Hail the Conquering Hero (flex)
George Frideric Handel (arr. David Marlatt)
Subtitle: From Judas Maccabaeus
General Info
Year: 1746 / 2002 / 2014
Duration: c. 3:10
Difficulty: II (see Ratings for explanation)
Publisher: Eighth Note Publications
Cost: Score and Parts (print) - $50.00
Instrumentation (Flexible)
Full Score
Part 1
- Flute
- Oboe
- B-flat Soprano Clarinet
- E-flat Alto Saxophone
- B-flat Trumpet
- Violin
Part 2
- Oboe
- B-flat Soprano Clarinet
- E-flat Alto Saxophone
- B-flat Trumpet
- Violin
Part 3
- B-flat Soprano Clarinet
- E-flat Alto Saxophone
- B-flat Tenor Saxophone
- B-flat Trumpet
- F Horn
- Viola
Part 4
- Bassoon
- B-flat Tenor Saxophone
- Trombone
- Euphonium T.C.
- Euphonium B.C.
- Cello
Part 5
- Bassoon
- B-flat Bass Clarinet
- E-flat Baritone Saxophone
- Trombone
- Euphonium T.C.
- Euphonium B.C.
- Tuba
- String Bass
Timpani
Percussion
- Bass Drum
- Bells
- Snare Drum
Errata
None discovered thus far.
Program Notes
This is one of Handel's best known melodies, this version of the famous Hail the Conquering Hero opens with a solo, gradually adds voices and builds in dynamic, then the sound drops to a duet which starts the building again. Everyone gets a section of melody making it interesting for all.
- Program Note from publisher
Judas Maccabaeus (HWV 63) is an oratorio in three acts composed in 1746 by George Frideric Handel based on a libretto written by Thomas Morell. The oratorio was devised as a compliment to the victorious Prince William Augustus, Duke of Cumberland, upon his return from the Battle of Culloden (16 April 1746).
The third act chorus. See, the Conqu'ring Hero Comes!. has been adapted several times. Beethoven composed twelve variations on the work for piano and cello in 1796, and it gained familiarity as the tune invariably played by brass bands at the opening of new railway lines and stations in Britain during the 19th century.
- Program Note adapted from Wikipedia
Performance Notes
Can be played by a minimum of five wind/string players. Percussion parts are not required but add a lot to the overall ensemble sound.
Media
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
Works for Winds by This Composer
Adaptable Music
- Hail the Conquering Hero (Flex instrumentation) (arr. Marlatt) (1746/2008/2014)
- Hallelujah Chorus (Flex instrumentation) (arr. Stanton) (1741/2013)
- Hallelujah Chorus (Flex instrumentation) (arr. Thorp) (1741/2003)
- Hornpipe from the "Water Music" (Flex instrumentation) (arr. Stanton) (1717/2012)
- Handel's Largo (Flex instrumentation) (arr. Brand) (1738/2007)
- See the Conquering Hero Comes (Flex instrumentation) (arr. Brand) (1746/2007)
- Water Music Suite (Flex instrumentation) (arr. Kanayama) (1717)
All Wind Works
- Air and Finale (arr. Balent) (1717/1989)
- Amen (arr. Grace)
- Antiphonal Alleluia (arr. Liebergen) (1746/1999)
- Ariodante Suite (arr. Elledge) (1735/2004)
- Arm, Arm, Ye Brave (arr. Barrow) (1746/1980)
- Arrival of the Queen of Sheba (arr. Allen) (1748/2007)
- Arrival of the Queen of Sheba (arr. Kenny) (1748/1988)
- Arrival of the Queen of Sheba (arr. Ricketts) (1748/2004)
- Concerto Grosso, Op 6
- Concerto Op. 5, No. 6 (arr. Werle)
- Conquering Hero Comes, The, from "Judas Maccabeus"
- Dead March from "Saul"
- Entrance of the Queen of Sheba (arr. Marlatt) (1748/2011)
- Finale Grandioso (arr. Philip Gordon)
- Fughetta (tr. Conley) (1986)
- The Gods Go A-Begging (arr. Beecham; arr. Duthoit; rev. Leidzen) (1929/1947)
- Hail the Conquering Hero (arr. Marlatt) (2008)
- Hail the Conquering Hero (Flex instrumentation) (arr. Marlatt) (1746/2008/2014)
- Hallelujah (arr. Davis and Longfield) (1741/2004)
- Hallelujah, Amen (arr. Barnes) (1986)
- Hallelujah Chorus (arr Ades) (1741/1958)
- Hallelujah Chorus (arr. Barnes) (1741/1988)
- Hallelujah Chorus (arr. Chiaffarelli) (1741/1941)
- Hallelujah Chorus (arr. Glover) (1741/2016)
- Hallelujah Chorus (arr. Johnson) (1741/1951)
- Hallelujah Chorus (arr. Longfield) (1741/1994)
- Hallelujah Chorus (arr. Rondeau) (1741/2010)
- Hallelujah Chorus (Flex instrumentation) (arr. Stanton) (1741/2013)
- Hallelujah Chorus (Flex instrumentation) (arr. Thorp) (1741/2003)
- A Handel Celebration (arr. Erickson) (1985)
- Handel's Largo (Flex instrumentation) (arr. Brand) (1738/2007)
- The Harmonious Blacksmith (arr. Osterling) (1720/1992)
- The Harmonious Blacksmith (arr. Syler) (1720/2020)
- Hear Me, Ye Winds and Waves (arr. Barrow) (1726/1973)
- Hornpipe from the "Water Music" (Flex instrumentation) (arr. Stanton) (1717/2012)
- Hornpipe from "Water Music Suite" (1717)
- La Rejouissance (arr. Williams)
- La Rejouissance from "Music for the Royal Fireworks" (arr. Seipp)
- Larghetto (arr. Bullock) (1738/1994)
- Larghetto (arr. Molenaar) (1739-40/1955)
- Largo (arr. Barnes) (1738/1988)
- Largo (arr. Fagan) (1738/2004)
- Largo (arr. Hautvast) (1738/)
- Lascia Ch'io Pianga (arr. Tamura) (1711/2014)
- Let Me Weep (arr. Haan) (1711/2004)
- March and Gavotte (arr. King) (1705/1956/1990)
- Menuet Varié (Clarinet Choir) (arr. Hautvast) (/2011)
- Menuet Varié (Saxophone Quartet) (arr. Hautvast) (/2011)
- Menuetto from Symphony No. 104 "London" (arr. Glover)
- Messiah Overture (arr. Johnson) (1741/1966)
- The Music for the Royal Fireworks (arr. Boudreau) (1749/1959)
- Music for the Royal Fireworks (arr. Erickson) (1749/1997)
- Music for the Royal Fireworks (rescored Hindsley) (1749/197-?)
- Music for the Royal Fireworks (arr. Leenhouts) (1749/2021)
- The Music for the Royal Fireworks (arr. Mackerras and Baines) (1749/1960)
- Music for the Royal Fireworks (ed. Rodenmacher) (1749/)
- Music for Two Wind Bands (arr. Schaefer) (1977)
- No Shade So Rare (arr. Forsblad) (1738/1999)
- An Occasional Suite (arr. Osterling) (1746/1958)
- Overture in D Minor
- Passacaglia (arr. Longfield) (c. 1720/2014)
- Royal Fireworks Music (arr. Sartorius) (1749/1941)
- Royal Fireworks Music (arr. Schaefer) (1749/1982)
- Sarabande (arr. Daehn) (1703-1706/1733/2004)
- Sarabande (arr. Gingery) (1703-1706/1733/1976)
- Sarabande (arr. Van Grevenbroek) (1703-1706/1733/2012)
- Sarabande (arr. Hautvast) (1703-1706/1733/2004)
- See the Conquering Hero Comes (Flex instrumentation) (arr. Brand) (1746/2007)
- Slow March from "Scipio"
- Song of Jupiter (arr. Anderson) (1952)
- Suite from "Messiah" (trans. Curnow) (1741/1989)
- A Suite of Baroque Dances (arr. Kinyon) (1979/1995)
- Thanks Be to Thee
- Three Chorales for Band (with Pasquini and Tchaikovsky; arr. Thornton) (1992/2004)
- Three Movement from "Water Music" (arr. Wagner) (1715/2014)
- Water Music (arr. Longfield) (1717/1997)
- Water Music Suite (arr. Erickson) (1717/1985)
- Water Music Suite (Flex instrumentation) (arr. Kanayama) (1717)
- Water Music Suite (arr. Kay) (1717/1950)
- Zadok the Priest
Resources
- Handel, G.; Marlatt, D. (2006). Hail the Conquering Hero : from Judas Maccabaeus [score]. Eighth Note Publications: {Markham, Ont.]
- Judas Maccabaeus (Handel), Wikipedia. Accessed 26 June 2020
- Perusal score