Toccata, Adagio, and Fugue, BWV 564

Johann Sebastian Bach

Johann Sebastian Bach (trans. John P. Paynter)

General Info

Year: c. 1717 / 2000
Duration: c. 14:00
Difficulty: V (see Ratings for explanation)
Original Medium: Organ
Publisher: Ludwig Masters
Cost: Score and Parts - $145.00 | Score Only - $25.00

Instrumentation

Full Score
C Piccolo
Flute I-II
Oboe I-II
English Horn
Bassoon I-II
E-flat Soprano Clarinet
B-flat Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
E-flat Contrabass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Cornet I-II-III
B-flat Trumpet I-II
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
String Bass
Timpani
Percussion I-II-III, including:

Bass Drum
Bells
Crash Cymbals
Snare Drum
Suspended Cymbal
Triangle

Errata

None discovered thus far.

Program Notes

These masterworks of J.S. Bach's organ oeuvres are respectfully and masterfully presented in this wonderful transcription by the late John P. Paynter.

- Program Note from publisher

Toccata, Adagio, and Fugue in C Major (BWV 564) is an organ composition by Johann Sebastian Bach. Similar to most other organ works by Bach, the autograph score does not survive. The earliest manuscript copies were probably made in 1719–1727. The title of the piece in these copies is given, as expected of organ literature of the time, simply as Toccata in C major (or more precisely, Toccata ped: ex C in one source and Toccata ex C♮ pedaliter, referring to the obbligato pedal part). The piece is an early work, probably composed in the mid-to-late Weimar years, i.e., 1710–1717. It shares some similarities with other toccatas composed around the same time, such as BWV 538, BWV 540, and others: all show the influence of concerto style and form.

- Program Note from Wikipedia

Although he was born and educated in Germany, Bach's knowledge of foreign music was extensive, and many of his works rely on Italian and French musical idioms. The Toccata, Adagio, and Fugue in C Major, BWV 564 is a fine example of this stylistic blending, where Bach expertly grafts the Italianate concerto into the North German prelude and fugue. The work almost certainly dates from the Weimar period. The first movement is strictly sectional, and is seen by Bach scholar Peter Williams as “a deliberate enlargement of an old prelude-type: manual passaggio + pedal solo + motivic-contrapuntal section.” The second movement is unique among Bach's works, not so much because of the solo/accompaniment texture, but because of its obvious reliance on instrumental idioms, leading Peter Williams to speculate that it may have originated as a movement for oboe solo. The Adagio is concluded by a contrasting section in the "Durezze e Ligature" style, characterized by strong dissonances and dense sonorities. The fugue is similarly unique in Bach's output. Its lighthearted subject recalls the youthful exuberance of the opening toccata, but its complex counterpoint, virtuosic writing, and unique fugal treatments reveal the designs of a mature musical mind.

- Program Note from University of Texas Wind Symphony concert program, 18 November 2015

Media

Audio: Reference recording. Ensemble and conductor unknown
Audio CD: Texas A&M University Wind Symphony (Timothy Rhea, conductor) - 2014

State Ratings

Georgia: VI

Performances

To submit a performance please join The Wind Repertory Project

Southern Adventist University (Chattanooga, Tenn.) Wind Symphony (Ken Parsons, conductor) - 9 October 2022
Texas All-State Concert Band (Jamie Nix, conductor) - 16 February 2019 (2019 TMEA Conference, San Antonio)
Northwestern University (Evanston, Ill.) Symphonic Band (Shawn Vondran, conductor) – 26 October 2018
University of Texas Wind Symphony (Jerry Junkin, conductor) – 18 November 2015
Northwestern University (Evanston, Ill.) Concert Band (John P. Paynter, conductor) – 2 March 1958

Works for Winds by This Composer

Adaptable Music

The Bach Initiative (Flex instrumentation) (arr. Folliard) (2019)
Choral Prelude BWV 727 (Flex instrumentation) (arr. Costa)
Come, Sweet Death (Flex instrumentation) (tr. Reed; arr. Benson) (1736/1976/2019)
Contrapunctus XIV (Flex instrumentation) (arr. Aho) (2018)
French Suite No. 2 (Flex instrumentation) (arr. Shishikura) (1722/)
Fugue en sol mineur BWV 578 (Flex instrumentation) (arr. Costa) (1703-1707/)
O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (arr. Grainger; ed. Brand and Brion) (1724?/1937-1942/1987)
Prelude and Fugue in B-flat major (Flex instrumentation) (arr. Ring) (?/2020)
Three Fugues by J.S. Bach (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 2 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 16 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 23 (Flex instrumentation) (arr. Danyew) (1722/2020)
Wachet Auf (Flex instrumentation) (arr. DeJonge) (1731/2020)

All Wind Works

5 Preludes and Fugues (arr. Beyrent)
Adagio (arr. Hautvast)
Adagio (arr. Warner)
Air (arr. Hautvast)
Air (arr. Klemke) (c. 1730/2006)
Air (tr. Lang) (c. 1730/1958)
Air for Woodwind Choir (arr. Blahnik)
Allegro: From Brandenburg Concerto #3 (arr. Daehn) (1721/1980)
Arioso (arr. De Haan) (1729/2000)
Arioso (arr. Hill) (1729/1984)
Arioso (arr. Reed) (1729/1998)
The Art of Fugue (tr. Amis) (c. 1745)
Ave Maria
Ave Maria (Bach-Gounod) (arr. Lovrien) (1853/2004)
Bach: Air (arr. McGinty) (c. 1730/)
The Bach Buch (tr. Pann) (2011)
Bach Chorale and March (arr. Wilson) (c. 1730/1990)
Bach: Chorale and Variation (arr. McGinty) (1994)
Bach Fugue (arr. Kinyon) (/1984)
The Bach Initiative (Flex instrumentation) (arr. Folliard) (2019)
Bach's Fugue à la Gigue (ed. Brand). See: Fugue à la Gigue
Bach's Fugue à la Gigue (tr. Holst; ed. Mitchell) (1921/2005)
Before Thy Throne I Now Appear (arr. Bukvich) (1750/1993)
Berceuse (arr. Hautvast) (/1994)
Bourrée (arr. Isaac) (1720/1969)
Brandenburg Concerto No. 3 (arr. Marlatt) (1721/2011)
Brandenburg Concerto No 3. See also: Allegro: From Brandenburg Concerto #3
Canzona (orch. Stock)
Chaconne (arr. Ito) (1720/1987)
Chaconne and Festive Aria (arr. Daehn)
Chaconne in D Minor (arr. Daehn) (1720/)
Chaconne in D Minor (tr. Whitwell) (1720/2015)
Choral Prelude BWV 727 (Flex instrumentation) (arr. Costa)
Chorale and Fugue (arr. Warner)
Chorale and Fugue in F Major (arr. Daehn) (1988)
Chorale Prelude on "A Mighty Fortress Is Our God" (tr. Damrosch; adapt. O'Toole)
Chorale in C Minor (arr. Topolewski) (2012)
Christ He Is My Life (arr. Cailliet) (1973)
Christmas Pastorale (arr. Hastings) (1970)
Ciaccona (arr. Votta) (1720/2021)
Come, Blessed Peace (arr. Tolmage) (1736/1958)
Come, Sweet Death (arr. Reed) (1736/1976)
Come, Sweet Death (Flex instrumentation) (tr. Reed; arr. Benson) (1736/1976/2019)
Concerto IV (Alto Saxophone and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
Concerto IV (Alto Saxophone, Piano and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
Concerto IV (Flute and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
Concerto IV (Flute, Piano and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
Concerto IV (Soprano Saxophone and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
Concerto IV (Soprano Saxophone, Piano and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
Concerto for Prince Johann (arr. Daehn) (c. 1713 / 2011)
Contrapunctus I (arr. Barnes) (c. 1745/1988)
Contrapunctus I (arr. King) (c. 1745/1960)
Contrapunctus III (arr. King) (c. 1745/1955)
Contrapunctus IX (arr. Clark) (c. 1745/2005)
Contrapunctus V (arr. Daehn) (c. 1745)
Contrapunctus XIV (Flex instrumentation) (arr. Aho) (2018)
Deck Thyself, My Soul, With Gladness (arr. Reed) (1990)
Fantasia and Fugue in C Minor (arr. Elgar; tr. Topolewski) (1727?)
Fantasia and Fugue in C Minor (arr. Elgar; arr. Nowlin) (1727?/2016)
Fantasia and Fugue in C minor, BWV 537 (arr. Hunsberger) (1727?/1997)
Fantasia and Fugue in G minor (arr. Horovitz) (c. 1838/1986)
Fantasia and Fugue in G minor, BWV 542 "The Great" (arr. Boyd) (c. 1838/1985)
Fantasia in C (arr. Sterk) (1706/2017)
Fantasia in G, BWV 572 (arr. Boyd) (1703-7/1957/1985)
Fantasia in G, BWV 572 (arr. Goldman) (1703-7/1957/2012)
Fervent is My Longing; Fugue in G Minor (tr. Cailliet) (c. 1710/1935/2006)
Forget Me Not, O Dearest Lord (arr. Reed) (c. 1736/1985)
French Suite No. 2 (Flex instrumentation) (arr. Shishikura) (1722/)
Fugue à la Gigue (tr. Holst; ed. Brand) (1921/2008)
Fugue à la Gigue (ed. Mitchell). See: Bach's Fugue à la Gigue
Fugue à la Gigue (arr. Rondeau) (1921/2011)
Fugue en sol mineur BWV 578 (Flex instrumentation) (arr. Costa) (1703-1707/)
Fugue in B-flat Major (arr. Daehn) (1722/1988)
Fugue in E-flat Major (tr. Abrams and Jones) (1739/2019)
Fugue in G Minor (arr. Kimura) (1703-1707/1993)
Fugue in G Minor (arr. Rechtman) (1703-1707/)
Fugue No. 2 (Flex instrumentation) (arr. Danyew) (1722/2020)
Fugue No. 16 (Flex instrumentation) (arr. Danyew) (1722/2020)
Fugue No. 23 (Flex instrumentation) (arr. Danyew) (1722/2020)
God Still Lives (arr. Reed)
Goldberg Variations (arr. Colgrass)
Hertzlich tut mich verlangen. See: Fervent is My Longing; Organ Fugue in G Minor
If Thou Be Near (arr. Moehlmann) (1725/1940)
If Thou Be Near (arr. Reed) (1725/1984)
In Dulci Jubilo (arr. Reed) (1970)
Jesu, Joy of Man's Desiring (tr. Cailliet) (1723/1962)
Jesu, Joy of Man's Desiring (arr. Custer) (1723/1975/1997)
Jesu, Joy of Man's Desiring (arr. Hazo) (1723/2012)
Jesu, Joy of Man's Desiring (tr. Leidzen) (1723/1936)
Jesu, Joy of Man's Desiring (arr. Moerenhout) (1723/2019)
Jesu, Joy of Man's Desiring (arr. Pekas) (1723/)
Jesu, Joy of Man's Desiring (arr. Reed) (1723/)
Jesu, Joy of Man's Desiring (arr. Sapieyevski) (1723/)
Jesu, Joy of Man's Desiring (arr. Sparke) (1723/2004)
Jig Fugue (arr. Marlatt) (2003)
Komm, Susser Tod (arr. Leidzen) (1736/1936)
A Little Bach Suite (arr. Gordon) (1966)
Little Fugue (arr. Romm; adapt. Custer) (c. 1705/1974/1991)
Little Fugue in G minor (arr. Howland) (c. 1705/1974/2015)
Little Fugue in G Minor, BWV 578 (arr. Parks)
March (arr. Grainger) (1946)
My Heart, Ever Faithful (arr. Barnes) (1988)
My Heart is Filled With Longing (arr. Reed) (c. 1710/1986)
My Jesus, Oh What Anguish (arr. Reed)
My Soul Longeth to Depart in Peace
Nun komm der Heiden Heiland (arr. McAlister)
Nun komm, der Heiden Heiland (arr. Stert) (c. 1748/2013)
O Jesu Christ, meins Lebens Licht (arr. Westover) (c. 1736/2017)
O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (arr. Grainger; ed. Brand and Brion) (1724?/1937-1942/1987)
Our Father Who Art in Heaven (arr. Reed) (1710/1988)
Passacaglia (arr. Glover) (c. 1703-1713?/2014)
Passacaglia and Fugue in C minor (tr. Hunsberger) (1703-1713?/ 1968/1975)
Passacaglia and Thema Fugatum in C Minor (tr. Stowkowski; ed. Sosnowchik) (1703-1713?/2014)
Passacaglia and Fugue in C minor (tr. Falcone) (ca. 1712/1969)
Passacaglia from "Cantata No. 12" (arr. Daehn) (1714/2011)
Präludium und Fuge d-Moll (tr. Rechtman) (1722/2003)
Prelude IV (arr. Reed) (1722/1983)
Prelude and Fugue No. 6, BWV 535 (arr. Anthenien) (1722/1979)
Prelude and Fugue in A-flat, BWV 557 (tr. Moehlmann) (1964)
Prelude and Fugue in Bb major (Brass Ensemble) (arr. Beyrent)
Prelude and Fugue in B-flat major (Brass Quintet) (arr. Beyrent)
Prelude and Fugue in B-flat major, BWV 553 (arr. Moehlmann) (1852/1955)
Prelude and Fugue in B-flat major BWV 553 (Flex instrumentation) (arr. Ring) (?/2020)
Prelude and Fugue in B-flat minor, BWV 559 (arr. Moehlmann) (1852/1969)
Prelude and Fugue in C major (arr. Beyrent)
Prelude and Fugue in D major, BWV 532 (arr. Steinmetz) (1710/2018)
Prelude and Fugue in D minor, BWV 554 (arr. Beyrent) (1722/2001)
Prelude and Fugue in D minor, BWV 555 (arr. Coleman) (1852/2017)
Prelude and Fugue in D minor, BWV 554 (tr. Moehlmann) (1852/1988)
Prelude and Fugue in D minor (tr. Rechtman). See: Präludium und Fuge d-Moll
Prelude and Fugue in E-flat, BWV 552 (setting Hunsberger) (c. 1739/2009)
Prelude and Fugue in F major (arr. Moehlmann) (1852/?)
Prelude and Fugue in F minor, BWV 555 (arr. Moehlmann) (1852/1954)
Prelude and Fugue in G minor, BWV 535 (tr. Moehlmann) (1852/1939)
Prelude, Chorale and Fugue (arr. Godfrey) (1919)
Prelude in E-flat, BWV 552 (arr. Tamura) (c. 1739/2001)
Prelude No. 22 (tr. Lynch) (c. 1722/2013)
"Ricercare a 6" from Musical Offering, BWV 1079 (tr. McAlister)
Saint Anne's Fugue (arr. Rhoads) (1965)
Sarabande (arr. Kennaway) (1972/1977/1995)
Second Bach Suite for Band (tr. Tolmage) (1965)
Sehet was die liebe tut (arr. Grainger) (1937)
Sheep May Safely Graze (arr. Reed) (1713/1981)
Sinfonia from "Cantata No 29" (arr. Ninmer)
Sinfonia from "Cantate 156" (arr. Daniels) (1729/)
Sixteen Chorales (ed. King) (1958)
Sixteen Chorales (arr. Lake) (1938)
Sleepers, Awake! (arr. Patterson) (1731/1995)
Sleepers, Awake! (arr. Reed) (1731)
Sleepers, Awake! (tr. Sparke) (1731/2002)
Songs of Exaltation (arr. Gordon) (1974)
St. Anne. See: Prelude and Fugue in E-flat
Three Fugues by J.S. Bach (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 2 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 16 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 23 (Flex instrumentation) (arr. Danyew) (1722/2020)
Thus Do You Fare, My Jesus (arr. Reed)
Toccata, Adagio and Fugue in C Major (arr. Rechtman) (c. 1717)
Toccata, Adagio, and Fugue, BWV 564 (tr. Paynter) (c. 1717/2000)
Toccata, Adagio and Fugue (tr. Knox) (c. 1717)
Toccata, Aria, and Fugue in C Major (tr. Knox) (c. 1717)
Toccata & Fuge d-Moll (arr. Goldhammer) (1705/2011)
Toccata and Fugue in D minor (arr. Goldhammer). See: Toccata & Fuge d-Moll
Toccata and Fugue in D minor (tr. Goto) (1705/2014)
Toccata and Fugue in D minor (tr. Hindsley) (1705)
Toccata and Fugue in D minor (tr. Hunsberger) (1705/1998)
Toccata and Fugue in D minor (tr. Leidzen) (1705/1942)
Toccata and Fugue in D minor (arr. Lopez) (1705/2010)
Toccata and Fugue in D minor (tr. Nowlin) (1705/2015)
Violin Partita No. 3 in E major (arr. Kitakata) (1720/2018?)
Wachet Auf (Flex instrumentation) (arr. DeJonge) (1731/2020)
Wachet auf (arr. Marlatt) (1731/)
Wachet auf, ruft uns die Stimme (arr. Lauf Jr.) (1731/2019)
Who Puts His Trust in God Most Just (arr. Croft) (1978)
Wir Glauben All’ An Einen Gott (arr. Stokowski) (1739)

Resources

Bach, J.; Paynter, J. (2000). Toccata, Adagio and Fugue : For Symphonic Band [score]. Ludwig Music Publishing: Cleveland, Ohio.
Heritage Encyclopedia of Band Music. "Johan Sebastian Bach." Accessed 8 September 2015
Toccata, Adagio and Fugue in C major, BWV 564, Wikipedia