr. Patterson) (1888/)
- Fanfare fur die Wiener Philharmoniker (1924)
- Fanfare zur Eröffnung der Musikwoche der Stadt Wien im September 1924
- Feierlicher Einzug (ed. Villanueva) (1909)
- Feierlicher Einzug der Ritter des Johanniter-Ordens (1909)
- Festmusik der Stadt Wien (1942-3)
- Festmusik der Stadt Wien (arr Banks) (arr. Banks) (1942-3/1979)
- Finale from "Death and Transfiguration" (arr. Harding) (1950)
- Hero's Courtship, A (tr. Harding) (1956)
- Hero's Life, Synthesis for Concert Band, A (tr. Hindsley)
- Königsmarsch (arr. Barrett) (1906/1941)
- Königsmarsch (tr. Borodach) (1906/2021)
- Olympische Hymne
- Parade March (arr. Longfield) (1905/2016)
- Presentation of the Silver Rose (arr. Reed) (1910/1988)
- Rondo from Concerto No. 1, Opus 11 (arr. Glover) (1883/2009)
- Salome's Dance (tr. Hindsley) (1907/ [196-?]
- Selections from "Der Rosenkavalier" (arr. Odom)
- Serenade, Opus 7 (arr. Fennell) (1881/1986)
- Sonatina I (1943)
- Sonatina No. 2, Fröhliche Werkstatt (1944-5)
- A Strauss Fanfare (arr. Friedman) (2006)
- Suite in B-flat , Opus 4
- Symphony for Wind. See: Sonatina No. 2, Fröhliche Werkstatt
- Three Songs (arr. Kreines) (1885-1894)
- Till Eulenspiegel’s Merry Pranks (tr. Hindsley) (1865/197-?)
- Trio from "Der Rosenkavalier" (arr. Reynolds) (1911/1994)
- Vienna Philharmonic Fanfare (arr. Hobbs) (1924/2015)
- Wiener Philharmoniker Fanfare (1924)
- Wiener Philharmoniker Fanfare (arr. Dunnigan) (1924/2020?)
- Wiener Philharmoniker Fanfare (arr. Rumbelow) (1924/2013?)
- Waltzes from "Der Rosenkavalier" (1911/1946)
- Miles, Richard B., and Larry Blocher. (2010). Teaching Music through Performance in Band. Volume 1. Chicago: GIA Publications. pp. 409-415.
- Strauss, R.; Davis, A. (1987). Allerseelen = All Soul's Day: Op. 10, no. 8 [score]. Ludwig Music: Cleveland, Ohio.