Legacy (Navarro)

From Wind Repertory Project
Oscar Navarro

Oscar Navarro (transcribed by the composer)

Subtitle: Concerto for Oboe and Symphony Orchestra

General Info

Year: 2015 / 2016
Duration: c. 22:05
Difficulty: VI (see Ratings for explanation)
Original Medium: Orchestra
Publisher: Oscar Navarro
Cost: Score and Parts (print) - €220.00


One single movement


Full Score
Solo Oboe
Flute I-II
Oboe I-II
Bassoon I-II
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone I-II
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
B-flat Flugelhorn I-II
Horn in F I-II-III-IV
Trombone I-II-II
Bass Trombone
Euphonium I-II
Percussion I-II-III, including:

  • Bass Drum
  • Claves
  • Crash Cymbals
  • Crotales
  • Glockenspiel
  • Snare Drum
  • Suspended Cymbal
  • Tambourine
  • Temple Blocks
  • Triangle
  • Wooden Board
  • Xylophone



None discovered thus far.

Program Notes

The passage of time is something we cannot stop. We can remember moments from the past, enjoy the present and imagine the future. Along life’s path we leave indelible marks, on places, on people and there are the moments in life that leave their marks on us...

The oboe is a faithful instrument that has survived the passage of time from antiquity and to which many composers have dedicated their most profound inspiration since time long past. In the history of music great works have been dedicated to this instrument, and over time they continue to be a part of our lives.

With this concerto, I wish to leave my mark or legacy, looking to the past, the present and the future, which is symbolized in a large part of the work with a hidden “tick-tock” of a clock. This “tick-tock” transports us through various time periods of our history. We begin in the times of antiquity, at the beginning symbolized by melodic lines with an improvised quality, mysterious, ethereal, with a slight ethnic touch. Later, after having again heard the hidden “tick-tock” of the clock and a reminder of the improvised lines in the beginning of the concerto, we transition or jump to a period in which Spanish nationalist music takes the lead.

A period represented by a “gypsy” song led by the oboe and accompanied by an energetic heel stamping (generated through the percussion section) transports us to a Spain profoundly charged with emotion in which the oboe functions as the “gypsy singer” who leads a section inundated with feeling, passion and frenzied abandon.

After this glance at our Spanish roots, a new section is born with brushstrokes that remind us of the opening of the work and that transport us now to a romantic period involving great melodic lines, passion and emotion in its purest state. The oboe initiates this new section with a simple, intimate, reserved main melody which, little by little, becomes more ornate, becoming charged with emotion and power as we proceed through time until we reach the climax offered by the entire band, in which feelings overflow and reach their purest state, fading in an infinite pianissimo that is interrupted by another jump in time to the present day.

This last section, which is fresh and rhythmic, takes us to today’s music with a cinematographic style and color with suggestive band colors. The section is full of life in which we can symbolically appreciate the livelier “tick-tock” of the clock, stubborn and ever present in this last section of the work, particularly in the playful low section of the band.

Finally, I couldn’t conclude this work without a glance at the quintessential period for the oboe, the Baroque, a cadence dedicated to the great period of musical history that left so very many works for the oboe and which I could not let go unacknowledged.

After this wink to the Baroque and a grand epic cadence, a speeding, chaotic clock drags us to a lively, speeding finale in which the oboe exploits all its technical possibilities to the end, where our clock reveals the end of our travels.

- Program Note by composer

"Para Ramón Ortega"

- Program Note from score


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State Ratings

None discovered thus far.


To submit a performance please join The Wind Repertory Project

  • Michigan State University (East Lansing) Wind Symphony (Kevin Sedatole, conductor; Nermis Mieses, oboe) - 29 September 2022
  • Heart of Texas (San Antonio) Concert Band (R. Mark Rogers, conductor; Wolfgang Draving, oboe) - 23 July 2021 (Texas Bandmasters Association Convention, San Antonio)
  • Heart of Texas Concert Band (San Antonio) (R. Mark Rogers, conductor; Jillian Kouzel, oboe) - 25 April 2021
  • University of Cincinnati (Ohio) College-Conservatory of Music Wind Symphony (Kevin Michael Holzman, conductor; Mark Ostoich, oboe) – 2 November 2019
  • United States Coast Guard Academy Band (New London, Conn.) (Adam Williamson, conductor; Leah Bedard, oboe) – 5 May 2019
  • University of Texas (Austin) Wind Ensemble (Jerry Junkin, conductor; Andrew Parker, oboe) – 7 April 2019
  • Kansas State University (Manhattan) Wind Symphony (Alex Wimmer, conductor; Alyssa Morris, oboe) – 7 December 2017
  • Banda Sinfonica Municipal de Madrid (Spain) (Oscar Navarro, conductor; Ramón Ortega, oboe) – 9 March 2016 *Premiere Performance of Wind Band Arrangement*

Works for Winds by This Composer