Ride of the Valkyries (arr Hernandez)
Richard Wagner (tr. Adrian Hernandez)
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General Info
Year: 1870 /
Duration: c. 5:00
Difficulty: VI (see Ratings for explanation)
Publisher: Manuscript
Cost: Score and Parts - Unknown
Instrumentation
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Errata
None discovered thus far.
Program Notes
Wagner’s cycle of ‘music-dramas,' The Ring of the Nibelungen, is unique in the history of art: an ancient mythological tale spread over four interdependent operas; the capstone of Romantic orchestration, harmony and expression; a nodal point in the history of music; and an integral part, for both better and worse, of the German psyche. Wagner’s grand conception left no thinking person untouched in the late 19th century. Almost all were seduced by the overwhelming power and emotion of the operas. His impact on modern thought and art has been enormous.
The Ride of the Valkyries takes place at the beginning of Act III of Die Walküre, the second of the four operas in the Ring cycle. The Valkyries are the nine warrior-maidens of German mythology who ride through the air on their steeds, bringing heroes killed in battle to Valhalla, home of the gods, to form a garrison of defense. The Ride occurs after the curtain rises on a rocky mountain scene to reveal four of the Valkyries watching their sisters return from the battleground. The music vividly depicts the wild, wind-swept heights, the powerful strides of the magical horses, and the Valkyries’ thrilling war cries.
- Program note by University of Houston Moores School of Music Wind Ensemble
In 1848, German composer Richard Wagner began early sketches of Der Ring des Nibelungen, a cycle of four operas that would become commonly as the Ring Cycle. After working on the Ring Cycle for more than 20 years, the second opera, Die Walküre, premiered in 1870 in Munich.
The Valkyries are the immortal warrior daughters of Wotan, King of the Gods in Norse legend. In the opening of Die Walküre's Act III, the Valkyries, riding on flying horses, gather on a mountaintop to survey the battlefield below. They are about to perform their duty of carrying fallen warriors to Valhalla, “hall of the fallen.” For over 100 years, The Ride of the Valkyries, with its powerful female vocal lines and unmistakable low brass theme, remained one of the most thrilling works in western music.
Women have served alongside the United States military since its inception in 1775, and have served in full capacity since 1901 with the inception of The Army Nurse Corps. Today, women continue to play a critical part in our defense force, with over 200,000 active duty servicewomen enlisted and commissioned, 9,200 of whom are currently deployed overseas.
- Program Note from U.S. Army Field Band concert program, 16 December 2015
The U.S. Army Field Band performance (16 December 2015) featured six women singing and acting out the lyrics from the opera.
- Program Note by Dave Strickler
Media
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State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- United States Army Field Band (Ft. Meade, Md.) (Paul Bamonte, conductor) - 16 December 2015 (2015 Midwest Clinic)
- United States Army Field Band – Spring 2012
Works for Winds by This Composer
- Awake (arr. Houseknecht) (1868/1957)
- Chor der Junger from "Das Liebesmahl der Apostel" (arr. Pohler)
- Die Meistersinger (arr. Milford) (1868/1998)
- Die Meistersinger, Excerpts from the Opera (arr. Eric Osterling)
- Die Meistersinger Overture (tr. Hindsley) (1868/197-?)
- Die Meistersinger, Prelude (arr. Moses-Tobani/H.R. Kent) (1904/1948)
- Die Meistersinger Themes (arr. Daehn) (18684/2009)
- Die Meistersinger von Nurnbürg (tr. Hindsley) (1868/196-?)
- Die Walkure, Act 2, Scene 4 (arr. King)
- Elsa's feierlicher Zug zum Münster (tr. Nefs) (1848/2017)
- Elsa's Procession to the Cathedral from "Lohengrin" (tr. Bourgeois) (1848/1997)
- Elsa's Procession to the Cathedral from "Lohengrin" (tr. Cailliet) (1848/1938)
- Elsa's Procession to the Cathedral (arr. Cherry) (1848/1999/2019)
- Elsa's Procession to the Cathedral. See also: Procession to the Cathedral (tr. Patterson)
- Entry of the Gods into Valhalla (arr. Godfrey) (1869/1906)
- Entry of the Gods into Valhalla (arr. O'Neill) (1869/1930)
- Evening Star (arr. Barnard) (1845/1927)
- Festmusik (arr. Seifert-Kressbronn) (1843-1982)
- Fest Marsch from "Tannhäuser" (tr. Rumbelow) (1845/1997)
- The Flying Dutchman (tr. Hindsley) (1843/197-?)
- The Flying Dutchman Overture (arr. Godfrey) (1843/1955)
- Funeral Music from "The Dusk of the Gods" (arr. Godfrey) (1876/1919)
- Gathering of the Armies (arr. Friedman) (1850/1995)
- Homage March (ed. Bourgeois)
- Huldigungsmarsch (ed. Reed) (1864/2002)
- Huldigungsmarsch (ed. Schaefer) (1864/1971)
- Huldigungsmarsch (ed. Whitwell) (1864/2015)
- Italian Polka (arr. Leidzen) (1941)
- Kaisermarsch (tr. Godfrey) (1871/1912)
- King Heinrich’s Call (tr. Bourgeois) (1850/1983)
- Invocation of Alberich from "Rheingold" (arr. Cailliet) (1869/1940)
- Liebestod (arr. Shishikura) (1856/2014)
- Liebestod (arr. Bainum) (1856/1964)
- Lohengrin (arr. Patterson) (1850/2016)
- Lohengrin (arr. Tamanini) (1850/2005)
- Lohengrin: Introduction to Act III (arr. Drumm) (1850/1937)
- March from "Tannhäuser" (arr. Lake) (1926)
- March on, America
- Nibelungen March (arr. Stretton) (c.1874/1909)
- Overture to Rienzi (arr. Grabel) (1842/1933)
- Pilgrim's Chorus (arr. Geese) (1845/2009)
- Pilgrim's Chorus (arr. Musser) (1845/)
- Pilgrim's Chorus (arr. Musser; ed. Rapp) (1845/2009)
- Pilgrim's Chorus (arr. Reed) (1845/1991)
- Prelude to Act I of "Die Meistersinger" (trans. Kreines) (1862/2012)
- Prelude to Act III from "Lohengren" (tr. Hindsley) (1850)
- Prelude to Act III from "Lohengrin" (tr. Brand) (1850/2001)
- Prelude to Act III from "Lohengrin" (arr. McAlister and Reed) (1850/2006)
- Prelude to Parsifal (tr. Bourgeois) (1882/2016)
- Procession of the Knights of the Holy Grail from "Parsifal" (arr. Houseknecht) (1964)
- Procession to the Cathedral (tr. Patterson) (1846-48/1997)
- Ride of the Valkyries (tr. Patterson)
- Ride of the Valkyries (arr. Laurendeau) (1870/1908)
- Ride of the Valkyries (tr. Longwood) (1870/2000)
- Ride of the Valkyries (arr. Hernandez) (1870)
- Rienzi Overture (arr. Meyrelles) (1842/1892)
- The Ring (arr. Higgins) (1848-1874/2020)
- Selections from Act III of "Die Meistersinger von Nurnbürg" (arr. Hanna) (1868/2015)
- Seigfried Fantasie (arr. Seidel) (1876/1893)
- Siegfried Idyll (1870)
- Siegfried's Funeral March (tr. Tanick) (1876/)
- Siegfried's Funeral March from "Gotterdammerung" (tr. Bourgeois)
- Siegfried's Funeral Music (arr. Whear) (1876/1966)
- Tannhäuser (arr. Lake) (1845/1926)
- Tannhäuser Grand March (tr. McAlister) (1845/2005)
- Tannhäuser March (arr. E. Fall) (1845)
- Tannhäuser Overture (arr. Fall) (1845/1936)
- Tannhäuser Overture (tr. Safranek) (1845/1913)
- Tannhäuser Overture (arr. Sousa) (1845/)
- Tannhäuser Overture (arr. Winterbottom) (1845/1903)
- Tannhäuser Selection (arr. Lake) (1926)
- Trauersinfonie (ed. Votta/Boyd) (1844/1924/1994)
- Trauersinfonie (tr. Leidzen) (1844/1924/1949)
- Tristan und Isolde (tr. Janssen) (1862/2015)
- Vorspiel und Liebestod (arr. Godfrey) (1865/1909)
- Wotan's Farewell and Magic Fire Music from "Die Walküre" (arr. Lake) (1874/1937)
Resources
None discovered thus far.