Hung Aloft the Night
General Info
Year: 2018
Duration: 6:30
Difficulty: III/IV (see Ratings for explanation)
Publisher: FJH Music
Cost: Score and Parts (print) - $75.00 | Score Only (print) - $8.00
Instrumentation
Piccolo
Flute I-II
Oboe I-II
Bassoon I-II
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II
Trombone I-II-III
Baritone/Euphonium
String Bass (optional)
Timpani
Antiphonal Bells
Percussion I-II, including:
- Antiphonal Bells
- Bass Drum
- Cymbals (suspended, crash)
- Triangle
- Vibraphone
Errata
None discovered thus far.
Program Notes
Hung Aloft the Night was commissioned by a consortium of several ensembles organized by Joshua Kearney. The piece's title and inspiration comes from the poem "Bright Star" by the English poet John Keats.
The poem expresses the longing for something unattainable and the longing for stability in a world in constant flux. The poet uses grandiose imagery of mountains, shores and skies, and sensual language to manifest this desire to the reader.
The piece uses a single theme (with smaller variants and fragments) to portray musically that which is steadfast amongst a world constantly changing. The melody - Idée fixe - is heard first with almost no accompaniment and evolves through several reharmonizations, key changes, and contrapuntal contextualization.
Bright star, would I were stedfast as thou art—
Not in long splendour hung aloft the night
And watching ,with eternal lids apart,
Like nature's patient, sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth's human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors—
No—yet still stedfast, still unchangeable,
Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever—or else swoon to death.
- John Keats
- Program Note by composer
Media
State Ratings
- Iowa: IV
Performances
To submit a performance please join The Wind Repertory Project
- Nebraska Wind Symphony (Bennington) (Keith Davis, conductor) - 15 October 2023
- Cleveland (Ohio) Youth Wind Symphony Group II (Concert Winds) (Darren Allen, conductor) - 2 February 2020
- University of North Georgia (Gainesville) Wind Ensemble (J. Ashley Jarrell, conductor) – 21 February 2019
- University of Nebraska at Omaha BOCH Festival Honor Band (Joshua Kearney, conductor) - 27 January 2019
- University of Nebraska at Omaha University Band (Joshua Kearney, conductor) – 28 September 2018 *Premiere Performance*
Works for Winds by This Composer
Adaptable Music
- Frenetico (Flex instrumentation) (2020)
- A Very Merry (Public Domain) Christmas II: The Egg Nog Strikes Back (Flex instrumentation) (2019)
All Wind Works
- Anthracite (2014)
- ...As it is in Heaven (2014)
- Battle Cry of Freedom (2014)
- The Beltway Breakdown (2015)
- Brass Quintet No. 2 (2018)
- Chorale Prelude on "A Mighty Fortress Is Our God" (as adapter) (2017)
- The Crossroads (2020)
- Dash (2015)
- Double Concerto for Alto Saxophone, Euphonium and Winds (2010/2021)
- Electrons Dancing (2018)
- Fanfare to "The Hammer" (2013)
- First Snow (2014)
- Frenetico (Flex instrumentation) (2020)
- Fundamental High (2019)
- HiJinks (2013)
- Hung Aloft the Night (2018)
- Industrial Complex (2020)
- It's Just a Phase (2017)
- Latin Dance Movements (2014/2019)
- Longing (2012)
- Metamorphosis (2011)
- Norfolk Rhapsody No. 2 in D minor (as transcriber) (1906/2014?)
- Now Is the Time (2014)
- Once in Royal David's City (2017)
- Pastorale (2016)
- Prelude to Something Big (2014)
- Pro Humanitate (2015)
- The Purple and Gold (2012)
- A Tale so Tall (2023)
- Up (2013)
- A Very Merry (Public Domain) Christmas II: The Egg Nog Strikes Back (Flex instrumentation) (2019)
- War Machine (2013/2021)
Resources
- Anthony O'Toole website Accessed 21 February 2019