Paean
General Info
Year: 2012
Duration: c. 11:00
Difficulty: V (see Ratings for explanation)
Publisher: Steven Bryant
Cost: Score and Parts - Rental
Works within set that may be played alone
1. Chant - 6:35
2. Triumph - 4:20
Instrumentation
Full Score
Flute I-II-III (I doubles==ing Piccolo)
Oboe I-II
Bassoon I-II
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II
Bass Trombone
Euphonium
Tuba I-II
String Bass
Piano
Harp
Timpani
Percussion, including:
- Bass Drum
- Crotales
- Glockenspiel
- Marimba
- Suspended Cymbal
- Tam-Tam
- Vibraphone
Errata
None discovered thus far.
Program Notes
Commissioned in memory of Ernest and Donald Caneva by their family and friends, Paean pays tribute to these men and their years of accomplishments as bandleaders. As preparation for the work, I discussed their personalities with Tom Caneva and Scott Casagrande: according to Scott, "Don was aggressive and headstrong, brash and caring. Ernie was suave, funny, loyal and a traditionalist." In addition, Tom revealed that Ernie, a lover of Italian opera, had made a transcription of Verdi's Triumphal March during his career. Using this as a starting point, I began to explore and develop the melody from Verdi's fanfare, morphing it across the whole-tone scale until it takes on a wild, hyper-energetic, slightly unpredictable character. This fanfare, Triumph, forms the second of two works in this set (I prefer to think of them as a set of independent pieces, rather than movements -- either can stand alone in performance).
My approach to the first work in the set, Chant, developed from a visit to William Francis McBeth, my mentor and first composition teacher, in fall 2011. With his blessing, I decided to build a piece around his early work, Chant and Jubilo. In an unexpected coincidence, I discovered his work turned 50 years old in December 2011, the exact same month I completed Paean. Unfortunately, McBeth ("Dr. Mac" to his students), passed away in January 2012, before I had a chance to share this music with him. This music celebrates and is dedicated to the mentors and teachers who have shaped and inspired us.
Commissioned by Ball State University, Muncie, Ind., Thomas Caneva, Director of Bands; John Hersey High School, Arlington Heights, Ill., Scott Casagrande, Director of Bands; Lockport Township High School, Lockport, Ill., Brian Covey, Director of Bands; Coastal Communities Concert Band, San Diego, Calif., Robert C. Fleming, Conductor; Members of the Caneva family. World premiere took place on February 19, 2012, at Ball State University.
- Program Note by composer
Media
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- Michigan State University (East Lansing) Symphony Band (David Thornton, conductor) - 30 April 2022
- University of Texas (Austin) Symphony Band (Ryan S. Kelly, conductor) – 18 October 2017
- University of Missouri (Columbia) Wind Ensemble (Brian Silvey, conductor) – 11 October 2016
- SUNY Potsdam Symphonic Band (Bryan Doyle, conductor) – 21 April 2016
- Texas All-State High School Symphonic Band (Michael Haithcock, conductor) - 13 February 2016 (2016 TMEA Conference, San Antonio)
- Northwestern University (Evanston, Ill.) Symphonic Band (Shawn Vondran, conductor) – 30 October 2015
- Amador Valley (Pleasanton, Calif.) High School Wind Ensemble I (Jonathan Grantham, conductor) - 19 December 2013 (2013 Midwest Clinic)
- South Sound Symphonic Band (Seattle) (Tom Anderson, conductor) - 9 March 2013
- Ball State University (Muncie, Ind.) Wind Ensemble (Thomas Caneva, conductor) – 29 February 2012 (ABA 2012 Annual Convention (Indianapolis, Indiana)) *Premiere Performance*
Works for Winds by This Composer
Adaptable Music
- Dusk (Four-part Adaptable Band) (2004/2020)
- Dusk (Five-part Adaptable Band) (2004/2020)
- In This Broad Earth (Adaptable Band) (2015/2020)
- The Low Arc of the Sun (Adaptable Band) (2017/2021)
- The Machine Awakes (Five-part Adaptable Band) (2012/2020)
- MetaMarch (Six-part Adaptable Band) (arr. Ambrose) (2003/2020)
All Wind Works
- Alchemy in Silent Spaces (2001)
- Aloft (2023)
- all stars are love (2014)
- Anthem (Bryant) (2011)
- The Automatic Earth (2019)
- Axis Mundi (2009)
- Bloom (2004)
- A Brighter Light (2021)
- Centennial Chimes (2021)
- Chester Leaps In. See: Parody Suite)
- A Chorus Loud and Strong (2021)
- Coil (2014)
- Concerto for Alto Saxophone (2014)
- Concerto for Cello and Orchestral Winds
- Concerto for Piano and Orchestral Winds & Percussion (2012)
- Concerto for Trombone 2016
- Concerto for Wind Ensemble (2010)
- Dusk (2004)
- Dusk (Four-part Adaptable Band) (2004/2020)
- Dusk (Five-Part Adaptable Band) (2004/2020)
- Ecstatic Fanfare (2012)
- Ecstatic Fanfare (arr. Lourens) (2012/2015)
- Ecstatic Waters (2008)
- First Light
- Impercynations (see Parody Suite)
- Idyll (2013)
- In This Broad Earth (2015)
- In This Broad Earth (for brass ensemble) (2015/2017)
- In This Broad Earth (Adaptable Band) (2015/2020)
- Interruption Overture (1998)
- Interruptions
- Irrational Joy (2017)
- Loose Id (2006)
- The Low Arc of the Sun (Adaptable Band) (2017/2021)
- The Machine Awakes (2012)
- The Machine Awakes (Five-part Adaptable Band) (2012/2020)
- The Marbled Midnight Mile (1999)
- MetaMarch. See: Parody Suite)
- MetaMarch (Six-part Adaptable Band) (arr. Ambrose) (2003/2020)
- A Million Suns at Midnight
- Miniature Suite (2017)
- Monkey
- Nothing Gold Can Stay (2016)
- Paean
- Parody Suite
- Pendulum (2018)
- Radiant Joy (2006)
- RedLine
- Rise (2003)
- sevenfive
- Solace (2012)
- Stampede (2003)
- Suite Dreams. See: Parody Suite)
- This Silver World (2023)
- Whirlwind (2013)
- Wings That Work (2003)