César Franck (arr. A.A. Harding)
Year: 1893 / 1903 / 1952
Duration: c. 9:20
Difficulty: (see Ratings for explanation)
Original Medium: Piano Four-Hands
Publisher: Neil A. Kjos
Cost: Score and Parts - Out of print.
For availability information, see Discussion tab, above.
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III-IV
E-flat Alto Clarinet
B-flat Bass Clarinet
E-flat Alto Saxophone
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Cornet I-II-III
B-flat Trumpet I-II
Horn in F I-II-III-IV
- Bass Drum
- Chimes (or Orchestra Bells)
- Crash Cymbals
- Snare Drum
None discovered thus far.
Cupid and Psyche is a story originally from Metamorphoses (also called The Golden Ass), written in the 2nd century AD by Lucius Apuleius Madaurensis (or Platonicus). The tale concerns the overcoming of obstacles to the love between Psyche ("Soul" or "Breath of Life") and Cupid ( "Desire") or Amor ("Love"), and their ultimate union in a sacred marriage. Although the only extended narrative from antiquity is that of Apuleius from 2nd century AD, Eros and Psyche appear in Greek art as early as the 4th century BC. The story's Neoplatonic elements and allusions to mystery religions accommodate multiple interpretations, and it has been analyzed as an allegory and in light of folktale, Märchen or fairy tale, and myth.
- Program Note from Wikipedia
Envious and jealous of the beauty of a mortal girl named Psyche, Venus asks her son Cupid (known to the Greeks as Eros) to use his golden arrows while Psyche sleeps, so that when she awakens, Venus (Aphrodite in the Greek tradition) would have already placed a vile creature for her to fall in love with. Cupid finally agrees to her commands after a long (and failed) debate. As he flies to Psyche's room at night, he turns himself invisible so no one can see him fly in through her window. He takes pity on her, for she was born too beautiful for her own safety. As he slowly approaches, careful not to make a sound, he readies one of his golden arrows. He leans over Psyche while she is asleep and before he can scratch her shoulder with the arrow, she awakens, startling him, for she looks right into his eyes, despite his invisibility. This causes him to scratch himself with his arrow, falling deeply in love with her. He cannot continue his mission, for every passing second he finds her more appealing. He reports back to Venus shortly after, and the news enrages her. Venus places a curse on Psyche that keeps her from meeting a suitable husband, or any husband at that. As she does this, it upsets Cupid greatly, and he decides as long as the curse stays on Psyche, he will no longer shoot arrows, which will cause the temple of Venus to fall.
- Program Note for orchestral version from Pro Arte Symphony Orchestra
None discovered thus far.
To submit a performance please join The Wind Repertory Project
- Capital Wind Symphony (McLean, Va.) (George Etheridge, conductor) – 28 April 2018
Works for Winds by This Composer
- Choral No 2 for Organ (scored Grainger; ed. Rogers) (1890/1941/20--?)
- Domine non secundum (arr. Michel) (1871/1997)
- Le Chausseur Maudit (arr. Hanna) (1883/)
- Le Chausseur Maudit (arr. Stauffer) (1883/1971)
- Morceau Symphonique (arr. Godfrey) (1874/1916)
- Panis Angelicus (arr. Burns) (1872/)
- Panis Angelicus (arr. Hautvast) (1872/2009)
- Panis Angelicus (adapt and arr. Reed) (1872/1988)
- Panis Angelicus (arr. Sparke) (1872/2001)
- Piece Heroique (arr. Grevenbroek) (1878/2000)
- Prelude (arr. Slocum) (1862/1974)
- Psalm 150 (arr. Naulais) (1883/)
- Psyche and Eros (1893/1903/)
- Psyche and Eros (tr. Harding) (1893/1903/1952)
- Symphony in D minor (arr. Brawner) (1889/)