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Le Bal de Béatrice d'Este

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Reynaldo Hahn

Reynaldo Hahn


General Info

Year: 1905
Duration: c. 17:50
Difficulty: V (see Ratings for explanation)
Publisher: Hegel & Cie, reprinted by Kalmus Music, through Alfred Music
Cost: Score and Parts - $125.00   |   Score Only - $35.00


Movements

1. Entree de Ludovic le More - 1:35
2. Lesquarcade - 3:45
3. Romanesque - 3:35
4. Iberienne - 1:40
5. Leda et l'oiseau - 2:15
6. Courante - 3:30
7. Salut Final au Duc de Milan - 0:45


Instrumentation

Full Score
Flute I-II
Oboe
Bassoon I-II
B-flat Soprano Clarinet I-II
C Trumpet
Horn in F I-II
Harp I-II
Piano
Timpani
Percussion, including:

  • Suspended Cymbal
  • Triangle


Errata

  • Timbales, mvt. VI, 1 m. before reh. A: Add dynamic marking of pianissimo.
  • Cymbales et Triangle, mvt. I: Reh. B should be moved from 12 m. after reh. A to 15 m. after (just before the cymbal entrance).
  • Cymbales et Triangle, mvt. IV: Reh. A should be 24 measures of rest.
  • Cymbales et Triangle, mvt. IV: There should be 23 measures rest before reh. C, with an eighth note cymbal on beat 3 of the measure before reh. C.
  • Cymbales et Triangle, mvt. VI, 8 m. before reh. F: Add dynamic marking of piano.


Program Notes

La Bal de Béatrice d'Este is a charming post-Romantic chamber work appropriate to university performers. Its brief movements represent stylizations of Baroque Italian entertainment music. Conductors should note that two proficient harpists are required as the harp (and piano) parts play a prominent role in textural and melodic development. There are expressive markings in the parts, so players should be prepared to interpret parts with care. Consider performing this work in an intimate venue to allow the audience to appreciate the varied nuances in this pieces.

- Notes from Great Music for Wind Band


In writing the ballet Le Bal de Béatrice d'Este in Paris in 1905, but setting it in fifteenth-century Milan, Hahn blurs the line between Renaissance Italy and fin-de-siècle France. Although the ballet does not seek to retell an actual historical occasion, the work is firmly based within a historical context. Béatrice (1475-1497) was of the Italian noble family Este who ruled Ferrara from 1240 to 1597 and was celebrated for significant patronage of the arts throughout the Renaissance. In 1490, she married Ludovico Sforza the Moor, Duke of Milan. During Ludovico’s reign, Milan was praised as the “new Athens”; he lavishly supported the humanities, many of the greatest artists of the day (including Leonardo da Vinci) resided in Milan to be near their patron. Béatrice, Duchess of Milan, was singularly noted for her tremendous beauty and charm, as well as for her love poetry and dancing; her grand balls were regarded highly throughout Italy.

Within the framing processional and recessional, the interior movements of the suite consist of three Renaissance dances (although with a subtly more modern sensibility), a character sketch of Béatrice’s sister Isabella (“Ibérienne’), and an impression of da Vinci’s controversial painting Leda and the Swan.

- Program Note by Steven Dennis Bodner


Dedicated to Camille Saint-Saens.


Media


State Ratings

None discovered thus far.


Performances

To submit a performance please join The Wind Repertory Project

  • University of Minnesota (Minneapolis) Wind Ensemble (Preston Weber, David Roush, and Lauren Visel, conductors) - 27 May 2021
  • University of British Columbia (Vancouver) Symphonic Wind Ensemble (Robert Taylor, conductor) - 15 April 2021
  • Indiana University (Bloomington) Chamber Winds (Suzanne Charney, conductor) - 1 April 2021
  • Baylor University (Waco, Texas) Wind Ensemble (Isaiah Odajima, conductor) - 29 March 2021
  • University of Colorado Boulder Wind Symphony (Donald McKinney, conductor) - 7 December 2020
  • Texas Tech University (Lubbock) Symphonic Band (Daniel Lee, conductor) - 3 December 2020
  • Eastman School of Music (Rochester, N.Y.) Wind Ensemble (Mark Davis Scatterday, conductor) - 6 November 2020
  • James Madison University (Harrisonburg, Va.) Wind Symphony (Isaac McMahon, conductor) - 2 October 2020
  • Michigan State University (East Lansing) Wind Symphony (Kevin Sedatole, conductor) - 30 September 2020
  • The Ohio State University (Columbus) Wind Symphony Chamber Winds (Russell C. Mikkelson, conductor) – 14 November 2019
  • University of Cincinnati (Ohio) College-Conservatory of Music Wind Ensemble (Thomas Gamboa, conductor) – 5 March 2019
  • University of Missouri, Kansas City, Wind Symphony (Steven D. Davis, conductor) – 19 February 2019
  • University of Wisconsin-Madison Wind Ensemble (Cole Hairston, conductor) – 17 February 2019
  • South Carolina Governor's School for the Arts and Humanities' Wind Ensemble (Greenville, S.C.) (David Hamilton, conductor) – 10 May 2018
  • Ithaca (N.Y.) College Wind Symphony (Benjamin Rochford, conductor) – 26 April 2018
  • State University of New York, Fredonia, Wind Ensemble (Tiv Cumberbatch, conductor) – 4 March 2018
  • University of Illinois (Champaign) Wind Symphony (Stephen G. Peterson, conductor) – 8 December 2017
  • College of New Jersey (Ewing Township) Wind Ensemble (Joshua Roach, conductor) – 16 November 2017
  • Baylor University (Waco, Texas) Wind Ensemble (Eric Wilson, conductor) – 24 April 2017
  • Eastman School of Music (Rochester, N.Y.) Wind Orchestra (Eric LaPrade, conductor) – 31 March 2017
  • Louisiana State University (Baton Rouge) Symphonic Winds (Linda Moorhouse, conductor) – 25 February 2010 (CBDNA 2010 Southern Division Conference, Oxford, Miss.)


Works for Winds by This Composer


Resources