Please DONATE to help with maintenance and upkeep of the Wind Repertory Project!

Wind City Symphony Poem

From Wind Repertory Project
Jump to navigation Jump to search
Ssu-Yu Huang

Ssu-Yu Huang

This article is a stub. If you can help add information to it,
please join the WRP and visit the FAQ (left sidebar) for information.

General Info

Year: 2006
Duration: c. 22:00
Difficulty: IV (see Ratings for explanation)
Publisher: Ssu-Yu Huang
Cost: Score and Parts (print) - $568.00   |   Score Only (print) - $220.00


1. Wind Talk – 6:25
2. Tayal Festival – 2:25
3. The View of Farm Field – 2:05
4. God Bless All – 3:10
5. Fantasy World – 3:45
6. Science – 4:40


(Needed - please join the WRP if you can help.)


None discovered thus far.

Program Notes

The piece was based on the impressions from a journey to the Hsinchu City.

The 1st Mov. Wind Talk - Different dimensions of resonance are created by means of self-vibrating, merging, contradicting, revealing, and vanishing. Their inner diversions, dispersions, and variations into all directions support the expansion of music, like conversation of the wind. In this way, many features of the wind are represented in this work.

The 2nd Mov. Tayal Festival - The melody was traditional of the Tayal tribe of Taiwan. It was sung for their ilsin, which was akin to a new year celebration and involved the whole community. Its purpose was to venerate the spirits and tribal ancestors at the end of the year as a way of thanking them for their protection and praying for a plentiful harvest and good fortune in the year ahead.

The 3rd Mov. The View of Farm Field - It’s a continuation from the previous movement. It describes the life in the farm field in the traditional Taiwanese agricultural society. This movement is joyfully and the melody derives from the song Farm Field by Dr.Yang Jau Jen.

The 4th Mov. God Bless All - Ritual activities are being performed all over the world in different forms for different cultures. This movement illustrates the most commonly seen ceremonial celebrations with percussion and flutes, oboes, and realizes the various sensations of the ritual. This introduces fast and variable rhythms with tom-toms, congos and bongos, sometimes high, sometime low, and sometimes exhilarating. A unique characteristic of this piece is that bold shouts are added to express exuberance in the performance.

The 5th Mov. Fantasy World - The motivation comes from Hsinchu’s glass industry and the admiration for glass arts. The imagination of a fantasy world develops by emphasizing the glass sounds. At the beginning, two glockenspiels are used to express a fantasy world of glass. The main structural material of the piece is the cycling and transforming of various types of intervals, giving colors and meanings to the piece.

The 6th Mov. Science - The concluding theme is science and technology, a celebration of Taiwan’s vitality. The essential feature of the composition lies in the complex and ornate inter-covering of many musical parts moving simultaneously. A cheerful melody emerges as the music reaches a concluding climax.

Wind City Symphony Poem was commissioned by the Hsinchu Wind Orchestra and world-premiered at the Hsinchu Culture Center on April 9, 2006 with Prof. Lian-Chang Kuo conducting.

- Program Note from publisher


State Ratings

None discovered thus far.


To submit a performance please join The Wind Repertory Project

Works for Winds by This Composer