Let this place
The title of this work is intentionally written in lower case: let this place.
General Info
Year: 2019
Duration: c. 10:55
Difficulty: V (see Ratings for explanation)
Publisher: Peter Meechan
Cost: Score and Parts (print) - $250.00; (digital) - $200.00 | Score Only (print) - $50.00; (digital) - $50.00
Movements
1. cry
2. despair
Instrumentation
Full Score
C Piccolo
Flute I-II
Oboe
Bassoon
B-flat Soprano Clarinet I-II-III-IV
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II
Bass Trombone
Euphonium
Tuba
String Bass
Piano
Timpani
Percussion (4 players), including:
- Bass Drum
- Crash Cymbals
- Marimba
- Suspended Cymbal
- Tam-Tam
- Tom-Tom
- Vibraphone
Errata
None discovered thus far.
Program Notes
After receiving the commission from this work from Institut collégial Vincent Massey Collegiate Wind Ensemble and their conductor, Matthew Abraham, I was in the fortunate position of being able to spend time with the group talking about what music means to them, what it means to community and society, and also how they currently felt about that current community and society both from a personal perspective and a wider vision.
It became clear that these grade 9 – 12 students had a deep understanding of the environment around them, both locally and the world at large, and the difficulties that surround us all at this time. A sense of serious concern for the ecology of the planet was of key concern as was apparent, which seemed to channel through a wider concern at the lack of humanity that we see every day in the street, in our city, in our country and in our world.
let this place was written in response to those very concerns, and my anger that we have -- in what feels like a very short space of time -- descended into a world where children are separated from their parents at the U.S. border, where racism and hatred have become commonplace, where anti-Semitism has once again reared its ugly head, where gun and knife crime hardly makes the news such is its frequency, where we allow, as citizens of this planet, children to be victims of chemical weapons in Syria, destruction of human life in Yemen: the list is almost endless.
We seem to have forgotten the many warnings that history has taught us, and none more so than the words of the plaque situated at Auschwitz-Birkenau:
“For ever let this place be a cry of despair and a warning to humanity, where the Nazis murdered about one and a half million men, women, and children, mainly Jews from various countries of Europe.
Auschwitz-Birkenau 1940 – 1945”
The title of the work, let this place, is taken from the plaque and is an invitation for us all to consider those words. The first part of the work, cry, is both a reference to those who perished at the concentration camps and the sadness we should all feel that the words inscribed have been so easily forgotten.
The second part, despair, is where we are now: the concerns that were raised by the students, the anger I feel, the distress that we see on a daily basis. The piece doesn’t end; it merely stops: a challenge to all who play, listen and experience the piece to make a choice about the kind of world we want to live in -- to cry, to despair, or to listen to the “warning to humanity”.
let this place was commissioned by, and dedicated to, Institut collégial Vincent Massey Collegiate Wind Ensemble and their conductor, Matthew Abraham.
- Program Note by composer
Media
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- Acadia University (Wolfville, Nova Scotia, Can.) Wind Ensemble (Mark Hopkins, conductor) - 21 November 2021
- Chicago (Ill.) College of Performing Arts Wind Ensemble (Stephen Squires, conductor) – 4 March 2020
- University of Manitoba (Winnipeg) Wind Ensemble (Jacqueline Dawson, conductor) – 6 December 2019
- University of Missouri, Kansas City, Wind Ensemble (Joseph Parisi, conductor) – 17 October 2019
Works for Winds by This Composer
Adaptable Music
- Forgotten Children (Adaptable Band) (2014/2020)
- Letters for Home (Flex instrumentation) (arr. Ambrose) (2014/2020)
- Lullaby (Flex instrumentation) (2021)
- Lullaby. See also: Suite Treats
- Plaza Fanfare (Adaptable Band) (2020)
- Song of Hope (Flex instrumentation) (2013/2020)
- Taking the Fifth (Adaptable Band) (2020)
- Zenith (Adaptable Band) (2020)
All Wind Works
- Apex
- Athabasca (2018)
- Autumn Falling
- Bang 2 (2007)
- Carnival (2006)
- Chorales (on Brecht) (2017)
- Close to the Sun (2018)
- Crazy Diamonds Shining
- Devil's Duel
- Dreams Unseen (2021)
- Each Life Converges (2022)
- Episodes and Echoes
- Eternal Light (2008)
- Fanfare for a Festival (Meechan)
- Forgotten Children (Adaptable Band) (2014/2020)
- Fragile Oasis (2013/14)
- ISS Flyover (2012)
- Korn Symphony (2015)
- Lament (from Macbeth) (2008/2014)
- Land of the Living Skies (2018)
- let this place (2019)
- Letters for Home (2014)
- Letters for Home (arr. Ambrose) (2014/2020)
- Lift Off (2006)
- Loss Verses (2021)
- Lullaby (Flex instrumentation) (2021)
- Lullaby. See also: Suite Treats
- Macbeth (Meechan)
- Machines (2020)
- Match Day (2006)
- Meditations (2023)
- Origins (2012)
- Perpetua (2019)
- Plaza Fanfare (Adaptable Band) (2020)
- Renaissance of Wonder (2016)
- Shift (2023)
- Shine (2011)
- A Short Blast (2023)
- Soliloquies from a Quiet Place (2019)
- Song of Hope (with trumpet solo) (2013/2015)
- Song of Hope (band) (2013/2015)
- Song of Hope (Flex instrumentation) (2013/2020)
- Soul Divine (2017)
- Taking the Fifth (2020/2021)
- Taking the Fifth (Adaptable Band) (2020)
- These Mist Covered Mountains
- Three Stories, Three Worlds (2004)
- Through Clouds and Sunshine (2021)
- Velvet Blue (2013)
- Waves Toward the Pebbled Shore (2018)
- Zenith (Adaptable Band) (2020)
Resources
- Perusal score
- Peter Meechan website Accessed 18 October 2019