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La Fiesta Mexicana

From Wind Repertory Project
H. Owen Reed

H Owen Reed


Subtitle: A Mexican Folk Song Symphony for Concert Band


General Info

Year: 1949 / 1954
Duration: 21:15
Difficulty: VI (see Ratings for explanation)
Publisher: Alfred Music
Cost: Score and Parts (print) - $100.00; (digital) - $100.00   |   Score Only (print) - $15.00


Movements

1. Prelude and Aztec Dance - 8:50
2. Mass - 5:40
3. Carnival - 6:45


Instrumentation

Full Score
Piccolo
Flute I-II
Oboe I-II
Bassoon I-II
Contrabassoon (optional)
Bb Soprano Clarinet I-II-III
Eb Alto Clarinet
Bb Bass Clarinet
Bb Contrabass Clarinet (optional)
Alto Saxophone I-II
Tenor Saxophone
Baritone Saxophone
Bass Saxophone (optional)
Cornet (in Bb) I-II-III-IV
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium I-II
Tuba
String Bass
Harp
Timpani
Percussion I-II-III-IV, including:

  • Bass Drum
  • Castanets
  • Cymbals
  • Maracas
  • Marimba
  • Snare Drum
  • Tambourine
  • Tam-Tam
  • Temple Blocks (4)
  • Tom-Toms
  • Tubular Bells


Off-Stage Band

Bb Soprano Clarinet
Cornet (in Bb) I-II
Horn in F
Trombone
Tuba
Snare Drum
Bass Drum (with cymbal attached)


Errata

C Piccolo, mvt. 1, reh. 4 + 7 meas., beat 2: add duration dot to half note
1st E-flat Alto Saxophone, mvt. 2, meas. 6, beat 1: F sharp s/r E natural
E-flat Baritone Saxophone, mvt. 1, reh. 9 + 12 meas.: Add rehearsal 10 (the beginning of the repeated passage)
1st F Horn, mvt. 1, reh. 7: add 3/4 meter signature
Baritone TC: Third movement: 14th bar after 28, should be C natural; Baritone BC should be Bb. Score is correct.


Program Notes

La Fiesta Mexicana is an admirable work that receives frequent performances from high school and collegiate bands. This programmatic piece evokes a variety of styles, depicting fireworks, a parade, a mass (with cantor), a circus, a bullfight, and a mariachi performance. In addition to the full band parts, an off-stage ensemble is enlisted in the score. This entertaining piece works particularly well when the ensemble has plenty of rhythmically proficient musicians. Occasionally, bands abbreviate the performance time by performing selected movements rather than the entire work.

- Notes from Great Music for Wind Band


In 1948, H. Owen Reed spent six months in Mexico while on a Guggenheim Fellowship, during which time he studied folk music and composed. La Fiesta Mexicana - A Mexican Folk Song Symphony for Concert Band was a result of his time in the country and reflects his observations of the culture. The composer provides these comments:

Prelude and Aztec Dance — The tolling of the church bells at midnight officially announces the opening of the Fiesta, which has previously been unofficially announced by the setting off of fireworks, the drinking of tequila and pulque, and the migration of thousands of Mexicans and Indians to the center of activity — the high court surrounding the cathedral. After a brave effort at gaiety, the celebrators settle down to a restless night, until the early quiet of the Mexican morning is once more shattered by the church bells and fireworks. At mid-morning a band is heard in the distance. However, attention is soon focused upon the Aztec dancers, brilliantly plumed and masked, who dance in ever-increasing frenzy to a dramatic climax.

The second movement, Mass, presents the tolling of the bells, reminding that the Fiesta is a religious celebration. The rich and poor slowly gather within the walls of the old cathedral for contemplation and worship. Mexico is at its best on the days of the Fiesta in which passion governs the love, hate and joy of the Mestizo and the Indio. The third movement, Carnival, reflects the entertainment for both young and old — the itinerant circus, the market, the bullfight, the town band, and always the cantinas with their band of mariachis.

La Fiesta Mexicana received its premiere performance in 1949 by the U. S. Marine Band conducted by Lt. Col. William F. Santelmann. H. Owen Reed passed away in January of 2014 after a lifelong career dedicated to music and teaching.

- Program Note from The Crane School of Music


The authentic folk tunes Reed used can be found in Chapala, Jalisco, and Guadalajara; other themes were borrowed from Gregorian motifs and Aztec dances.


Awards


Commercial Discography


Audio Links


State Ratings

  • Florida: VI
  • Maryland: VI (Movements 1 and 2, or 2 and 3)
  • New York: VI (Movements I & II or II & III)
  • Virginia: VI (a full performance of all movements counts as two works)
  • North Carolina: VI (May omit one Movement), Full performance counts as two grade VI works


Performances

To submit a performance please join The Wind Repertory Project

  • University of British Columbia (Vancouver) Symphonic Wind Ensemble (Robert Taylor, conductor) – 29 March 2019
  • Fresno (Calif.) City College Wind Ensemble (Elisha Wilson, conductor) – 23 March 2019
  • University of Utah (Salt Lake City) Wind Ensemble (Scott Hagen) – 5 March 2019
  • University of Florida (Gainesville) Symphonic Band (John Watkins Jr., conductor) – 28 February 2019
  • Concordia College (Moorhead, Minn.) Symphonic Band (Nathaniel H. Dickey, conductor) – 19 February 2019
  • Yale University (New Haven, Conn.) Concert Band (Thomas Duffy, conductor) – 15 February 2019
  • Johns Hopkins University (Baltimore, Md.) Peabody Wind Ensemble (Harland D. Parker, conductor) – 26 January 2019
  • Centennial High School Wind Ensemble (Ellicott City, Md.) (David Matchim, conductor) - 20 December 2018 (2018 Midwest Clinic)
  • Texas A&M University (Lubbock) Wind Symphony (Timothy Rhea, conductor) – 18 November 2018
  • Charles River Wind Ensemble (Boston, Mass.) (Matthew M. Marsit, conductor) – 18 November 2018
  • Concordia College (Moorhead, Minn.) Symphonic Band (Nathaniel Dickey, conductor) – 11 November 2018
  • University of Cincinnati (Ohio) College-Conservatory of Music Wind Orchestra (Thomas Gamboa, conductor) – 8 November 2018
  • Florida State University (Tallahassee, Fla.) Concert Band (Steven Kelly, conductor) – 17 October 2018
  • Truman State University (Kirksville, Mo.) Wind Symphony I (Curran Prendergast, conductor) – 30 September 2018
  • Los Angeles (Calif.) Symphonic Winds (Stephen Piazza, conductor) – 23 September 2018
  • Clovis (Calif.) West High School Wind Ensemble (Bryan Chesi, conductor) – 29 April 2018
  • Case Western Reserve University (Cleveland, Ohio) Symphonic Winds (Ryan Scherber, conductor) – 23 April 2018
  • Baylor University (Waco, Tx.) Wind Ensemble) (J. Eric Wilson, conductor) – 21 April 2018
  • High School Symphonic Band [Interlochen, Mich.] (Frederick Fennell, conductor) - 3 August 1980
  • Eastman Symphonic Wind Ensemble (Frederick Fennell, conductor) – 17 December 1954


Works for Winds by this Composer


Resources