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Variations on a Tango

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Kyle Kindred

Kyle Kindred


General Info

Year: 2012
Duration: c. 12:30
Difficulty: V (see Ratings for explanation)
Publisher: RBC Publications
Cost: Score and Parts (print) - $125.00   |   Score Only (print) - $20.00


Instrumentation

Full Score
C Piccolo
Flute I-II
Oboe I-II
Bassoon I-II
B-flat Soprano Clarinet I-II-III-IV
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III-IV-V-VI
Horn in F I-II-III-IV
Trombone I-II-III-IV
Euphonium I-II
Tuba I-II
Timpani
Percussion (6 players), including:

  • Bass Drum
  • Bongos
  • Castanets
  • Crash Cymbals
  • Glockenspiel
  • Marimba
  • Ratchet
  • Siren
  • Snare Drum
  • Suspended Cymbal
  • Tambourine
  • Tam-Tam
  • Tom-Tom
  • Triangle
  • Vibraphone
  • Vibra-slap
  • Wind Chimes, metal
  • Wood Block
  • Xylophone

Players singing


Errata

None discovered thus far.


Program Notes

At the heart of Variations on a Tango is a set of continuous variations based upon an original theme in the tango style. The theme, first presented by the pitched percussion instruments, retains a familiar rounded binary format each time it is presented. The A section of the original theme is comprised of a melody in the crisp and dramatic habañera style of Georges Bizet's iconic aria from Carmen, L'amour est un osieau rebelle. A more fluid, yet still dramatic, countermelody is also present in the A section. The slightly contrasting B section, foreshadowed by the first entrances of piccolo, flute, and brass, continues in Bizet's habañera style.

Along with the sensual and dramatic impetus of Variations on a Tango is another element, one that might evoke feelings of an unfolding epic and mystical story, aided by interludes in which the instrumentalists are asked to sing. The momentum of the variations builds, however, not toward a resolution of mystical elements; rather, the climax of the work is an impassioned presentation of the theme in the exuberant style of the composer Astor Piazzolla (1921-92), and his famous Libertango. Each variation along the plotline presents the tango theme with different characterizations. Some of these are tied closely to the tango style while others venture into more unexpected characters.

Variations on a Tango was commissioned by the Sam Houston State University Bands and premiered at the 2012 College Band Directors National Association Southwest Region Conference by the SHSU Wind Ensemble conducted by Matthew McInturf.

- Program Note by composer


Commercial Discography


Media


State Ratings

  • Alabama: Class A


Performances

To submit a performance please join The Wind Repertory Project

  • Sam Houston State University (Huntsville, Tx.) Wind Ensemble (Matthew McInturf, conductor) – 2012 Premiere Performance*


Works for Winds by This Composer


Resources

  • Kyle Kindred website Accessed 11 March 2018
  • Vondran, Shawn D. "Variations on a Tango." In Teaching Music through Performance in Band. Volume 10, Compiled and edited by Richard Miles, 1047-1056. Chicago: GIA Publications, 2015.