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Russlan and Ludmilla (tr Henning)

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Mikhail Glinka

Mikhail Glinka (tr. Henning)


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General Info

Year: 1842 / 1937
Duration: c. 6:00
Difficulty: VI (see Ratings for explanation)
Publisher: Carl Fischer
Cost: Score and Parts – Out of print.

For availability information, see Discussion tab, above.


Instrumentation

Condensed Score
C Piccolo
D-flat Piccolo
Flute I-II
Oboe I
Oboe II/English Horn
Bassoon I-II
E-flat Soprano Clarinet
B-flat Soprano Clarinet Solo-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Bass Saxophone
B-flat Cornet I-II-III
B-flat Trumpet I-II
E-flat Horn or Alto I-II-III-IV
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
String Bass
Timpani
Percussion

(percussion detail desired)


Errata

None discovered thus far.


Program Notes

Ruslan and Lyudmila is an opera in five acts (eight tableaux) composed by Mikhail Glinka between 1837 and 1842. The opera is based on the 1820 poem of the same name by Alexander Pushkin, the father of Russian literature. Pushkin's death in the famous duel prevented him from writing the libretto himself as planned.

Today, the best-known music from the opera is its overture, which Glinka is said to have composed in 24 hours. He became the first composer in the classical tradition to incorporate the whole-tone scale.

- Program Note from Wikipedia


Unlike Glinka's very successful A Life for the Tsar, the opera Russian and Ludmilla (1837—42) was not a resounding success. The libretto, based on his friend Alexander Pushkin’s fairy tale, had been poorly adapted by various authors until its “wretched completion," as Glinka himself described it. Furthermore, the opera's premiere had been marred by a poor cast. Even with this inauspicious start, the quality of the musical score was undeniable. This became immediately evident to several prominent composers and conductors, including Franz Liszt and Hector Berlioz, who conducted later performances. The overture from the opera has especially endured as one of his most popular and has become a staple of the classical concert repertoire.

- Program Note from U.S. Marine Band concert program, 14 December 2016


This transcription was done for the Goldman Band by Franz Henning.


Commercial Discography

None discovered thus far.


State Ratings

  • Alabama: Class AA
  • Maryland: VI
  • North Carolina: VI
  • South Carolina: VI


Performances

To submit a performance please join The Wind Repertory Project


Works for Winds by this Composer


Resources