Clément Philibert Léo Delibes (21 February 1836, Saint-Germain-du-Val, France – 16 January 1891, Paris) was a French composer of ballets, operas, and other works for the stage. His most notable works include ballets Coppélia (1870) and Sylvia (1876) as well as the operas Le roi l'a dit (1873) and Lakmé (1883). Léo Delibes's father was a mailman, and his mother a talented amateur musician. His grandfather had been an opera singer. He was raised mainly by his mother and uncle following his father's early death.
Starting in 1847, Delibes studied composition at the Paris Conservatoire as a student of Adolphe Adam. A year later he began taking voice lessons, though he would end up a much better organ player than singer. He held positions as a rehearsal accompanist and chorus master at the Théâtre Lyrique, as second chorus master at the Paris Opéra (in 1864), and as organist at Saint-Pierre-de-Chaillot (1865–71). The first of his many operettas was Deux sous de charbon, ou Le suicide de Bigorneau ("Two sous-worth of coal"), written in 1856 for the Folies-Nouvelles. A ceremonial cantata, Algers, for Napoleon III on the theme of Algiers, brought him to official attention; a collaboration with Léon Minkus resulted, in which his contribution of an act's worth of musical numbers for a ballet La source (1866) brought him into the milieu of ballet. In 1867 Delibes composed the divertissement Le jardin animé for a revival of the Joseph Mazilier/Adolphe Adam ballet Le corsaire. He wrote a mass, his Messe brève, and composed operettas almost yearly and occasional music for the theater, such as dances and antique airs for the 1882 revival of Victor Hugo's Le roi s'amuse, the play that Verdi had turned into Rigoletto.
Delibes achieved true fame in 1870 with the success of his ballet Coppélia; its title referred to a mechanical dancing doll that distracts a village swain from his beloved and appears to come to life. His other ballet is Sylvia (1876).
Delibes also composed various operas, the last of which, the lush orientalizing Lakmé (1883), contains, among many dazzling numbers, the famous coloratura showpiece known as the Légende du Paria or Bell Song ("Où va la jeune Indoue?") and The Flower Duet ("Sous le dôme épais"), a barcarolle that Patricia Rozema made famous in her film I've Heard the Mermaids Singing" and later used by British Airways commercials. At the time, his operas impressed Tchaikovsky enough for the composer to rate Delibes more highly than Brahms—although this may seem faint praise when one considers that the Russian composer considered Brahms "a giftless bastard."
Delibes composed in a variety of forms, including songs, boleros, gigues, waltzes, galops, fantasies, mazurkas, polkas, quadrilles, suites, romances, barcaroles, and marches -- the latter were written for small orchestra or violin and piano.
His work is known to have been a great influence on composers such as Tchaikovsky, Saint-Saëns and Debussy. His ballet Sylvia was of special interest to Tchaikovsky, who wrote of Delibes' score: "... what charm, what wealth of melody! It brought me to shame, for had I known of this music, I would have never written Swan Lake."
In the present age, the Flower Duet from Lakmé has become so popular that it is often performed on its own, far surpassing Delibes' other compositions, leading Delibes to be called a classical one-hit wonder.
Works for Winds
- Ballet Suite from "Sylvia"
- Chanson Espagnole (arr. Devogel)
- Coppélia: Part 2 (arr. Lake) (1870/1923)
- Flower Duet from "Lakmé" (arr. Brubaker) (1883/2004)
- Les Chasseresses (arr. Van der Beek)
- March and Cortege of Bacchus (tr. Kreines) (1878/2005)
- March and Procession of Bacchus (arr. Clark (1878/1918)
- March and Procession of Bacchus (arr. Osterling) (1878/1966)
- Suite from "Coppelia"
- Heritage Encyclopedia of Band Music. "Léo Delibes." Accessed 5 April 2015.
- Léo Delibes, Wikipedia
- Smith, Norman E. (2002). Program Notes for Band. Chicago: GIA Publications, pp. 165.