James Barnes
From Wind Repertory Project
Biography
James Barnes, a member of both the History and Theory-Composition faculties at the University of Kansas, teaches orchestration, arranging and composition courses, and wind band history and repertoire courses. At KU, he served as an Assistant, and later, as Associate Director of Bands for 27 years.
His numerous publications for concert band and orchestra are extensively performed at Tanglewood, Boston Symphony Hall, Lincoln Center, Carnegie Hall and the Kennedy Center in Washington, DC.
Barnes has twice received the coveted American Bandmasters Association Ostwald Award for outstanding contemporary wind band music. He has been the recipient of numerous ASCAP Awards for composers of serious, the Kappa Kappa Psi Distinguished Service to Music Medal, the Bohumil Makovsky Award for Outstanding College Band Conductors, along with numerous other honors and grants. He has recorded three commercial compact discs of his music with the world famous Tokyo Kosei Wind Orchestra. More recently, he completed a CD of his works with the Koninklijke Militaire Kapel (The Queen’s Royal Military Band) in Holland. He has also been commissioned to compose works for all five of the major military bands in Washington, DC. A recent CD by the United States Air Force Band features his Third Symphony.
Mr. Barnes has traveled extensively as a guest composer, conductor, and lecturer throughout the United States, Europe, Australia, Japan and Taiwan. He is a member of the American Society of Composers, Authors, and Publishers (ASCAP), the American Bandmasters Association and numerous other professional organizations and societies. Since 1984, his music has been published exclusively by Southern Music Company of San Antonio, Texas.
Works for Winds
- All Pleasant Things
- Arioso and Presto
- Breckenridge
- Caribbean Hideaway
- Carnival in Sao Paulo
- Centennial Celebration Overture
- Century Tower
- Crossgate
- Dream Journey
- Eagle Bend
- Eagle Crest
- Eisenhower Centennial
- Fanfare and Capriccio
- Fanfares and Alleluias
- Fantasy Variations on a Theme of Paganini
- Festival Concert March
- Foxfire
- Golden Festival Overture
- Heatherwood Portrait
- High Plains Overture
- Hobart Centennial March
- Hunter Park
- Impressions of Japan
- Inspiration Point
- Inventions on Marching Songs
- Invocation and Toccata
- Jubilation Overture
- Legend
- Light in the Wilderness, A
- Lonely Beach
- Long Gray Line
- Maracas from Caracas
- Nulli Secundus
- Old Guard, The
- Pagan Dances
- Pershing Rifles, The
- Poetic Intermezzo
- Rapscallion
- Rhapsodic Essay
- Riverfest
- Romanza
- Silver Gazebo, The
- Solemn Prelude, A
- Spitfire
- Stone Meadows
- Sunflower Saga
- Symphonic Overture
- Tchaikovsky Suite
- Texans, The
- Symphony No. 2
- Symphony No. 3
- Symphony No. 4
- Symphony No. 5
- Three Symphonic Fanfares
- Toccata Fantastica
- Torch Dance
- Trail of Tears
- Trailridge Saga
- Tuba Concerto
- Twin Oaks
- Variants on a Moravian Hymn
- Very American Overture, A
- Westport Overture
- Westridge Overture
- We the People
- Yama Midori
- Yorkshire Ballad
References
- Bradford, Matthew. (2007) An examination of works for wind band: Yorkshire ballad by James Barnes, La vigen de la macarena arranged by Charles Koff, Provenance by Robert W. Smith, Nessum dorma arranged by George Hattendorf, and Brighton beach march by William Latham [Master's Thesis].

