I'm Seventeen Come Sunday (arr Wagner)

Percy Aldridge Grainger

Percy Aldridge Grainger (arr. Douglas E Wagner)

General Info

Year: 1905 / 1999
Duration: c. 3:00
Difficulty: IV (see Ratings for explanation)
Original Medium: Voices
Publisher: Alfred Music
Cost: Score and Parts (print) - $87.00; (digital) - $87.00   |   Score Only (print) - $10.00

Instrumentation

Full Score
C Piccolo
Flute I-II
Oboe
Bassoon
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet/E-flat Contra-Alto Clarinet
B-flat Bass Clarinet/B-flat Contrabass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
Timpani
Percussion I-II-III-IV, including:

• Bass Drum
• Bells
• Crash Cymbals
• Snare Drum
• Suspended Cymbal
• Tambourine
• Triangle
• Xylophone

Errata

In Parts and Score:

• Snare Drum/Bass Drum. m.61, beat 2: Quarter note should read half note.

Program Notes

Seventeen Come Sunday is an English folk song which was used in the first movement of Ralph Vaughan Williams' English Folk Song Suite and a choral version by Percy Grainger. The words were first published between 1838 and 1845. According to Roud and Bishop:

"This was a widely known song in England, and was also popular in Ireland and Scotland. It is one of those which earlier editors, such as Sabine Baring-Gould and Cecil Sharp, felt obliged to soften or rewrite for publication. It was also common on broadsides throughout the nineteenth century.

An earlier version was first printed on a broadside of around 1810 with the title Maid and the Soldier. Early broadside versions were sad songs focused on the abandonment of the girl by the young man. Later broadside and traditional folk versions celebrate a sexual encounter. A censored version published by Baring-Gould and Sharp substitutes a proposal of marriage for the encounter.

- Program Note from Wikipedia

Originally scored for chorus and brass band, I'm Seventeen Come Sunday was written in 1905 and is dedicated to Edvard Grieg. It is No. 8 of Grainger’s British Folk Song Settings, and represents some of his earliest folksong collecting.

- Program Note from Stiles Middle School Honors Band concert program, 17 December 2015

I’m Seventeen Come Sunday, originally set for voices, originates from the 1905 North Lincolnshire Musical Competition where Grainger first heard the principal melody. The second melody was collected by Cecil Sharp in 1904 and was later used by Grainger prior to the work’s premiere performance in May of 1906.

“...Where are you going, my pretty fair maid? Where are you going, my honey?
She answered me right cheerfully, I’ve an errand for my mummy.
How old are you, my pretty fair maid? How old are you, my honey?
She answered me right cheerfully, I’m seventeen come Sunday...”

- Program Note from the Coppell North Honor Winds concert program, 12 February 2016

Media

• Audio: Reference recording. Ensemble and conductor unknown

State Ratings

• Iowa: IV
• Tennessee: IV
• Virginia: IV
• West Virginia: III

Performances

To submit a performance please join The Wind Repertory Project

• VanderCook College of Music (Chicago, Ill.) Symphonic Band (Alexander Kaminsky, conductor) - 17 December 2021 (2021 Midwest Clinic)
• Wartburg College (Waverly, Iowa) Symphonic Band (Scott Muntefering, conductor) – 13 October 2018

Works for Winds by This Composer

Adaptable Music

• Irish Tune from County Derry (Flex instrumentation) (arr. Klarfeld) (1918/2014/2020)
• Molly on the Shore (Flex instrumentation) (arr. Sheehan) (1920/2020)
• O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (as arranger; ed. Brand and Brion) (1724?/1937-1942/1987)
• Prelude in the Dorian Mode (Flex instrumentation) (as scorer)
• Shepherd's Hey (Flex instrumentation) (arr. Fisher) (1918/2020)
• Two Movements from "Lincolnshire Posy" (Flex instrumentation) (arr. Sweeney) (1937/2019)

All Wind Works

• Angelus ad Virginem (as arranger) (1940s)
• The Annunciation Carol
• The Annunciation Carol (tr. Grainger) (13th Cent./1942/1993)
• Arrival Platform Humlet (arr. Eichenberger) (1912/)
• Arrival Platform Humlet (tr. Simpson) (1912/1916/1995)
• Arrival Platform Humlet (tr. Patterson) (1916/2011)
• Australian Up-Country Tune (arr. Bainum) (1930/1970)
• Bell Piece (ed. Duffy and Ould) (1935/1953/1991)
• Blithe Bells (1931)
• Blithe Bells (arr. Jager) (1931/1989)
• Blithe Bells (ed. Ould) (1931/2013)
• A Bridal Lullaby (arr. Hartley)
• Brigg Fair (arr. Ballenger) (1905/1991)
• British Waterside (arr. Moss) (1921)
• British Waterside (arr. Wilson) (1921/1998)
• Children's March (rev. Erickson) (1919/1971)
• Children's March (rev. Rogers) (1919/1995)
• Children's March (arr. Wagner) (1919/2000)
• Choral No 2 for Organ (as scorer; ed. Rogers) (1890/1941/20--?)
• Colonial Song (1912/1918)
• Colonial Song (ed. Rogers) (1918/1997)
• Colonial Song (ed. Topolewski) (1918/2001)
• Colonial Song (arr. Wagner) (1919/2014)
• Country Gardens (1918/1990)
• Country Gardens (arr. Clark) (1918/1931)
• Country Gardens (arr. Karrick) (1918/2013)
• Country Gardens (arr. Rogers) (1918/2024)
• Country Gardens (arr. Sousa, Brion and Schissel) (1918/1953)
• County Derry Air (ed. Ould)
• The Cutting of the Hay (arr. Wilson)
• Danish Folk Music Suite (arr. Kreines) (1926-41/1950/)
• Danny Deever (arr. Carpenter)
• Danny Deever (tr. Ragsdale). See: Three Tragic Ballads
• Died for Love
• Died for Love (arr. Conway) (1912/2011?)
• Down Longford Way & Shenandoah (as orchestrator; arr. Osmon) (1928/1935/1990)
• The Duke of Marlborough Fanfare (1939)
• The Duke of Marlborough Fanfare (ed. Hunsberger) (1939/2000)
• The Duke of Marlborough Fanfare (arr. Ragsdale) (1939/1995)
• Early One Morning (arr. Kreines). See: Two Grainger Melodies
• Eastern Intermezzo (arr. Warshaw) (1899/1922/)
• Faeroe Island Dance (1946//1954/1969)
• Father and Daughter. See: Three Tragic Ballads
• Folk Tune (as arranger) (1923/1942)
• Four Grainger Songs (arr. Svanoe) (2003) (unpublished)
• Gay but Wistful (tr. Patterson) (1916/2011)
• Gay But Wistful. See also: Tune in a Popular London Style
• A Grainger Threesome (arr. Ragsdale) (2007)
• Green Bushes (1906/2007) (tr. Pappajohn)
• Green Bushes. See also: Themes from "Green Bushes"
• Gumsucker's March (arr. Rogers) (1914/1942/1996)
• Handel in the Strand (arr. Brion and Schissel) (1912/2001)
• Handel in the Strand (arr. Goldman) (1912/1961)
• Handel in the Strand (arr. Rohrer) (1912/2015)
• Harlem 125th Street Walkabout (arr. Hartley)
• Harvest Hymn (tr. Kreines) (1940/1983)
• Hill Song No. 1 (1902)
• Hill Song No. 1 (adapt. Rogers) (1901/1922/1923/1997)
• Hill-Song Nr. 1 (trans. Clark) (1901/1922/1923/2019)
• Hill Song No. 2 (arr. Rogers) (1907/1929/1990)
• Horkstow Grange from "Lincolnshire Posy" (adapt. Sweeney) (1937/2008)
• The Hunter in His Career (arr. Robinson)
• The Immovable Do (1940)
• I'm Seventeen Come Sunday (tr. Daehn) (1905-12/1987)
• I'm Seventeen Come Sunday (arr. Wagner) (1905-12/1999)
• In a Nutshell (tr. Patterson) (1916/2011)
• In Dahomey (arr. Miller)
• Irish Tune (arr. Stotter) (1918)
• Irish Tune from County Derry (1918)
• Irish Tune from County Derry (arr. Clark and Schmidt) (1918/2001)
• Irish Tune from County Derry (arr. Erickson) (1918/1970)
• Irish Tune from County Derry (Flex instrumentation) (arr. Klarfeld) (1918/2014/2020)
• Irish Tune from County Derry (arr. Kreines) (1918/1996)
• Irish Tune from County Derry (ed. Renshaw) (1918)
• Irish Tune from County Derry (ed. Rogers) (1918/1994)
• Irish Tune from County Derry/Shepherd's Hey (tr. Stamp) (1918/2021)
• The Jungle Book Suite (arr. Ragsdale) (2011)
• Jutish Medley (arr. Kreines) (1923-1929/)
• Lads of Wamphray March (1905/1941)
• Lads of Wamphray March (ed. Kreines) (1905/1937/2003)
• Lads of Wamphray Ballad (arr. Ragsdale) (1905/2018)
• Lincolnshire Posy (1937/1940)
• Lincolnshire Posy (ed. Fennell) (1937/1987/2010)
• Lincolnshire Posy (ed. Fennell; rev. Rogers) (1937/1987/2010/2020)
• Lincolnshire Posy (arr. Higgins) (1937/2008)
• Lincolnshire Posy (arr. Osika) (1937/)
• Lisbon from "Lincolnshire Posy" (adapt. Sweeney) (1937/2017)
• Lord Maxwell's Goodnight (orch. Wilson)
• Lord Peter's Stable Boy (1925/1930)
• Lord Peter's Stable Boy (arr. Kreines)
• Lost Lady Found (arr. Sweeney) (1937/2011)
• March (as arranger) (1946)
• Marching Song of Democracy (1917/1948/1991)
• Marching Song of Democracy (ed. Brion) (1917/1948/1991)
• Marching Tune (2013) (arr. Story)
• The Merry King (ed. Schissel) (1905/2006)
• Mock Morris (arr. Kreines) (1910/1991)
• Mock Morris (arr. Patterson) (1910/ )
• Mock Morris (arr. Perna) (1910/2010/2016)
• Mock Morris (arr. Simpson) (2010/1993)
• Molly on the Shore (ed. Rogers) (1920/1998)
• Molly on the Shore (ed. Clark and Schmidt) (1920/2002)
• Molly on the Shore (arr. Johnston) (1920/2011)
• Molly on the Shore (tr. Ragsdale) (1920/1978)
• My Dark-Haired Maid (ed. Ragsdale) (1899)
• My Robin Is to the Greenwood Gone (arr. Strum) (1912/1999)
• Near Woodstock Town (arr. Cramer) (2004)
• Nightingale and the Two Sisters, The (arr. Kreines) (1931)
• Northern March. See: Youthful Suite
• O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (setting) (1724?/1937-1942/1987)
• Pagodes from "Estampes" (as arranger) (1903/1928/1996)
• A Percy Grainger Portrait (arr. Wagner) (2010)
• Percy Grainger Suite (arr. Kreines) (1983)
• A Percy Grainger Suite (arr. Erickson) (1996)
• The Power of Rome and the Christian Heart (1947/1953)
• Prelude in the Dorian Mode (Flex instrumentation) (as scorer)
• Scotch Strathspey and Reel (arr. Osmon) (1901-1911/1982)
• Sehet was die liebe tut (as arranger) (1937)
• Sheep Shearing Song (as arranger) (1904/1923/1942/2017)
• Shenandoah (arr. Osmon) (1992)
• Shepherd's Hey (1918)
• Shepherd's Hey (arr. Clark) (1918/2001)
• Shepherd's Hey (ed. Rogers) (1918/1994)
• Shepherd's Hey (arr. De Stefano) (1918/2012)
• Shepherd's Hey (Flex instrumentation) (arr. Fisher) (1918/2020)
• Spoon River (1919-29/1940s)
• Spoon River (arr. Bainum) (1922/1967/2009)
• Spoon River (ed. Carson & Naylor) (1922/2010)
• Spoon River (arr. Sheldon) (1922)
• Spoon River (arr. Story) (1922/2014)
• Six Dukes Went A-Fishin' (arr. Kreines)
• The Sussex Mummers' Christmas Carol (scored Goldman) (1916/1965)
• The Sussex Mummers' Christmas Carol (arr. Clark) (1916/1996)
• The Sussex Mummers' Christmas Carol (arr. Simpson) (1916/1988)
• The Sussex Mummers' Christmas Carol (arr. Stotter) (1911/1916/2006)
• Themes from "Green Bushes" (arr. L. Daehn) (1906/1987)
• This is Not My Plaid (arr. Ragsdale) (2014)
• The Three Ravens. see: Three Tragic Ballads
• Three Tragic Ballads (arr. Ragsdale) (1924, 1902, 1909/2016)
  • Danny Deever (1902/1909/2016)
  • The Three Ravens (1902/2000)
  • Father and Daughter
• A Tribute to Grainger (arr. Ragsdale) (1999)
• Tune in a Popular London Style (arr. Rogers) (1916/2005)
• Tuscan Serenade (as arranger) (1865/1937/1994)
• Two Grainger Melodies (trans. Kreines) (1912/1988)
• Two Grainger Sweets - Harvest Hymn and Mock Morris (arr. Krienes)
• Two Movements from "Lincolnshire Posy" (arr. Ryan) (1937/2019)
• Two Movements from "Lincolnshire Posy" (Flex instrumentation) (arr. Sweeney) (1937/2019)
• Walking Tune (1900)
• Walking Tune (arr. Daehn) (1900/1940/1988)
• Walking Tune (arr. Simpson)
• The Warriors (tr. Pappajohn) (1916/1998)
• We Have Fed Our Sea for a Thousand Years (1911)
• The Widow's Party (arr. Moon) (1923/1929/2011)
• The Widow's Party (arr. Osmon) (1923/1929/2009)
• Willow, Willow (1911/1992) (orch. Simpson)
• Ye Banks and Braes O' Bonnie Doon (1949)
• Ye Banks and Braes O' Bonnie Doon (arr. Ragsdale) (1903/1936/2008)
• Ye Banks and Braes O' Bonnie Doon (arr. Sweeney) (1949/2006)
• Youthful Suite (tr. Rogers) (1899/1950)
  • Northern March (arr. Rogers) (c. 1900/2010)
  • Rustic Dance (1899/1950/2010)
  • Eastern Intermezzo
  • English Waltz (1899-1901/1940-1947/1999)
• Zanzibar Boat Song (arr. Hazzard) (1902/2013)

Resources

• Grainger, P.; Wagner, D. (1999). I'm Seventeen Come Sunday: Symphonic Band [score]. Belwin-Mills: [s.l.].
• Perusal score
• Seventeen Come Sunday, Wikipedia Accessed 11 December 2015