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Piano Concerto in G minor: First Movement

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Felix Mendelssohn-Bartholdy

Felix Mendelssohn-Bartholdy (trans. Robert Dahnert)


The full concerto bears the designation Opus 25.


General Info

Year: 1831 / 1954
Duration:
Difficulty: (see Ratings for explanation)
Original Medium: Piano and orchestra
Publisher: Clayton F. Summy Co.
Cost: Score and Parts – Out of print

For availability information, see Discussion tab, above.


Instrumentation

Full Score
Solo Piano
Flute
Oboe
Bassoon
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Cornet I-II-III
B-flat Trumpet I-II
E-flat Horn or Alto I-II-III-IV
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
Timpani
Percussion, including:

  • Bass Drum
  • Crash Cymbals


Errata

None discovered thus far.


Program Notes

Mendelssohn's Piano Concerto No. 1 in G minor, Op. 25, was written in 1830–31, around the same time as his fourth symphony ("Italian"), and premiered in Munich on 17 October 1831. This concerto was composed in Rome during a travel in Italy after the composer met the pianist Delphine von Schauroth in Munich. The concerto was dedicated to her. Mendelssohn performed the piece himself at the premiere, which also included performances of his Symphony No. 1 and the Overture from Midsummer Night's Dream.

In the first movement, Molto Allegro con Fuoco, the piano enters after only a few bars of orchestral introduction. It was standard procedure in the classical-era concerto to precede the solo's entrance by a tutti, for various reasons – the length and purpose of these introductions differed, some offering a hint of what was to follow and some giving out almost all the movement's material, but none was so brief as this: in this sense, this was one of the first concertos of the Romantic age. The rest of the movement is fairly typical of concertos in its use of a modified sonata form, with a second, contrasting lyrical theme first heard from the piano over repeated accompaniment, and later on wind. As the movement closes a transition takes the movement not to a full close, but instead, with a brass fanfare and a piano continuation of the same, to the border of the second movement.

- Program Note adapted from Wikipedia


Media

None discovered thus far.


State Ratings

None discovered thus far.


Performances

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Works for Winds by this Composer

Adaptable Music

  • Scherzo (Flex instrumentation) (arr. Ambrose) (1823/2021)


All Wind Works


Resources