Holocaust Suite
Morton Gould (transcribed by composer)
General Info
Year: 1978 / 1980
Duration: c. 22:00
Difficulty: (see Ratings for explanation)
Original Medium: Orchestra
Publisher: G. Schirmer
Cost: Score and Parts – Rental | Individual movements available separately
Movements
1. Main Theme (Prologue) – 3:15
2. Kristallnacht (The Night of Broken Glass) – 5:35
3. Berta and Joseph – 2:55
4. Babi Yar – 3:50
5. Liberation (Warsaw Ghetto Surrender and Finale) – 2:30
6. Elegy (Epilogue) – 3:00
Instrumentation
Full Score
C Piccolo
Flute I-II
Oboe I-II
English Horn
Bassoon I-II
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III-IV
Horn in F I-II-III-IV
Trombone I-II-III-IV
Euphonium
Tuba
String Bass
Timpani
Piano
Percussion I-II-III, including:
- Bass Drum (optional)
- Chimes
- Marimba
- Tam-Tam (large)
Errata
None discovered thus far.
Program Notes
Holocaust is a 1978 American four-part television miniseries which recounts the trajectory of the Holocaust from the perspectives of the fictional Weiss family of German Jews and that of a rising member of the SS, who gradually becomes a merciless war criminal. Holocaust highlighted numerous events which occurred up to and during World War II, such as Kristallnacht, the creation of Jewish ghettos, and later, the use of gas chambers.
Although the miniseries won several awards and received positive reviews, it was criticized by others, such as the Holocaust survivor Elie Wiesel, who wrote in The New York Times that it was: "Untrue, offensive, cheap: as a TV production, the film is an insult to those who perished and to those who survived."
Morton Gould's music score was nominated an Emmy and for a Grammy Award for Best Album of Original Score for a Movie or Television Program.
- Program Note from Wikipedia
[Morton Gould's] unerring sense for evocative, dramatic music is everywhere on display in the work, from the tender theme for the family’s father and mother, Joseph and Berta (including an extended solo for the piano, Berta’s favorite instrument) to the implacable march accompanying the merciless and systematic massacre of the Ukranian Jews in the ravine of Babi Yar.
- Program Note by Rob Haskins from liner notes for Mark CD Echoes of the Holocaust
Mediay
State Ratings
- Louisiana: V
- Tennessee: VO
Performances
To submit a performance please join The Wind Repertory Project
- Middle Tennessee State University (Murfreesboro) Wind Ensemble (Reed Thomas, conductor) - 24 October 2023
- University of Maryland (College Park) Wind Ensemble (Christine Higley, conductor) - 5 May 2022
- Florida State University (Tallahassee) Wind Orchestra (Stephen Peterson, conductor) - 7 March 2013 (ABA 2013 Annual Convention (Tampa, Florida))
- Arizona State University (Tempe) Band (Morton Gould, conductor) – 10 April 1980 *Premiere Performance*
Works for Winds by This Composer
- Amber Waves. See: American Ballads
- American Ballads (1976)
- Star-Spangled Overture (tr. Ripley) (1976)
- Amber Waves (tr. Ripley) (1976)
- Jubilo (tr. Ripley) (1976)
- Memorials — on “Taps”
- Saratoga Quickstep — on “The Girl I Left Behind”
- Hymnal — on “We Shall Overcome”
- American Patrol (Gould)
- American Salute (tr. Lang) (1943/1971)
- American Salute (arr. Wagner) (1943/2009)
- American Symphonette No. 2 (1939)
- American Youth March
- Ballad for Band (1946)
- Café Rio (1957)
- Centennial Symphony, Gala for Band (1983)
- Cheers! — A Celebration March (1979)
- Cinerama Holiday (1955)
- Cinerama March from “Cinerama Holiday” (concert band)
- On the Boulevard from “Cinerama Holiday”
- Skier’s Waltz (arr. Cacavas) (1955/1957)
- Souvenirs of Paris from “Cinerama Holiday”
- Concertette for Viola and Band (1943)
- Cowboy Rhapsody (arr. Bennett)
- Derivations for Solo Clarinet and Band (1955)
- The Deserted Ballroom (tr. Bennett) (1938)
- Dramatic Fanfares (arr. Brunelli) (1964/1967)
- Family Album Suite
- Fanfare for Freedom (1943)
- The First Noel (as arranger) (1949)
- Folk Suite (arr. Lang) (1959)
- Overture from "Folk Suite" (arr. Lang.) (1955/1959)
- Four Latin American Symphonette (arr. Koekelkoren) (1942/1998)
- Fourth of July (1947)
- Fourth of July (arr. Rogers) (1947/2023)
- Global Greetings(1994)
- Holiday Music (1947)
- Holocaust Suite (arr. Gould) (1978/1980)
- Jericho Rhapsody (1941)
- Jingle Bells (as arranger) (1857/1952)
- Jubilo. See: America Ballads, Jubilo - on "Year of Jubilo"
- Latin American Symphonette (arr. Koekelkoren) (1942/1998)
- March of the Leathernecks (arr. Lang) (1943/1944)
- Memorials. See: American Ballads, Memorials — on “Taps”
- Mini-Suite for Band (1968)
- Old Romance
- Overture from “Folk Suite”
- Parade of the Wooden Soldiers (as arranger; trans. Patterson)
- Pavanne (1938)
- Prisms (1962)
- Prologue, from CBS-TV series “World War I”
- Red Cavalry March (tr. Lang) (1943)
- Remembrance Day (Soliloquy for a Passing Century) (1995)
- Revolutionary Prelude, from CBS-TV documentary “World War I”
- Saint Lawrence Suite (1958)
- Santa Fe Saga (1956)
- Saratoga Quickstep. See: American Ballads, Saratoga Quickstep — on “The Girl I Left Behind”
- Sarajevo Suite (1964)
- Serenade of Carols (tr. Gould) (1949)
- Serenade of Carols (tr. Patterson) (1949/2009)
- Skier's Waltz. See: Cinerama Holiday Skier’s Waltz
- Soft Shoe Serenade from “Hoofer Suite” (1956)
- Star-Spangled Overture. See: American Ballads, Star-Spangled Overture - on "The Star-Spangled Banner"
- Symphonette No. 2 (1938)
- Movement I from “Symphonette No. 2”
- Pavanne from “Symphonette No. 2” (arr. Yoder) (1939)
- Symphony No. 4 (1952)
- Taps. See: American Ballads, Memorials — on “Taps”
- We Shall Overcome. See: American Ballads, Hymnal
- West Point Symphony. See: Symphony No. 4
- Windjammer (Highlights) (1958)
- Yankee Doodle (tr. Lang) (1945)
Resources
- Gould, M. (1980). Suite from Holocaust (NBC TV Movie) : for Band [score]. G. Schirmer: New York.
- Holocaust (miniseries), Wikipedia Accessed 18 June 2020
- Perusal score
- Smith, Norman E. (2002). Program Notes for Band. Chicago: GIA Publications, pp. 244-245.