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Molly on the Shore (flex)
Percy Aldridge Grainger (ed. Amber Sheeran)
Contents
General Info
Year: 1920 / 2020
Duration: c. 3:55
Difficulty: IV (see Ratings for explanation)
Original Medium: String Band
Publisher: Murphy Music Press
Cost: Score and Parts (print) - $70.00
Instrumentation (Flexible)
Full Score
Part 1
- Piccolo (optional)
- Flute
- B-flat Soprano Clarinet
Part 2
- Flute
- Oboe
- B-flat Soprano Clarinet
- E-flat Alto Saxophone
- B-flat Trumpet
Part 3
- B-flat Soprano Clarinet
- E-flat Alto Saxophone
- B-flat Trumpet
- Horn in F
Part 4
- B-flat Soprano Clarinet
- E-flat Alto Saxophone
- B-flat Trumpet
- Horn in F
Part 5
- Bassoon
- B-flat Tenor Saxophone
- Trombone
- Euphonium
- Horn in F
Part 6
- Bassoon
- B-flat Bass Clarinet
- E-flat Baritone Saxophone
- Trombone
- Euphonium
- Tuba
Piano (optional)
Percussion:
- Bass Drum
- Bells (Glockenspiel)
- Crash Cymbals
- Snare Drum
- Suspended Cymbal
- Vibraphone
Errata
None discovered thus far.
Program Notes
In setting Molly on the Shore I strove to imbue the accompanying parts that made up the harmonic texture with a melodic character not too unlike that of the underlying reel tune. Melody seems to me to provide music with initiative, whereas rhythm appears to me to exert an enslaving influence. For that reason I have tried to avoid regular rhythmic domination in my music -- always excepting irregular rhythms, such as those of Gregorian chant, which seem to me to make for freedom. Equally with melody, I prize discordant harmony, because of the emotional and compassionate sway it exerts.
- Program Note by Percy Aldridge Grainger
Molly on the Shore receives frequent performances from high school and university ensembles, and it is certainly appropriate for a variety of concert programs. Although melodically straightforward, this brisk reel will provide several technical challenges, especially for younger players. For a successful performances, students must exhibit firm control over articulation and finger technique. Fast tonguing pervades the upper woodwind parts, and performers should approach the decorative triplet turns with care. Grainger's characteristically intricate tapestry of melodies and countermelodies is thoroughly enjoyed by audiences.
- Notes from Great Music for Wind Band
Based on two Cork Reel tunes, Molly on the Shore and Temple Hill, respectively, Molly on the Shore began as a string quartet and was later rescored by Grainger himself for full symphony orchestra, chamber orchestra, and finally military band in 1920. In a 1959 letter to Frederick Fennell, Grainger wrote, “I strove to imbue the accompanying parts that made up the harmonic texture with a melodic character not too unlike that of the underlying reel tune ... Equally with melody, I prize discordant harmony, because of the emotional and compassionate sway it exerts.”
- Program Note from Kell High School Wind Ensemble concert program, 20 December 2017
Performance Note
While Grainger writes that the piece should be presto (quarter note = 112-126), I personally recommend quarter note = 92-112.
- Performance Note by arranger
Commercial Discography
None discovered thus far.
Media
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
Works for Winds by this Composer
Adaptable Music
- Irish Tune from County Derry (Flex instrumentation) (arr. Klarfeld) (1918/2014/2020)
- Molly on the Shore (Flex instrumentation) (arr. Sheehan) (1920/2020)
- O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (as arranger; ed. Brand and Brion) (1724?/1937-1942/1987)
- Prelude in the Dorian Mode (Flex instrumentation) (as scorer)
- Shepherd's Hey (Flex instrumentation) (arr. Fisher) (1918/2020)
- Two Movements from "Lincolnshire Posy" (Flex instrumentation) (arr. Sweeney) (1937/2019)
All Wind Works
- Angelus ad Virginem (as arranger) (1940s)
- The Annunciation Carol
- The Annunciation Carol (tr. Grainger) (13th Cent./1942/1993)
- Arrival Platform Humlet (arr. Eichenberger) (1912/)
- Arrival Platform Humlet (tr. Simpson) (1912/1916/1995)
- Arrival Platform Humlet (tr. Patterson) (1916/2011)
- Australian Up-Country Tune (arr. Bainum) (1930/1970)
- Bell Piece (ed. Duffy and Ould) (1935/1953/1991)
- Blithe Bells (1931)
- Blithe Bells (arr. Jager) (1931/1989)
- Blithe Bells (ed. Ould) (1931/2013)
- A Bridal Lullaby (arr. Hartley)
- Brigg Fair (arr. Ballenger) (1905/1991)
- British Waterside (arr. Moss) (1921)
- British Waterside (arr. Wilson) (1921/1998)
- Children's March (rev. Erickson) (1919/1971)
- Children's March (rev. Rogers) (1919/1995)
- Children's March (arr. Wagner) (1919/2000)
- Choral No 2 for Organ (as scorer; ed. Rogers) (1890/1941/20--?)
- Colonial Song (1912/1918)
- Colonial Song (ed. Rogers) (1918/1997)
- Colonial Song (ed. Topolewski) (1918/2001)
- Colonial Song (arr. Wagner) (1919/2014)
- Country Gardens (1918/1920?)
- Country Gardens (arr. Sousa, Brion and Schissel) (1918/1953)
- Country Gardens (arr. Karrick) (1918/2013)
- Country Gardens (arr. Clark) (1918/1931)
- County Derry Air (ed. Ould)
- Danish Folk Music Settings (arr. Kreines) (1926-41/1950/)
- Danny Deever (arr. Carpenter)
- Died for Love
- Died for Love (arr. Conway)
- Down Longford Way & Shenandoah (as orchestrator; arr. Osmon) (1928/1935/1990)
- The Duke of Marlborough Fanfare (1939)
- Duke of Marlborough Fanfare, The (ed. Hunsberger) (1939/2000)
- Duke of Marlborough Fanfare, The (arr. Ragsdale) (1939/1995)
- Early One Morning (arr. Kreines). See: Two Grainger Melodies
- Eastern Intermezzo (arr. Warshaw)
- Faeroe Island Dance (1946//1954/1969)
- Father and Daughter (arr. Ragsdale) (1912)
- Folktune (as arranger) (1942)
- Four Grainger Songs (arr. Svanoe) (2003) (unpublished)
- Gay but Wistful (tr. Patterson) (1916/2011)
- A Grainger Threesome (arr. Ragsdale) (2007)
- Green Bushes (1906/2007) (tr. Pappajohn)
- Gumsucker's March (arr. Rogers) (1914/1942/1996)
- Handel in the Strand (arr. Brion and Schissel) (1912/2001)
- Handel in the Strand (arr. Goldman) (1912/1961)
- Handel in the Strand (arr. Rohrer) (1912/2015)
- Harlem 125th Street Walkabout (arr. Hartley)
- Harvest Hymn (tr. Kreines) (1940/1983)
- Hill Song No. 1 (1902)
- Hill Song No. 1 (adapt. Rogers) (1901/1922/1923/1997)
- Hill-Song Nr. 1 (trans. Clark) (1901/1922/1923/2019)
- Hill Song No. 2 (1907)
- Horkstow Grange from "Lincolnshire Posy" (adapt. Sweeney) (1937/2008)
- The Hunter in His Career (arr. Robinson)
- The Immovable Do (1940)
- I'm Seventeen Come Sunday (tr. Daehn) (1905-12/1987)
- I'm Seventeen Come Sunday (arr. Wagner) (1905-12/1999)
- In a Nutshell (tr. Patterson) (1916/2011)
- In Dahomey (arr. Miller)
- Irish Tune (arr. Stotter) (1918)
- Irish Tune from County Derry (1918)
- Irish Tune from County Derry (arr. Erickson) (1918/1970)
- Irish Tune from County Derry (Flex instrumentation) (arr. Klarfeld) (1918/2014/2020)
- Irish Tune from County Derry (arr. Kreines) (1918/1996)
- Irish Tune from County Derry (ed. Renshaw) (1918)
- Irish Tune from County Derry (ed. Rogers) (1918/1994)
- Jutish Medley (arr. Kreines)
- Lads of Wamphray March (ed. Kreines) (1907)
- Lads of Wamphray Ballad (arr. Ragsdale) (1905/2018)
- Lads of Wamphray March (ed. Kreines) (1905/1937)
- Lincolnshire Posy (1937)
- Lincolnshire Posy (ed. Fennell) (1937/1987/2010)
- Lincolnshire Posy (ed. Fennell; rev. Rogers) (1937/1987/2010/2020)
- Lincolnshire Posy (arr. Higgins) (1937/2008)
- Lincolnshire Posy (arr. Osika) (1937/)
- Lisbon from "Lincolnshire Posy" (adapt. Sweeney) (1937/2017)
- Lord Maxwell's Goodnight (orch. Wilson)
- Lord Peter's Stable Boy (1925/1930)
- Lord Peter's Stable Boy (arr. Kreines)
- Lost Lady Found (arr. Sweeney) (1937/2011)
- March (as arranger) (1946)
- Marching Song of Democracy (1917/1948/1991)
- Marching Song of Democracy (ed. Brion) (1917/1948/1991)
- Marching Tune (2013) (arr. Story)
- The Merry King (ed. Schissel) (1905/2006)
- Mock Morris (arr. Kreines) (1910/1921)
- Mock Morris (arr. Perna) (1910/2010/2016)
- Mock Morris (arr. Simpson)
- Molly on the Shore (1920)
- Molly on the Shore (ed. Clark and Schmidt) (1920/2002)
- Molly on the Shore (arr. Johnston) (1920/2011)
- Molly on the Shore (tr Ragsdale) (tr. Ragsdale) (1920/1978)
- My Dark-Haired Maid (ed. Ragsdale) (1899)
- Near Woodstock Town (arr. Cramer) (2004)
- Nightingale and the Two Sisters, The (arr. Kreines) (1931)
- O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (setting) (1724?/1937-1942/1987)
- Pagodes from "Estampes" (as arranger) (1903/1928/1996)
- A Percy Grainger Portrait (arr. Wagner) (2010)
- A Percy Grainger Suite (arr. Erickson) (1996)
- The Power of Rome and the Christian Heart (1947/1953)
- Prelude in the Dorian Mode (Flex instrumentation) (as scorer)
- Scotch Strathspey and Reel (arr. Osmon) (1901-1911/1982)
- Sehet was die liebe tut (as arranger) (1937)
- Sheep Shearing Song (as arranger) (1904/1923/1942/2017)
- Shenandoah (arr. Osmon)
- Shepherd's Hey (1918)
- Shepherd's Hey (ed. Rogers) (1918/1994)
- Shepherd's Hey (arr. De Stefano) (1918/2012)
- Shepherd's Hey (Flex instrumentation) (arr. Fisher) (1918/2020)
- Spoon River (1919-29/1940s)
- Spoon River (arr. Bainum) (1922/1967/2009)
- Spoon River (ed. Carson & Naylor) (1922/2010)
- Spoon River (arr. Sheldon) (1922)
- Spoon River (arr. Story) (1922/2014)
- Six Dukes Went A-Fishin' (arr. Kreines)
- The Sussex Mummers' Christmas Carol (scored Goldman) (1916/1965)
- The Sussex Mummers' Christmas Carol (arr. Clark) (1916/1996)
- The Sussex Mummers' Christmas Carol (arr. Simpson) (1916/1988)
- Sussex Mummers' Christmas Carol, The (arr. Stotter) (1911/1916/2006)
- Themes from "Green Bushes" (arr. L. Daehn) (1906/1987)
- This is Not My Plaid (arr. Ragsdale) (2014)
- Three Tragic Ballads (arr. Ragsdale) (1924, 1902, 1909/2016)
- A Tribute to Grainger (arr. Ragsdale) (1999)
- Tuscan Serenade (as arranger) (1865/1937/1994)
- Two Grainger Melodies (trans. Kreines) (1912/1988)
- Two Grainger Sweets - Harvest Hymn and Mock Morris (arr. Krienes)
- Two Movements from "Lincolnshire Posy" (arr. Ryan) (1937/2019)
- Two Movements from "Lincolnshire Posy" (Flex instrumentation) (arr. Sweeney) (1937/2019)
- Walking Tune (Woodwind Quintet) (1900)
- Walking Tune (arr. L. Daehn) (1900/1940/1988)
- Walking Tune (arr. Simpson)
- The Warriors (tr. Pappajohn) (1916/1998)
- We Have Fed Our Sea for a Thousand Years (1911)
- Willow, Willow (1911/1992) (orch. Simpson)
- Ye Banks and Braes O' Bonnie Doon (1949)
- Youthful Suite (tr. Rogers)
- Northern March
- Rustic Dance (1899/1950/2010)
- Eastern Intermezzo
- English Waltz (1899-1901/1940-1947/1999)
- Zanzibar Boat Song (arr. Hazzard) (1902/2013)
Resources
- Goza, David. Molly on the Shore: A Conductor's Guide to a Minor Miracle
- Lourens, Alan. "Molly on the Shore. MBM Times, Issue 6 (2012), 59.
- Miles, Richard B. 2000. Teaching Music Through Performance in Band. Volume 3. Chicago: GIA Publications. pp. 389-393.
- Nicholson, Chad. (2009). Great Music for Wind Band: A Guide to the Top 100 Works in Grades IV, V, VI. Galesville, MD: Meredith Music Publications. pp 7-8.
- Perusal score
- Shipes, Matthew. (2018) "Experts' Excerpts: Molly on the Shore by Percy Aldridge Grainger." ITEA Journal [International Tuba Euphonium Association] 45, no. 2 (Winter 2018): 52-55.