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Oblivion
Astor Piazzolla (arr. Robert Longfield)
Subtitle: Flexible solo feature with concert band
General Info
Year: 1982 / 2013
Duration: c. 4:15
Difficulty: III (see Ratings for explanation)
Publisher: Hal Leonard
Cost: Score and Parts (print) - $55.00; (digital) - $55.00 | Score Only (print) - $5.00
Instrumentation
Full Score
Solo Flute
Solo Oboe
Solo Clarinet
Solo Alto Saxophone
Solo Trumpet
Flute I-II
Oboe
Bassoon
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II
Trombone I-II
Euphonium
Tuba
String Bass
Timpani
Percussion I-II-III, including:
- Drum Set
- Egg Shaker
- Suspended Cymbal
- Triangle
- Vibraphone
Errata
None discovered thus far.
Program Notes
One of Astor Piazzolla's most popular tangos, Oblivion became widely known through the soundtrack of Marco Bellochio's film Henry IV, the Mad King.
Media
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- University of North Dakota (Grand Forks) University Band (James Popejoy, conductor; Sarah Curtiss, flute) - 25 April 2023
- West Virginia University (Morgantown) Symphonic Band (Stephen Lytle, conductor; Nina Assimakopoulos, flute) – 19 November 2019
- Eastman School of Music (Rochester, N.Y.) Wind Ensemble (Mark Scatterday, conductor) – 18 February 2019
- Hawaii Symphonic Band (Honolulu) (Steven Hirahara, conductor; Jaclyn Skeweris, oboe) – 9 December 2018
- University of North Dakota (Grand Forks) University Band (James Popejoy, conductor; Katarina Shpak, flute) – 9 October 2018
- University of Minnesota (Minneapolis) Symphonic Band (Jerry Luckhardt, conductor) – 11 October 2018
- Itliong-Vera Cruz Middle School (Union City, Calif.) Symphonic Band (Nelson Agregado, conductor) - 17 February 2017 (2017 CASMEC Conference, San Jose)
- Blasorchester der Musikschule Spandau (Berlin, Ger.) (Leitung von Reinhard Kautz, conductor; Yannis Kommana, trumpet) – 6 July 2014
Works for Winds by This Composer
Adaptable Music
- Yo Soy Maria (Flex instrumentation) (arr. DeJonge) (1968/2020)
All Wind Works
- Adiós Nonino (arr. Woude) (1984)
- Contrabajissimo (arr. Scott) (1984/2008)
- Escualo (arr. Teho) (1979/)
- Fuga y Misterio (arr. Leeuwen) (1974/2018)
- Fuga y misterio (arr. Ziegler) (1974/)
- Fugata (arr. Smith)
- Fugata (arr. Warner)
- Histoire du Tango (1986/2008)
- La Muerte del Ángel (arr. Pease) (1962/2005)
- La Muerte del Angel (arr. Woo) (1962/2019)
- Le Grand Tango (arr. Sharretts) (/2008)
- Libertango (arr. Scott) (1974/2009)
- Libertango (ed. Etchegoncelay) (1974/)
- Libertango (arr. Murtha) (1974/2016)
- Michelangelo '70 (arr. Warner)
- Milonga del Angel (arr. Warner)
- Milonga sin Palabras
- Oblivion (arr. Avila) (1982)
- Oblivion (arr. Longfield) (1982/2013)
- Oblivion (arr. Six and Sealy) (1982/)
- Oblivion (arr. Smith) (1982/)
- Oblivion (arr. Warner) (1982/)
- Primavera Portena
- PULSACION (arr. Kataoka) (1969/2012)
- Selections from "Cinco Piezas" for Guitar
- Sinfonía Buenos Aires (1949/2022)
- Street Tango (arr. Longfield) (2017)
- Tangazo (arr. Ansanay-Alex) (2010)
- Tango Suite (arr. Jackson) (1984/?)
- Tango Suite (Saxophone Quartet) (arr. Sharretts) (/2007)
- Tango Suite (Woodwind Quintet) (arr. Sharretts) (/2008)
- Tango Suite (arr. White)
- Tres Minutos con la Realidad (arr. Smith)
- Yo Soy Maria (arr. DeJonge) (1968/)
- Yo Soy Maria (Flex instrumentation) (arr. DeJonge) (1968/2020)
Resources
- PIazzolla, A.; Longfield, R. (2013). Oblivion : (flexible solo feature with concert band) [score]. Hal Leonard: Milwaukee, Wisc.