Theme from "Samson and Delilah"

Camille Saint-Saëns

Camille Saint-Saëns (arr. Albert Oliver Davis)

General Info

Year: 1877 / 1964
Duration:
Difficulty: II (see Ratings for explanation)
Original Medium: Orchestra
Publisher: Alfred Music Publishing
Cost: Score and Parts – Out of print.

For availability information, see Discussion tab, above.

Instrumentation

Full Score
D-flat Piccolo
Flute
Oboe
Bassoon
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Cornet I-II-III
E-flat Horn or Alto I-II-III-IV
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
Timpani
Percussion, including:

Bass Drum
Orchestra Bells
Snare Drum

Errata

None discovered thus far.

Program Notes

Samson and Delilah, Op. 47, is a grand opera in three acts and four scenes by Camille Saint-Saëns to a French libretto by Ferdinand Lemaire. It was first performed in Weimar at the Grossherzogliches (Grand Ducal) Theater on 2 December 1877 in a German translation.

The opera is based on the Biblical tale of Samson and Delilah found in Chapter 16 of the Book of Judges in the Old Testament. It is the only opera by Saint-Saëns that is regularly performed. The second act love scene in Delilah's tent is one of the set pieces that define French opera. Two of Delilah's arias are particularly well known: Printemps qui commence ("Spring begins") and Mon cœur s'ouvre à ta voix ("My heart opens itself to your voice", also known as "Softly awakes my heart").

- Program Note from Wikipedia

The "Theme" is the aria "Mon coeur s'ouvre à ta voix" (My Heart at Thy Sweet Voice) from Act II.

- Program Note from publisher

Media

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State Ratings

West Virginia: II

Performances

To submit a performance please join The Wind Repertory Project

Works for Winds by This Composer

Adaptable Music

Le Carnaval des Animaux (Flex instrumentation) (arr. Onodera) (1886/2018)

All Wind Works

Aquarium (arr. Moore) (1886/2011)
Bacchanale (arr. Balent) (1877/2002)
Bacchanale (arr. Egner) (1877/1926)
Bacchanale (arr. Hubbell) (1877/1991)
Bacchanale from "Samson and Delila" (arr. Hanna) (1877/)
Carnival of the Animals (arr. Brand)
The Carnival of the Animals (arr. Bocook) (1886/2006)
The Carnival of the Animals (arr. Curnow) (1886/2008)
Carnival of the Animals, The (arr. Goto). See Le Carnaval des Animaux
Chorale for Wind Band and Melodic Percussion (arr. Giroux) (2015)
Danse Bacchanale (arr. Steiger) (1877/1985)
Danse Bacchanale (arr. Bocook) (1877/2004)
Danse Bacchanale (arr. Singleton) (1877/)
Danse Macabre (arr. Bender)
Danse Macabre (tr Hindsley) (tr. Hindsley) (1874/197-?)
Danse Macabre (arr. Laurendeau) (1874/1903)
Danse Macabre (arr. Brian Sheldon) (1874/)
Danse Macabre (arr. Slawson) (1874/2013)
Part One, "Organ Symphony" (no. 3 (tr. Hindsley) (1886/197-?)
Finale, Symphony No 3 in C (arr. Slocum) (1886/1974)
Finale to "Hail! California" (ed. Martin) (1915/2015)
Finale from "Symphony No. 3" (arr. VanDoren) (1886/2022)
First Movement, "Organ Symphony" (no. 3) (tr. Hindsley) (1886/197-?)
Introduction and Rondo Capriccioso (arr. Kessler)
La Princesse Jaune (arr. Odom) (1872/1980)
La Princesse Jaune (arr. Lake) (1872/1929)
La Princesse Jaune (arr. Schyns) (1872/2002)
Le Carnaval des Animaux (arr. Goto) (1886/2000/2012)
Le Carnaval des Animaux (Flex instrumentation) (arr. Onodera) (1886/2018)
March-Scherzo (arr. Marcus) (1853/2015)
Marche Dédiée aux Étudiants d'Alger (orch. Bouchel) (1921/1925)
Marche Heroïque (arr. Winterbottom) (1871/1906)
Marche Interalliée (orch. Balay) (1918/2014)
Marche Militaire Francaise (tr. Hindsley) (1908/1958)
Marche Militaire Francaise (arr. Lake) (1908/1913)
Mon Coeur s'ouvre à ta voix (tr. Niese) (1877/2012)
Morceau de Concert (arr. Respresas Carrera) (1887/2013)
Morceau de Concert (tr. Nelson) (1887/1979)
Orient et Occident (ed. Whitwell) (1869)
Orient et Occident (arr. Hauswirth) (1869)
Orient et Occident (ed. Reynish) (1869/1995)
Orient et Occident (arr. Schissel) (1869/2005)
Pas Redoublé (arr. Frackenpohl) (1887/1972)
Prelude and Processional (arr. Elkus) (1883/1957)
Second Movement, "Organ Symphony" (no. 3) (tr. Hindsley) (1886/200-?)
Sur les bords du Nil (ed. Hauswirth) (1908/2019)
Theme from "Samson and Delilah" (arr. Davis) (1877/1964)
Vers la Victoire (orch. Dondeyne) (1918/2014)

Resources

Saint-Saens, C.; Davis, A. (1964). Samson and Delilah [sore]. Belwin, Inc.: Rockville Centre, N.Y.
Samson and Delilah (opera), Wikipedia Accessed 12 September 2019