Symphony IV (Gould)
The work bears the nickname “West Point.”
General Info
Year: 1952
Duration: 20:10
Difficulty: VI (see Ratings for explanation)
Publisher: Schirmer Music
Cost: Score and Parts - $110.00 | Score Only - $20.00
Movements
1. Epitaphs - 11:30
2. Marches - 8:30
Instrumentation
Full Score
Piccolo
Flute I-II (Both doubling C Piccolo)
Oboe I-II
English Horn
Bassoon I-II
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
E=flat E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Cornet I-II-III
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II-III-IV
Euphonium
Tuba
Timpani
Percussion, including:
- Bass Drum
- Cymbals
- Chimes
- Marching Machine
- Snare Drums (2)
- Bells
- Xylophone
Errata
In Parts:
- Baritone T.C., Movement 1, m.136: Time signature of 4/4 missing.
Program Notes
Gould's fourth symphony was composed for the West Point Sesquicentennial Celebration, marking 150 years of progress at the United States Military Academy. One of the first landmark symphonies composed specifically for wind band, Gould's Symphony No. 4 is a two-movement masterwork. Gould employs both traditional and modern techniques, adeptly changing colors and styles to engage the listener. He even calls for a marching machine in the first movement.
The composer writes,
The first movement, Epitaphs, is both lyrical and dramatic. The quiet and melodic opening statement of the main theme leads directly into a broad and noble exposition of one of the motifs, becoming a passacaglia [a musical form based on continuous variations over a ground bass] based on a martial theme first stated by the tuba. After a series of variations which grow in intensity, the opening lyricism, combined with the passacaglia motif and an allusion to Taps, makes a quiet but dissonant closing to the first movement. “The second and final movement is lusty and gay in character. The texture is a stylization of marching tunes that parades past in an array of embellishments and rhythmic variants. At one point there is a simulation of a fife and drum corps which, incidentally, was the instrumentation of the original West Point Band. After a brief transformed restatement of the themes in the first movement, the work finishes in a virtuoso coda of martial fanfares and flourishes.”
- Program Note from Program Notes for Band
The second movement, titled Marches, is a brilliant but subtle paraphrase on marches and marching. The various tunes parade past in an array of embellishments and rhythmic variations. At the beginning of the movement, and in later sections as well, the wind instruments play figures which suggest typical snare drum rhythms. At one point a simulation of a fife and drum corps recalls the instrumentation of the original West Point Band. After numerous transformations of the principal marching motif the work ends in a virtuoso coda of martial fanfares and flourishes.
- Program Note from the North Shore Senior High School Wind Ensemble concert program, 22 December 2017
This symphony was composed for the West Point Sesquicentennial Celebration, marking 150 years of progress at the United States Military Academy. The composer was invited to contribute a composition for this event by the Academy and Major Francis E. Resta, commanding officer of the United States Military Band and director of music at the Academy.
Composed during the months of January and February 1952, this symphony was first performed on April 13th of that year at the Academy, with the composer conducting the United States Military Academy Band.
- Program Note from score
Media
State Ratings
- Alabama: AA
- Arkansas: V
- California: VI, Class AA
- Florida: VI
- Georgia: VI; masterworks
- Iowa: V
- Indiana: ISSMA SENIOR BAND GROUP I
- Louisiana: V
- Massachusetts: V
- Michigan: AA
- Mississippi: IV-A, V-A, VI-A
- New York: VI
- North Carolina: VI
- Texas: V
- Oklahoma: V-A
- South Carolina: SC Band Masterworks
- Tennessee: VI
- Texas: V. Complete
- Virginia: VI
Performances
To submit a performance please join The Wind Repertory Project
- Atlanta (Ga.) Wind Symphony (David Kehler, conductor) - 15 October 2023
- River Valley Wind Ensemble (Bourbonnais, Ill.) (David Conrad, conductor) - 12 May 2023
- Lone Star Wind Orchestra (Dallas, Tx.) (Eugene Migliaro Corporon, conductor) - 23 April 2023
- Seacoast Wind Ensemble (Kittery, Me.) (Mark Stickney, conductor) - 12 November 2022
- University of Georgia (Athens) Wind Ensemble (David Stanley, conductor) - 13 September 2022
- University of Cincinnati (Ohio) College-Conservatory of Music Wind Symphony (Kevin Michael Holzman, conductor) - 11 September 2022
- Luther College (Decorah, Ia.) Concert Band (Cory Near, conductor) - 27 February 2022
- University of Texas (Austin) Wind Symphony (Ryan Kelly, conductor) - 20 October 2021
- University of Delaware(Newark) Wind Ensemble (Lauren Reynolds, conductor) - 13 October 2021
- Jackson (Miss.) State University Wind Ensemble (Lowell Hollinger, conductor) – 4 March 2020
- Colorado State University (Fort Collins) Wind Symphony (Rebecca Phillips, conductor) – 10 October 2019
- Concordia University (Irvine, Calif.) Wind Orchestra (Jeff Held, conductor) – 29 September 2019
- University of Kansas (Lawrence) Wind Ensemble (Matthew O. Smith, conductor) – 16 April 2019
- East Tennessee (Johnson City) State University Wind Ensemble (Joe Moore, conductor) – 16 April 2019
- Pacific Lutheran University (Parkland, Wash.) Wind Ensemble (Edwin Powell, conductor) – 10 March 2019
- University of North Texas (Denton) Symphonic Band (Dennis W. Fisher, conductor) – 5 February 2019
- University of Texas, El Paso, Wind Symphony (Bradley Genevro, conductor) – 15 November 2018
- Florida State University (Tallahassee, Fla.) Wind Orchestra (Richard Clary, conductor) – 28 September 2018
- Eastman Wind Ensemble (Rochester, N.Y.) (Donald Hunsberger, conductor) – 15 March 1963
Works for Winds by This Composer
- Amber Waves. See: American Ballads
- American Ballads (1976)
- Star-Spangled Overture (tr. Ripley) (1976)
- Amber Waves (tr. Ripley) (1976)
- Jubilo (tr. Ripley) (1976)
- Memorials — on “Taps”
- Saratoga Quickstep — on “The Girl I Left Behind”
- Hymnal — on “We Shall Overcome”
- American Patrol (Gould)
- American Salute (tr. Lang) (1943/1971)
- American Salute (arr. Wagner) (1943/2009)
- American Symphonette No. 2 (1939)
- American Youth March
- Ballad for Band (1946)
- Café Rio (1957)
- Centennial Symphony, Gala for Band (1983)
- Cheers! — A Celebration March (1979)
- Cinerama Holiday (1955)
- Cinerama March from “Cinerama Holiday” (concert band)
- On the Boulevard from “Cinerama Holiday”
- Skier’s Waltz (arr. Cacavas) (1955/1957)
- Souvenirs of Paris from “Cinerama Holiday”
- Concertette for Viola and Band (1943)
- Cowboy Rhapsody (arr. Bennett)
- Derivations for Solo Clarinet and Band (1955)
- The Deserted Ballroom (tr. Bennett) (1938)
- Dramatic Fanfares (arr. Brunelli) (1964/1967)
- Family Album Suite
- Fanfare for Freedom (1943)
- The First Noel (as arranger) (1949)
- Folk Suite (arr. Lang) (1959)
- Overture from "Folk Suite" (arr. Lang.) (1955/1959)
- Four Latin American Symphonette (arr. Koekelkoren) (1942/1998)
- Fourth of July (1947)
- Global Greetings(1994)
- Holiday Music (1947)
- Holocaust Suite (arr. Gould) (1978/1980)
- Jericho Rhapsody (1941)
- Jingle Bells (as arranger) (1857/1952)
- Jubilo. See: America Ballads, Jubilo - on "Year of Jubilo"
- Latin American Symphonette (arr. Koekelkoren) (1942/1998)
- March of the Leathernecks (arr. Lang) (1943/1944)
- Memorials. See: American Ballads, Memorials — on “Taps”
- Mini-Suite for Band (1968)
- Old Romance
- Overture from “Folk Suite”
- Parade of the Wooden Soldiers (as arranger; trans. Patterson)
- Pavanne (1938)
- Prisms (1962)
- Prologue, from CBS-TV series “World War I”
- Red Cavalry March (tr. Lang) (1943)
- Remembrance Day (Soliloquy for a Passing Century) (1995)
- Revolutionary Prelude, from CBS-TV documentary “World War I”
- Saint Lawrence Suite (1958)
- Santa Fe Saga (1956)
- Saratoga Quickstep. See: American Ballads, Saratoga Quickstep — on “The Girl I Left Behind”
- Sarajevo Suite (1964)
- Serenade of Carols (tr. Gould) (1949)
- Serenade of Carols (tr. Patterson) (1949/2009)
- Skier's Waltz. See: Cinerama Holiday Skier’s Waltz
- Soft Shoe Serenade from “Hoofer Suite” (1956)
- Star-Spangled Overture. See: American Ballads, Star-Spangled Overture - on "The Star-Spangled Banner"
- Symphonette No. 2 (1938)
- Movement I from “Symphonette No. 2”
- Pavanne from “Symphonette No. 2” (arr. Yoder) (1939)
- Symphony No. 4 (1952)
- Taps. See: American Ballads, Memorials — on “Taps”
- We Shall Overcome. See: American Ballads, Hymnal
- West Point Symphony. See: Symphony No. 4
- Windjammer (Highlights) (1958)
- Yankee Doodle (tr. Lang) (1945)
Resources
- Gould, M. (1952). Symphony for Band [score]. G. Schirmer: New York.
- Harper, L. D. "The sesquicentennial celebration wind band commissions of the United States Military Academy at West Point (1952)." 1987. Michigan State University, DMA dissertation.
- Miles, Richard B., and Larry Blocher. (2010). Teaching Music through Performance in Band. Volume 1. Chicago: GIA Publications. pp. 942-951.
- Nicholson, Chad. (2009). Great Music for Wind Band: A Guide to the Top 100 Works in Grades IV, V, VI. Galesville, MD: Meredith Music Publications. pp 38-39.
- Smith, Norman E. (2002). Program Notes for Band. Chicago: GIA Publications, pp. 245.