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Jean-Joseph Mouret
Biography
Jean-Joseph Mouret (11 April 1682, Avignon – 22 December 1738, Charenton-le-Pont) was a French composer.
Mouret's father was a prosperous silk merchant of Avignon, an amateur violinist who recognized his son's precocious musical abilities and provided him with a fine education. The elder Mouret generously supported his son's decision to pursue a musical career. As a youth, Mouret proved himself a talented singer while also earning success for his compositions.
Around the age of twenty-five, Mouret settled in Paris. News of his arrival did not take long to spread and he was introduced to Anne, Duchess of Maine, whose salon at Sceaux was a center of courtly society in the declining years of Louis XIV. His genial character strongly assisted him in securing the patronage of the Duchess, who made him her Surintendant de la musique at Sceaux about 1708. At Sceaux he produced operas and was in charge of the sixteen bi-weekly Grandes nuits in the season of 1714–1715, for which he produced interimèdes and allegorical cantatas in the court masque tradition, and other music, in the company of the most favoured musicians, for the most select audience in France.
Also in 1714 Mouret received an appointment as the director of the orchestra of the Opéra, a post which he held until 1718. From 1717 to 1737 he directed the Nouveau Théâtre Italien for which he composed divertissements that accompanied, for example, the tender comedies of Marivaux, and which, printed, fill six volumes. At court Mouret maintained a post as singer, and directed the grand divertissements offered by the Regent, the duc d'Orléans at his château of Villers-Cotterêts on the occasion of Louis XV's coming-of-age in 1722. Concurrently, he was director of the concert series established by the orchestra of the Opéra, the Concerts Spirituel (1728–1734), positions which provided a public outlet for his own music and which permitted him to live in affluence.
dramatic works made him one of the leading exponents of Baroque music in his country. Even though most of his works are no longer performed, Mouret's name survives today thanks to the popularity of the Fanfare-Rondeau from his first Suite de symphonies, which has been adopted as the signature tune of the PBS program Masterpiece and is a popular musical choice in many modern weddings.
Mouret composed mainly for the stage. He contributed to the emergence of the distinctively French genres of lyric tragedy and opera-ballet. His dramatic works made him one of the leading exponents of Baroque music in his country. Even though most of his works are no longer performed, Mouret's name survives today thanks to the popularity of the Fanfare-Rondeau from his first Suite de symphonies, which has been adopted as the signature tune of the PBS program Masterpiece Theatre.
Works for Winds
Adaptable Music
- Rondeau (Flex instrumentation) (arr. Stanton) (1729/2014)
All Wind Works
- Fanfare Royale (arr. Kenny)
- Fanfare-Rondeau (arr. Naulais)
- Graduation Suite (with Elgar; arr. Story) (2002)
- Rondeau from "Premier Suite de Symphonies"
- Rondeau (arr. Barnes) (1729/1988)
- Rondeau (arr. King) (1729/1972)
- Rondeau (arr. Kaisershot) (1729/2003)
- Rondeau (Flex instrumentation) (arr. Stanton) (1729/2014)
- Rondeau: Fete Imperial (arr. Smedvig) (1981)
- Trumpeters March Royale (arr. Ployhar) (1989)
Resources
- Jean-Joseph Mouret, Wikipedia Accessed 6 March 2017