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Power of Rome and the Christian Heart, The
Subtitle: For Military Band and Pipe or Electric Organ (String Orchestra at will)
General Info
Year: 1943 / 1947 / 1953
Duration: c. 12:40
Difficulty: VI (see Ratings for explanation)
Publisher: Kalmus
Cost: Score and Parts (print) - $89.95 | Score Only (print) - $14.95
Instrumentation
Full Score
C Piccolo I-II (II optional)
Flute I-II
Oboe I-II
English Horn
Bassoon I-II
Contrabassoon (written for in score, no part provided)
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
B-flat Soprano Saxophone
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Bass Saxophone
B-flat Cornet (or Trumpet) I-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Bass Trombone
B-flat Baritone
Euphonium
Tuba
Harp (the more, the better) (optional)
Piano (the more, the better) (optional)
Celesta and/or Dulcitone (optional)
Organ
Timpani
Percussion, including:
- Crash Cymbals
- Glockenspiel
- Tam-tam
- Marimba
- Snare Drum
- Swiss Hand Bells
- Suspended Cymbals
- Tubular Bells
- Vibraphone (written as Metal Marimba or Vibraharp)
- Xylophone
Violin I-II (optional)
Viola (optional)
Cello (optional)
String Bass (optional)
Errata
- Contrabassoon. Written in score but no part provided.
Program Notes
Grainger described his thoughts concerning this work as follows:
Just as the early Christians found themselves in conflict with the power of ancient Rome, so, at all times and places, the Individual Conscience is apt to feel itself threatened or coerced by the Forces of Authority -- and especially in wartime. Men who hate fighting are forced to be soldiers, are horrified to find themselves called upon to fight in the ranks of their enemies. The sight of young recruits doing bayonet practice in the First World War gave me the first impulse to this composition which, however, is not in any sense program music and does not portray the drama of actual events. It is merely the unfoldment of musical feelings that were started by thoughts of the eternal glory of the Individual Soul in conflict with the Powers That Be.
- Program Note from Program Notes for Band
The Power of Rome and the Christian Heart was commissioned in 1947 for two reasons: to commemorate the 25th anniversary of the League of Composers, and for the 70th birthday of Edwin Franko Goldman. It is Grainger’s largest work for winds and percussion and calls for an organ to supplement the orchestra. The Power of Rome and the Christian Heart first began in 1918, and completed in 1943 for full symphony orchestra and organ. Faced with the commission and nothing yet on paper, Grainger decided to rescore it for the occasion. Openly admitting what he had done, he explained: “As it takes me about 20 years to finish a tone-work, the best thing I could do was to fix up my Power of Rome so it could be played without strings.” The Power of Rome and the Christian Heart is Percy Grainger’s last original work for band.
The chronological span of the composition includes the end of one world war and the onset of a second. Grainger, a conscientious objector, repeatedly referred to The Power of Rome in these terms. The following two quotes support Grainger’s viewpoints:
“Just as the Early Christians found themselves in conflict with the Power of Ancient Rome so, at all times and places, the Individual Conscience is apt to feel itself threatened or coerced by the Forces of Authority. The sight of young recruits doing bayonet practice, in the First World War, gave the first impulse to this composition, which, however, is not in any sense programme-music and does not portray the drama of actual events. It is merely the unfoldment of musical feelings that were started by thoughts of the eternal agony of the Individual Soul in conflict with The-Powers-That-Be.”
“I think that young men in their teens respond (at least to the foreword of) my Conscientious- Objector piece The Power of Rome and the Christian Heart. But on the whole I think the entire musical world is entirely oblivious of the whole world of bitterness, resentment, iconoclasm and denunciation that lies behind my music. If they were aware of it I am not sure it would make any difference ... And the worth of my music will never be guessed, or its value to mankind felt, until the approach to my music is consciously undertaken as a ‘a pilgrimage of sorrows’.”
- Program Note from the West Texas A&M Wind Ensemble concert program, 11 February 2016
Media
- Audio: Reference recording. Ensemble and conductor unknown
- Audio CD: Dallas Wind Symphony (Frederick Fennell, conductor; Paul Riedo, organ) – 1994
- Audio CD: Royal Northern College of Music Wind Orchestra (Timothy Reynish, conductor) – 1998
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- Carnegie Mellon University (Pittsburgh, Penn.) Wind Ensemble (George Vosburgh, conductor)
- Bowling Green (Ohio) State University Wind Symphony (Bruce Moss, conductor) – 14 April 2022
- Banda dell'Esercito Italiano (Italian Army Wind Band) (Filippo Cangiamila, conductor) – 8 December 2019
- Central Washington University (Ellensburg) Wind Ensemble (Lewis Norfleet, conductor) – 22 November 2019
- University of South Florida (Tampa) Wind Ensemble (Matthew McCutchen, conductor) – 17 November 2019
- Kennesaw (Ga.) State University Wind Symphony (Debra Traficante, conductor) – 11 March 2019
- Colorado Wind Ensemble (Denver) (David Kish, conductor) – 11 February 2018
- Pacific Symphony (Anaheim, Calif.) Youth Wind Ensemble ( Gregory X. Whitmore, conductor) – 12 November 2017
- Dallas (Tex.) Winds (Jerry Junkin, conductor) – 13 September 2016
- West Texas A&M University (Canyon) Symphonic Band (Donald Lefevre, conductor) – 11 February 2016 (2016 TMEA Conference, San Antonio)
- University of Washington Wind Ensemble (Lewis Norfleet, conductor) – 5 December 2013
- West Texas A&M University (Canyon) Symphonic Band (Donald Lefevre, conductor; Michael Johnson, organ) – 25 March 2009 (CBDNA 2009 National Conference (Austin, Tx.)
Works for Winds by This Composer
Adaptable Music
- Irish Tune from County Derry (Flex instrumentation) (arr. Klarfeld) (1918/2014/2020)
- Molly on the Shore (Flex instrumentation) (arr. Sheehan) (1920/2020)
- O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (as arranger; ed. Brand and Brion) (1724?/1937-1942/1987)
- Prelude in the Dorian Mode (Flex instrumentation) (as scorer)
- Shepherd's Hey (Flex instrumentation) (arr. Fisher) (1918/2020)
- Two Movements from "Lincolnshire Posy" (Flex instrumentation) (arr. Sweeney) (1937/2019)
All Wind Works
- Angelus ad Virginem (as arranger) (1940s)
- The Annunciation Carol
- The Annunciation Carol (tr. Grainger) (13th Cent./1942/1993)
- Arrival Platform Humlet (arr. Eichenberger) (1912/)
- Arrival Platform Humlet (tr. Simpson) (1912/1916/1995)
- Arrival Platform Humlet (tr. Patterson) (1916/2011)
- Australian Up-Country Tune (arr. Bainum) (1930/1970)
- Bell Piece (ed. Duffy and Ould) (1935/1953/1991)
- Blithe Bells (1931)
- Blithe Bells (arr. Jager) (1931/1989)
- Blithe Bells (ed. Ould) (1931/2013)
- A Bridal Lullaby (arr. Hartley)
- Brigg Fair (arr. Ballenger) (1905/1991)
- British Waterside (arr. Moss) (1921)
- British Waterside (arr. Wilson) (1921/1998)
- Children's March (rev. Erickson) (1919/1971)
- Children's March (rev. Rogers) (1919/1995)
- Children's March (arr. Wagner) (1919/2000)
- Choral No 2 for Organ (as scorer; ed. Rogers) (1890/1941/20--?)
- Colonial Song (1912/1918)
- Colonial Song (ed. Rogers) (1918/1997)
- Colonial Song (ed. Topolewski) (1918/2001)
- Colonial Song (arr. Wagner) (1919/2014)
- Country Gardens (1918/1990)
- Country Gardens (arr. Sousa, Brion and Schissel) (1918/1953)
- Country Gardens (arr. Karrick) (1918/2013)
- Country Gardens (arr. Clark) (1918/1931)
- County Derry Air (ed. Ould)
- The Cutting of the Hay (arr. Wilson)
- Danish Folk Music Suite (arr. Kreines) (1926-41/1950/)
- Danny Deever (arr. Carpenter)
- Danny Deever (tr. Ragsdale). See: Three Tragic Ballads
- Died for Love
- Died for Love (arr. Conway) (1912/2011?)
- Down Longford Way & Shenandoah (as orchestrator; arr. Osmon) (1928/1935/1990)
- The Duke of Marlborough Fanfare (1939)
- The Duke of Marlborough Fanfare (ed. Hunsberger) (1939/2000)
- The Duke of Marlborough Fanfare (arr. Ragsdale) (1939/1995)
- Early One Morning (arr. Kreines). See: Two Grainger Melodies
- Eastern Intermezzo (arr. Warshaw) (1899/1922/)
- Faeroe Island Dance (1946//1954/1969)
- Father and Daughter. See: Three Tragic Ballads
- Folk Tune (as arranger) (1923/1942)
- Four Grainger Songs (arr. Svanoe) (2003) (unpublished)
- Gay but Wistful (tr. Patterson) (1916/2011)
- Gay But Wistful. See also: Tune in a Popular London Style
- A Grainger Threesome (arr. Ragsdale) (2007)
- Green Bushes (1906/2007) (tr. Pappajohn)
- Green Bushes. See also: Themes from "Green Bushes"
- Gumsucker's March (arr. Rogers) (1914/1942/1996)
- Handel in the Strand (arr. Brion and Schissel) (1912/2001)
- Handel in the Strand (arr. Goldman) (1912/1961)
- Handel in the Strand (arr. Rohrer) (1912/2015)
- Harlem 125th Street Walkabout (arr. Hartley)
- Harvest Hymn (tr. Kreines) (1940/1983)
- Hill Song No. 1 (1902)
- Hill Song No. 1 (adapt. Rogers) (1901/1922/1923/1997)
- Hill-Song Nr. 1 (trans. Clark) (1901/1922/1923/2019)
- Hill Song No. 2 (arr. Rogers) (1907/1929/1990)
- Horkstow Grange from "Lincolnshire Posy" (adapt. Sweeney) (1937/2008)
- The Hunter in His Career (arr. Robinson)
- The Immovable Do (1940)
- I'm Seventeen Come Sunday (tr. Daehn) (1905-12/1987)
- I'm Seventeen Come Sunday (arr. Wagner) (1905-12/1999)
- In a Nutshell (tr. Patterson) (1916/2011)
- In Dahomey (arr. Miller)
- Irish Tune (arr. Stotter) (1918)
- Irish Tune from County Derry (1918)
- Irish Tune from County Derry (arr. Clark and Schmidt) (1918/2001)
- Irish Tune from County Derry (arr. Erickson) (1918/1970)
- Irish Tune from County Derry (Flex instrumentation) (arr. Klarfeld) (1918/2014/2020)
- Irish Tune from County Derry (arr. Kreines) (1918/1996)
- Irish Tune from County Derry (ed. Renshaw) (1918)
- Irish Tune from County Derry (ed. Rogers) (1918/1994)
- Irish Tune from County Derry/Shepherd's Hey (tr. Stamp) (1918/2021)
- The Jungle Book Suite (arr. Ragsdale) (2011)
- Jutish Medley (arr. Kreines) (1923-1929/)
- Lads of Wamphray March (1905/1941)
- Lads of Wamphray March (ed. Kreines) (1905/1937/2003)
- Lads of Wamphray Ballad (arr. Ragsdale) (1905/2018)
- Lincolnshire Posy (1937/1940)
- Lincolnshire Posy (ed. Fennell) (1937/1987/2010)
- Lincolnshire Posy (ed. Fennell; rev. Rogers) (1937/1987/2010/2020)
- Lincolnshire Posy (arr. Higgins) (1937/2008)
- Lincolnshire Posy (arr. Osika) (1937/)
- Lisbon from "Lincolnshire Posy" (adapt. Sweeney) (1937/2017)
- Lord Maxwell's Goodnight (orch. Wilson)
- Lord Peter's Stable Boy (1925/1930)
- Lord Peter's Stable Boy (arr. Kreines)
- Lost Lady Found (arr. Sweeney) (1937/2011)
- March (as arranger) (1946)
- Marching Song of Democracy (1917/1948/1991)
- Marching Song of Democracy (ed. Brion) (1917/1948/1991)
- Marching Tune (2013) (arr. Story)
- The Merry King (ed. Schissel) (1905/2006)
- Mock Morris (arr. Kreines) (1910/1991)
- Mock Morris (arr. Patterson) (1910/ )
- Mock Morris (arr. Perna) (1910/2010/2016)
- Mock Morris (arr. Simpson) (2010/1993)
- Molly on the Shore (ed. Rogers) (1920/1998)
- Molly on the Shore (ed. Clark and Schmidt) (1920/2002)
- Molly on the Shore (arr. Johnston) (1920/2011)
- Molly on the Shore (tr. Ragsdale) (1920/1978)
- My Dark-Haired Maid (ed. Ragsdale) (1899)
- My Robin Is to the Greenwood Gone (arr. Strum) (1912/1999)
- Near Woodstock Town (arr. Cramer) (2004)
- Nightingale and the Two Sisters, The (arr. Kreines) (1931)
- Northern March. See: Youthful Suite
- O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (setting) (1724?/1937-1942/1987)
- Pagodes from "Estampes" (as arranger) (1903/1928/1996)
- A Percy Grainger Portrait (arr. Wagner) (2010)
- Percy Grainger Suite (arr. Kreines) (1983)
- A Percy Grainger Suite (arr. Erickson) (1996)
- The Power of Rome and the Christian Heart (1947/1953)
- Prelude in the Dorian Mode (Flex instrumentation) (as scorer)
- Scotch Strathspey and Reel (arr. Osmon) (1901-1911/1982)
- Sehet was die liebe tut (as arranger) (1937)
- Sheep Shearing Song (as arranger) (1904/1923/1942/2017)
- Shenandoah (arr. Osmon)
- Shepherd's Hey (1918)
- Shepherd's Hey (arr. Clark) (1918/2001)
- Shepherd's Hey (ed. Rogers) (1918/1994)
- Shepherd's Hey (arr. De Stefano) (1918/2012)
- Shepherd's Hey (Flex instrumentation) (arr. Fisher) (1918/2020)
- Spoon River (1919-29/1940s)
- Spoon River (arr. Bainum) (1922/1967/2009)
- Spoon River (ed. Carson & Naylor) (1922/2010)
- Spoon River (arr. Sheldon) (1922)
- Spoon River (arr. Story) (1922/2014)
- Six Dukes Went A-Fishin' (arr. Kreines)
- The Sussex Mummers' Christmas Carol (scored Goldman) (1916/1965)
- The Sussex Mummers' Christmas Carol (arr. Clark) (1916/1996)
- The Sussex Mummers' Christmas Carol (arr. Simpson) (1916/1988)
- The Sussex Mummers' Christmas Carol (arr. Stotter) (1911/1916/2006)
- Themes from "Green Bushes" (arr. L. Daehn) (1906/1987)
- This is Not My Plaid (arr. Ragsdale) (2014)
- The Three Ravens. see: Three Tragic Ballads
- Three Tragic Ballads (arr. Ragsdale) (1924, 1902, 1909/2016)
- Danny Deever (1902/1909/2016)
- The Three Ravens (1902/2000)
- Father and Daughter
- A Tribute to Grainger (arr. Ragsdale) (1999)
- Tune in a Popular London Style (arr. Rogers) (1916/2005)
- Tuscan Serenade (as arranger) (1865/1937/1994)
- Two Grainger Melodies (trans. Kreines) (1912/1988)
- Two Grainger Sweets - Harvest Hymn and Mock Morris (arr. Krienes)
- Two Movements from "Lincolnshire Posy" (arr. Ryan) (1937/2019)
- Two Movements from "Lincolnshire Posy" (Flex instrumentation) (arr. Sweeney) (1937/2019)
- Walking Tune (1900)
- Walking Tune (arr. Daehn) (1900/1940/1988)
- Walking Tune (arr. Simpson)
- The Warriors (tr. Pappajohn) (1916/1998)
- We Have Fed Our Sea for a Thousand Years (1911)
- The Widow's Party (arr. Moon) (1923/1929/2011)
- The Widow's Party (arr. Osmon) (1923/1929/2009)
- Willow, Willow (1911/1992) (orch. Simpson)
- Ye Banks and Braes O' Bonnie Doon (1949)
- Ye Banks and Braes O' Bonnie Doon (arr. Ragsdale) (1903/1936/2008)
- Ye Banks and Braes O' Bonnie Doon (arr. Sweeney) (1949/2006)
- Youthful Suite (tr. Rogers) (1899/1950)
- Northern March (arr. Rogers) (c. 1900/2010)
- Rustic Dance (1899/1950/2010)
- Eastern Intermezzo
- English Waltz (1899-1901/1940-1947/1999)
- Zanzibar Boat Song (arr. Hazzard) (1902/2013)
Resources
- Grainger, P. (1953). The Power of Rome and the Christian Heart : For Military Band and Pipe or Electric Organ (String Orchestra at Will) [score]. Kalmus: Opa-Locka, Fla.
- Guerrieri, Matthew (21 March 2015). "Fascination, frustration mix in innovative Grainger work." Boston Globe Accessed 19 January 2016
- "Score Study Episode #39: The Power Of Rome & The Christian Heart (Grainger)." YouTube, uploaded by Anthony O'Toole, 29 April 2022. Accessed 30 April 2022
- Perusal score
- Smith, Norman E. (2002). Program Notes for Band. Chicago: GIA Publications, pp. 251.