March of the Soviet Militia
Dmitri Shostakovich (ed. Iakubov)
Subtitle: For Wind Orchestra
This work bears the designation Opus 139.
General Info
Year: 1970 / 2006
Duration: c. 1:35
Difficulty: IV (see Ratings for explanation)
Publisher: Music Sales Classical
Cost: Score and Parts - Rental
Instrumentation
Full Score
Flute
Oboe I-II
B-flat Soprano Clarinet I-II-III
B-flat Trumpet I-II
Horn in F I-II
Trombone I-II-III
Timpani
Percussion
Errata
None discovered thus far.
Program Notes
There are several amazing aspects to Shostakovich's late work for military band, The March of the Soviet Militia, Op. 139 (1970). First, it is amazing that so late in life, when so little compositional energy remained in his ailing body, that Shostakovich would compose so slight a piece of occasional music. Second, it is amazing that Shostakovich would compose a work for the Soviet Police, an organization that had hung over his head like a threat since he had first been condemned by the Soviet state in 1936.
Third, it is amazing that Shostakovich could compose such a blandly bombastic work so late in his career, when works like the agonizing final quartets and the ironically tragic last symphony were gestating in his mind. But the most amazing thing about The March of the Soviet Militia is that Shostakovich dedicated it to his old friend and poker-playing buddy, Mikhail Zoshchenko, a beloved comic writer and a none-too-well-concealed subversive. That Shostakovich would compose such a dumb and brutal work to a dumb and brutal militia is amazing; that he would dedicate it to a comedian clearly reveals his intentions.
- Program Note by James Leonard
Written very near the end of the composer’s
life, the March of the Soviet Militia, Op.139
is the penultimate work in the Shostakovich
orchestral catalogue, preceded by Symphony
No. 14 and followed by Symphony No. 15. The
contrast in styles between the march and its
heavy-weight neighbours could not be greater,
as Shostakovich clearly gave the Soviet militia
exactly what it wanted: a quick, exuberant and
virtuosic showpiece with which to entertain
and delight audiences and troops.
- Program Note from liner notes of CD Russian Wind Band Classics, Chandos
Dmitri Shostakovich wrote
this march at the request of one of the worst
scoundrels of the Brezhnev ‘stagnation era’,
Nikolai Shcholokov – who happened to be
Minister of the Soviet police. Galina
Vishnevskaya, who was present at the dinner
when Shcholokov asked the great
Shostakovich for a march, has told of the
grotesque incident. How the minister then
reacted to the witty and ironic March of the
Soviet Police which was the result, is not
known; after Brezhnev’s death, Shcholokov’s
criminal deeds were disclosed, and he shot
himself.
- Program Note from liner notes of CD Russian Concert Band Music, Chandos
Commercial Discography
- Audio CD: Stockholm Concert Band (Gennady Rozhdestvensky, conductor) - 1996
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- Minnesota Freedom Band – 2013
Works for Winds by This Composer
Adaptable Music
- Waltz No. 2 (Flex instrumentation) (arr. Brown) (post 1956/2021)
All Wind Works
- Allegro from "Symphony No. 10" (tr. Fisher) (1954/2010)
- Ballet Suite #4 (arr. Pappajohn) (1953)
- Batterie from "The Nose" (arr. Schaefer) (1928/1978)
- Concertino (orch. Singleton) (1953/)
- Dance I. See: Jazz Suite No. 2
- Ein Volksfest (arr. Rembach) (1955/1995)
- Ein Volksfest. See: Folk Festival
- Excerpts from "Symphony No. 5" Finale (arr. Longfield) (1937/2007)
- Festive Overture (arr. Frost) (1954/2016)
- Festive Overture (tr. Hunsberger) (1954/1965)
- Festive Overture (tr. Martin) (1954/2016?)
- Festive Overture (tr. Patterson) (1954/)
- Festive Overture (tr. Takahashi) (1954/1998)
- The Fire of Eternal Glory (tr. Timothy Rhea) (1960/2011)
- Fire of Eternal Glory (arr. Curnow) (1960/2011)
- Folk Dances (tr. Reynolds) (1942/1979)
- Folk Dances (arr. Erickson) (1942/1979)
- Folk Dances (arr. Curnow) (1942/2000)
- Folk Festival (tr. Hunsberger) (1955/1971)
- Folk Festival. See also: Ein Volksfest
- Fortinbras March from "Hamlet" (tr. Suchoff) (1932/1967)
- The Gadfly (1955/)
- The Gadfly (tr. Patterson) (1955/)
- Galop (tr. Hunsberger) (1959/1971)
- Galop (from "The Limpid Stream") (tr. Miller) (1935)
- Hamlet Suite (tr. Suchoff) (1964/1975)
- Intermezzo (arr. Cahn) (1928/1986/1994)
- Jazz Suite No. 1 (1934)
- Jazz Suite No. 2 (arr. de Meij) (post-1956/1994)
- March (arr. de Meij) (post-1956/1994)
- Lyric Waltz (arr. de Meij) (post-1956/1995)
- Dance I (arr. de Meij) (post-1956/1994)
- Dance II (arr. de Meij) (post-1956/1994)
- Waltz No. 2 (arr. de Meij) (post-1956/1994)
- Finale (arr. de Meij) (post-1956/1994)
- March (arr. Curnow) (2014)
- March (arr. de Meij). See: Jazz Suite No. 2
- March of the Soviet Militia (ed. Iakubov) (1970/2006)
- October, Op 131 (arr. Mitchell) (1967)
- Overture on Russian and Kirg (arr. Janssen)
- Overture on Russian and Kirghiz Folk Songs (tr. Duker) (1963/1989)
- Overture to "The Gadfly" (arr. Geert Flik) (1955/2006)
- Piano Concerto No 2 (tr. Pontini) (1957/2012)
- Piano Concerto No 2 in F Major (arr. Bamonte)
- Piano Trio No. 2 (arr. Graham)
- Priest and His Servant Balda, The (1934)
- Prelude, Op. 34, No. 14 (arr. Reynolds) (1988)
- Prelude 21 and Fugue 1 (arr. McCullough) (1952/)
- Prelude (Variations) from "Ballet Suite No. 4" (arr. Blankenship) (1953/)
- Romance (arr. Peel) (1955/1985)
- Spanish Dance from "The Gadfly" (arr. Curnow)
- Suite for Jazz Orchestra no. 1. See: Jazz Suite No. 1
- Symphony No. 1 (tr. Scarbrough) (1924-25)
- Symphony No. 5, Mvmt I (tr. Schaeffer)
- Symphony No. 5, Mvmt II (tr. Smith) (1937/1944)
- Symphony No. 5: Finale (tr. Righter) (1937/1947)
- Symphony No. 5, Mvmt IV (tr. Rogers) (1937/2003)
- Symphony No. 5, Mvmt IV (tr. Bocook) (1937/2005)
- Symphony No. 9 (arr. Mertens and Suykerbuyk) (1945/1986)
- Symphony No. 9 (tr. Schaefer) (1945/1976)
- Symphony No. 10, Mvt. II (tr. Fisher) (tr. Fisher) (1954/2010)
- Symphony No. 10, Mvmt II (tr. O'Brien) (1954)
- Symphony No. 11: Second Movement Excerpts (arr. Daehn) (1957/1989)
- Tahiti Trot (tr. Brubaker) (1927/2009)
- Three Symphonic Preludes (arr. Reed)
- Two Scarlatti Pieces (1928)
- Waltz No. 2 (Flex instrumentation) (arr. Brown) (post 1956/2021)
- Waltz No. 2 (arr. Connery) (post 1956/1996)
- Waltz No. 2 (arr. Curnow) (post 1956/2010)
- Waltz No. 2 (arr. De Meij). See: Jazz Suite No. 2
Resources
- Leonard, James. "Dmitry Sostakovich: March of the Soviet Militia, for Wind Band, Op. 139."Allmusic. Accessed 24 September 2016