Seascape: A Dramatic Intermezzo

Alfred Reed

Subtitle: For Solo Baritone (Trombone) and Band

General Info

Year: 1962
Duration: c. 6:00
Difficulty: III (see Ratings for explanation)
Publisher: Edward B. Marks
Cost: Score and Parts - Out of Print.

Instrumentation

Full Score
Condensed Score
Solo Baritone or Trombone
C Piccolo (doubling Flute III)
Flute I-II
Oboe I-II
Bassoon I-II
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
B-flat Contrabass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba (div.)
String Bass
Timpani
Percussion I-II, including:

Crash Cymbal
Glockenspiel
Triangle

Errata

None discovered thus far.

Program Notes

Seascape was written for the noted baritone and trombone soloist Hunter N. Wiley and was first performed at a concert given in connection with the annual convention of the Florida Composers' League on March 16th, 1962, with Mr. Wiley as soloist and the composer conducting the University of Tampa Symphonic Band.

Alfred Reed has termed this score a "dramatic intermezzo", and the music unites the lyric and dramatic moods through three themes, developed in a free, rhapsodic manner. The first theme is presented immediately by the full band, in D minor, shifting to a long pedal point on C, over which the clarinets present the second theme, in a downward series of triads. This leads to the first entrance of the soloist, returning to the first theme and developing it at greater length than its first statement, after which the second theme returns as an interlude, leading to the third theme, a long, lyric melody sung by the soloist and later by the full band. At the conclusion of this section, after a little "codetta" presented by the soloist, the band begins a long build-up, based on a development of the first theme, to a great climax statement of the second theme and, as this dies away, the soloist returns with a fantasia-like section built on the first and, subsequently, the third themes. Following this lyric development, the first theme returns, together with a fragment of the second, to close the work, continually fading away as it reaches the D minor tonality with which the music opened and the total cycle is completed.

The score attempts a welding together of solo instrument and band into a continuous musical texture, with both parts of equal importance, so that there is no pure "accompaniment" as such. The thematic material passes almost constantly back and forth between the soloist and the band, and the individual colors of the modern, balanced concert band are exploited to their fullest against the predominating tone of the baritone (or trombone) soloist.

- Program Note from publisher

Media

Audio CD: Metropolitan Wind Symphony (Lawrence Isaacson, conductor; Adam Frey, euphonium) - 2006

State Ratings

None discovered thus far.

Performances

To submit a performance please join The Wind Repertory Project

University of West Alabama (Livingston) Wind Ensemble (Tyler Strickland, conductor) - 25 April 2023
Allegheny College (Pa.) Band Camp for Adult Musicians (Michelle Rakers, conductor) - 14 June 2013
Banda de Música da Polícia Militar de Brasília (Elizeu Santos do Nascimento conductor; Abelardo Ferreira Melo, euphonium - 25 March 2010

Works for Winds by This Composer

Adaptable Music

Come, Sweet Death (Flex instrumentation) (as transcriber; arr. Benson) (1736/1976/2019)
A Festival Prelude (Flex instrumentation) (arr. Haga) (1962/2019)
Two Bagatelles (Flex instrumentation) (arr. Clark) (1983/1997/2010)

All Wind Works

Acclamation!
Alleluia! Laudamus Te (1973)
Arioso (as arranger) (1729/1998)
Armenian Dances (1972-1978)
- Armenian Dances, Part One (1972/1974)
- Armenian Dances, Part Two (1978)
Around the World in 80 Days: Selections (as arranger; ed. Rogers) (1957/2017)
Autumn Leaves (as arranger; ed. Rogers) (1947/2017)
Ballade (1956/1999)
Bachianas Brasileiras No. 4 Suite (as arranger) (1965)
Berceuse and Finale from "The Firebird" (as editor; arr. McAlister) (1910/2005)
The Big East March (1997)
Canto e Camdombe
Carmen (as editor; tr. McAlister) (1875/2000)
A Celebration Fanfare (1989)
A Ceremonial Fanfare (1971)
Ceremony of Flourishes (1964)
Chanson Triste (as arranger) (1878/1989)
Characteristic Dances from "The Nutcracker Suite" (as editor with McAlister; tr. Rogan) (1892/2001)
Children's Suite (2000)
A Christmas Suite (1974)
Chorale Prelude in E minor (1953/1966)
A Christmas Celebration (1987)
A Christmas Intrada (1980)
Clear Track Polka (as arranger) (1869/2000)
Come, Sweet Death (as arranger) (1736/1976)
Come, Sweet Death (as transcriber; arr. Benson) (1736/1976/2019)
Concertino (as arranger; ed. McCathren) (1811/1962)
Concertino for Marimba and Winds (1993)
Concerto for Trumpet and Winds (1995/1997)
- Sonata
- Slow Blues, Jazz Waltz
- Song, Samba
Curtain Up! (1991)
Dance of the Hours (as editor; tr. Kennedy) (1876/)
Danza Caribe (1986)
Deck Thyself, My Soul, With Gladness (as arranger) (1653/1724/1990)
Divertimento for Flute and Band (1998)
Double Wind Quintet (1975)
East and West (2003)
El Camino Real (1985)
El Camino Real (arr. Longfield) (1985/2013)
The Enchanted Island (1980)
The Entertainer (as arranger) (1902/1974)
Evolutions (1993)
Exhortation and Praise (2003)
Fanfare and Processional (2005)
The Fantasticks (as arranger) (1966)
Fantasy on "Black Is the Color of My True Love's Hair" (as arranger) (1973)
A Festival Prelude (1962)
A Festival Prelude (Flex instrumentation) (arr. Haga) (1962/2019)
A Festive Overture (1963)
Fifth Suite for Band (1995)
Fifth Symphony (1995)
Finlandia (as editor; tr. McAlister) (1900/2004)
First Suite for Band (1975)
Five Cameos (2002)
Five Dances for Five Clarinets and Band (1966)
Forget Me Not, O Dearest Lord (as arranger) (c. 1736/1985)
Fourth Suite for Band (1994)
Fourth Symphony (1992)
French Suite
Funiculi Funicula (as arranger) (1880/1994)
The Garden of Proserpine
Giligia (2000)
Golden Eagle (1989/1995)
Golden Jubilee (1987)
The Golden Year (1997)
Greensleeves (1993/2011)
Gypsy Dance (as arranger) (1872/1997)
Havana Moon
Highlights from "Exodus" (as arranger) (1960/1962)
Highlights from Walt Disney's "Mary Poppins" (as arranger) (1963/1965)
The Hounds of Spring (1981)
Huldigungsmarsch (as editor) (1864/2002)
Hungarian Rhapsody No. 2 (as editor; tr. McAlister) (1853/2002)
Hymn Variants (1992)
I Left my Heart in San Francisco (as transcriber; ed. Rogers) (1954/1963)
Imperatrix (1972)
In Dulci Jubilo (as arranger) (1970)
In Memoriam (1972)
Intrada Drammatica (1968/1992)
Jazz Waltz. See: Concerto for Trumpet and Winds
Jesu, Joy of Man's Desiring (as arranger) (1723/1981)
Jidai (2001)
Joyeux Noël (Brass Ensemble) (1998)
Joyeux Noël (Wind Ensemble) (1998/2001/2002)
A Jubilant Overture (1970)
A Jubilant Overture (arr. Conaway) (1970/2011)
The King of Love My Shepherd Is (1995)
L’Arlésienne Suite No 2 (as editor, with McAlister) (1872/2002)
Laid-Back Rag
Light Cavalry Overture (as editor; tr. McAlister) (1866/2003)
A Little Concert Suite (1984)
Lumberjack Overture
Macarena (as arranger) (1992)
Mancini! (as arranger) (1965)
March Grandioso (as arranger) (1901/1969)
Mary Poppins (as arranger) (1964/2006)
Might and Majesty
Millennium III (1999)
Mr. Music (1990)
The Music-Makers (1968)
Music for Hamlet (1973/2018)
Music in the Air! (2000)
The Music Man: Highlights (as arranger) (1957/1959)
My Fair Lady (as arranger) (1956/?)
My Heart Is Filled With Longing (as arranger) (c. 1710/1986)
Nimrod (as arranger) (1899/1965)
Nocturne (as arranger) (1886/1953/1975)
A Nordic Trilogy (with Erickson and Davis) (1967)
A Northern Legend (1972)
O Little Town (as arranger)
O Most Wonderful (as arranger)
Ode for Trumpet (1956)
Old and New (2002)
Othello (1977)
Our Father Who Art in Heaven (as arranger) (1710/1988)
Passacaglia (1967)
Pavane for a Dead Princess (as orchestrator; ed. McAlister) (1899/1988)
Piccolo Concerto in C major (as arranger) (1728-29/1962/1969)
Pilgrim's Chorus (as arranger) (1845/1991)
The Pledge of Allegiance (1970)
Pomp and Circumstance Military March No. 1 (as editor; tr. Retford) (1907/2000)
Pomp and Circumstance Military March No. 2 (as editor; tr. Retford) (1907/2000)
Pomp and Circumstance Military March No. 3 (as editor; tr. Retford) (1907/2000)
Pomp and Circumstance Military March No. 4 (as editor; tr. Retford) (1907/2000)
Praise Jerusalem! (1986)
Prelude IV (as arranger) (1722/1983)
Prelude and Capriccio (1978)
Prelude, Op. 9, No. 1 (as arranger) (1894/1985)
Prelude to Act III from "Lohengrin" (as arranger, with McAlister) (1850/2006)
Presentation of the Silver Rose (as arranger) (1910/1988)
Pro Texana (1984)
Punchinello (1974)
Radetzky March (as arranger) (1848/1993)
Rahoon (1965)
The Ramparts of Courage (1995)
Rosalind in the Forest of Arden (2005)
Rushmore (1981)
Russian Christmas Music (1944)
Russian Christmas Music (arr. Curnow) (1944/1990)
A Sacred Suite
Salutations! (1995)
Samba. See: Concerto for Trumpet and Winds
Seascape: A Dramatic Intermezzo (1962)
Second Century (1986)
Second Suite for Band (1980)
Second Symphony (1979)
Selections from Walt Disney's "Mary Poppins" (as editor; arr. Kostal) (1963/1964)
Serenade (1966)
Seventh Suite for Band (2002)
The Severn Suite (as arranger) (1973)
Siciliana Notturno (1977)
Silver Shadow (1998/1999)
Sine Nomine (as arranger) (1906/1976)
Sixth Suite for Band
Slavonic Folk Suite (1953/1987)
Slow Blues. See: Concerto for Trumpet and Winds
Sonata. See: Concerto for Trumpet and Winds
Song. See: Concerto for Trumpet and Winds
Song of the High Cascades
Song of Threnos (1964)
A Springtime Celebration (1991)
The Strenuous Life (as arranger) (1902/1974)
Sumus Futuro (1999)
A Symphonic Prelude (1963)
Symphony for Brass and Percussion (1952/1967)
Symphony No. 1. See: Symphony for Brass and Percussion
Symphony No. 2. See: Second Symphony
Symphony No. 3 (1988)
- Variations on the Porazzi Theme of Wagner (1882/1988)
Symphony No. 4. See: Fourth Symphony
Symphony No. 5. See: Fifth Symphony
Tannhäuser Grand March (as editor; tr. McAlister) (1847/2005)
Tarantella (1996)
Testament of an American (1974)
Theme from "Lawrence of Arabia" (as arranger) (1963)
Third Suite for Band (1982)
Third Symphony. See: Symphony No. 3
Three Chorales (as arranger; ed. McAlister) (?/2013)
Three Revelations from the Lotus Sutra (1984)
Three Symphonic Preludes (as arranger)
Thunder and Lightning (1999)
The Tsar's Farewell (as arranger) (2001)
Twelfth Night (2003)
Two Bagatelles (Flex instrumentation) (arr. Clark) (1983/1997/2010)
Two Bagatelles (1983/1995)
Two Bagatelles for Concert Band (1983/1997)
Two Bagatelles for Four Trombones (1983)
Variations on the Porazzi Theme of Wagner. See: Symphony No. 3
Victory! (2005)
Vilia (as arranger) (1905/1990)
Vilabella March (as editor) (1970)
Viva Musica! (1984)
Wapawekka (1963)
With Trumpets And Drums (1992)

Resources

Reed, A. (1962). Seascape: A Dramatic intermezzo for Solo Baritone (Trombone) and Band [score]. Piedmont Music Co. : New York.