Jubel Overture
Carl Maria von Weber (trans. Donald Patterson)
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This work bears the designation J. 245, Opus 59.
General Info
Year: 1818 /
Duration: c. 7:55
Difficulty: (see Ratings for explanation)
Publisher: Unknown
Cost: Score and Parts – Unknown
Instrumentation
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Errata
None discovered thus far.
Program Notes
Weber composed the Jubel Overture' in August 1818, and it exists as an independent concerto work. Except its title, the Jubel Overture bears no relationship with the Jubel-Kantate that Weber completed in 1818. The Jubel Overture is a relatively short work that resembles some of the other concert overtures he composed in his career and exists in the tradition of concert overtures as found with Beethoven.
The work begins with a solemn, chordal introduction in which Weber establishes clearly the tonality. He then proceeds to a faster section full of the scalar passages and other figures typical of his mature music. The sonata-like form includes a slower, softer passage, followed by a reprise of the ideas that occurred earlier. Near the end of the Jubel Overture, Weber quotes the tune God Save the King (known in Germany as "Heil Dir im Siegerkranz," and which was the German national anthem until 1922) in a broad manner that recalls the opening of the overture. While he had already used this melody in the cantata Kampf und Sieg, Op. 44 J. 190, its statement in the Jubel Overture reinforces the triumphant conclusion of this work. In terms of style, the Jubel Overture clearly bears Weber's imprint with regard to motives, texture and timbre. In character it resembles the kind of overture Weber used for his operas, and it is wholly in the spirit of Der Freischütz and Euryanthe. The Jubel Overture is a celebratory piece without an explicit program, except for the joyful mood suggested by the title.
- Program Note by James Zychowicz for Allmusic
Media
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State Ratings
None discovered thus far.
Performances
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- United States Marine Band (Washington, DC) (Jason K. Fettig, conductor) – 30 June 2016
Works for Winds by This Composer
- Abu Hassan Overture
- Andante and Hungarian Rondo (arr. Mitchell) (1809/c. 1990)
- Andante and Hungarian Rondo (arr. Rogers) (1809/2001)
- Andante and Hungarian Rondo (arr. Weait) (1809/1998)
- Bassoon Concerto (tr. Rogers) (1811/2021)
- Concertino (arr. Reed) (1811/1962)
- Concertino for Clarinet (arr. Lake) (1811/1924)
- Concertino for Oboe and Winds (ed. Klocker) (1809/1981)
- Concertino Op. 26 (tr. Nefs) (1811/2019)
- Concertino Op 26 for Clarinet and Band (arr. Smith) (1811/)
- Concerto for Bassoon (arr. Schmalz) (1811/1989)
- Concerto No. 1, Op. 73
- Allegro from "Concerto No 1, Op 73" (arr. Schmalz) (1811)
- Adagio from "Concerto No 1, Op 73" (arr. Bourgeois) (1811)
- Rondo from "Concerto No 1, Op 73" (arr. Yeago) (1811/1999)
- Rondo from "Concerto No 1, Op 73" (arr. Schmalz) (1811)
- Der Freischütz Overture (arr. Moses-Tobani) (1821/1922)
- Der Freischütz Overture (arr. Sedlák) (1821/1989)
- Fantasia and Rondo (arr. Snavely) (1815/1968)
- Grand Duo Concertante (arr. Keith McDaniel)
- Hungarian Fantasy (ed. Rogers)
- Invitation to the Dance (arr. Meyrelles) (1816/1891)
- Jubel Overture (tr. Patterson) (1818)
- Marcia (arr. Wagner) (1802-03?/?)
- Oberon Overture (arr. Lake) (1826/1937)
- Oberon Overture (arr. Tobani) (1826/1898)
- Oberon Overture (tr. Hindsley) (1826/197-?)
- Overture to "Euryanthe" (arr. Weller) (1823/1888)
- Peter Schmoll (arr. Smith) (1802/1960)
- Second Concerto for Clarinet (arr. Brown) (1811/1949/1968)
- Second Concerto for Clarinet (arr. Kopetz) (1811)
Resources
- Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von), IMSLP Accessed 1 July 2016
- Jubel Ouverture, Allmusic Accessed 1 July 2016