Forget Me Not, O Dearest Lord (arr. Reed)

Johann Sebastian Bach

Johann Sebastian Bach (adapt. and arr. Alfred Reed)

Subtitle: Vergiss Mein Nicht

This work bears the designation BWV 505.

General Info

Year: c. 1736 / 1985
Duration: c. 4:00
Difficulty: IV (see Ratings for explanation)
Original Medium: Song
Publisher: C.L. Barnhouse
Cost: Score and Parts (print) - $60.00; (digital) - $15.00   |   Score Only (print) - $6.00; (digital) - $15.00

Instrumentation

Full Score
Flute I-II-III (III doubling C Piccolo)
Oboe I-II
English Horn
Bassoon I-II
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
B-flat Contrabass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
B-flat Cornet I-II
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
String Bass
Timpani

Errata

None discovered thus far.

Program Notes

An excellent example of Bach as a song writer. Taken from a volume of sacred songs published in 1736, Bach identifies it as an aria, not as a chorale, and must have thought of it as a lyrical melody to be sung in concert rather than as four square chorale.

- Program Note from publisher

Bach's chorale melody Vergis Mein Nicht first appeared in 1736 in a volume of sacred songs published by Georg Christian Schemelli (c1676-1762) in Leipzig where Bach was then serving as music director of several of that city's Protestant churches.

Schemelli's collection was not intended to be a collection of chorales for congregational singing in church, but rather as sacred ariettas or songs meant to be sung in private homes for family devotions, (something Bach took very seriously with his own large family).

Vergiss Mein Nicht is thus an excellent example of Bach's work as a song writer, a Lied composer, in addition to his activities as a church musician. Its warm flowing lyricism is worthy of comparison with the great songs of Schubert written at the beginning of the golden age of song which was to come, ironically, at about the same time as Bach's great musical heritage would be "discovered" during the early days of the nineteenth century.

- Program Note by Raymond A. Burr

Commissioned by the Andrews University Department of Music, and dedicated to the 1985 Lake Union Clinic Band, Barbara Favorito, coordinator.

- Program Note from score

Media

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State Ratings

• Alabama: Class CC
• Florida: IV
• Kansas: III
• Louisiana: III

Performances

To submit a performance please join The Wind Repertory Project

• AP Winds (Woodstock, Ga.) (Jeremy Ragan, conductor) – 19 March 2016

Works for Winds by This Composer

Adaptable Music

• The Bach Initiative (Flex instrumentation) (arr. Folliard) (2019)
• Choral Prelude BWV 727 (Flex instrumentation) (arr. Costa)
• Come, Sweet Death (Flex instrumentation) (tr. Reed; arr. Benson) (1736/1976/2019)
• Contrapunctus XIV (Flex instrumentation) (arr. Aho) (2018)
• French Suite No. 2 (Flex instrumentation) (arr. Shishikura) (1722/)
• Fugue en sol mineur BWV 578 (Flex instrumentation) (arr. Costa) (1703-1707/)
• O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (arr. Grainger; ed. Brand and Brion) (1724?/1937-1942/1987)
• Prelude and Fugue in B-flat major (Flex instrumentation) (arr. Ring) (?/2020)
• Three Fugues by J.S. Bach (Flex instrumentation) (arr. Danyew) (1722/2020)
  • Fugue No. 2 (Flex instrumentation) (arr. Danyew) (1722/2020)
  • Fugue No. 16 (Flex instrumentation) (arr. Danyew) (1722/2020)
  • Fugue No. 23 (Flex instrumentation) (arr. Danyew) (1722/2020)
• Wachet Auf (Flex instrumentation) (arr. DeJonge) (1731/2020)

All Wind Works

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• Air (tr. Lang) (c. 1730/1958)
• Air for Woodwind Choir (arr. Blahnik)
• Allegro: From Brandenburg Concerto #3 (arr. Daehn) (1721/1980)
• Arioso (arr. De Haan) (1729/2000)
• Arioso (arr. Hill) (1729/1984)
• Arioso (arr. Reed) (1729/1998)
• The Art of Fugue (tr. Amis) (c. 1745)
• Ave Maria
• Ave Maria (Bach-Gounod) (arr. Lovrien) (1853/2004)
• Bach: Air (arr. McGinty) (c. 1730/)
• The Bach Buch (tr. Pann) (2011)
• Bach Chorale and March (arr. Wilson) (c. 1730/1990)
• Bach: Chorale and Variation (arr. McGinty) (1994)
• Bach Fugue (arr. Kinyon) (/1984)
• The Bach Initiative (Flex instrumentation) (arr. Folliard) (2019)
• Bach's Fugue à la Gigue (ed. Brand). See: Fugue à la Gigue
• Bach's Fugue à la Gigue (tr. Holst; ed. Mitchell) (1921/2005)
• Before Thy Throne I Now Appear (arr. Bukvich) (1750/1993)
• Berceuse (arr. Hautvast) (/1994)
• Bourrée (arr. Isaac) (1720/1969)
• Brandenburg Concerto No. 3 (arr. Marlatt) (1721/2011)
• Brandenburg Concerto No 3. See also: Allegro: From Brandenburg Concerto #3
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• Chaconne in D Minor (arr. Daehn) (1720/)
• Chaconne in D Minor (tr. Whitwell) (1720/2015)
• Choral Prelude BWV 727 (Flex instrumentation) (arr. Costa)
• Chorale and Fugue (arr. Warner)
• Chorale and Fugue in F Major (arr. Daehn) (1988)
• Chorale Prelude on "A Mighty Fortress Is Our God" (tr. Damrosch; adapt. O'Toole)
• Chorale in C Minor (arr. Topolewski) (2012)
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• Ciaccona (arr. Votta) (1720/2021)
• Come, Blessed Peace (arr. Tolmage) (1736/1958)
• Come, Sweet Death (arr. Reed) (1736/1976)
• Come, Sweet Death (Flex instrumentation) (tr. Reed; arr. Benson) (1736/1976/2019)
• Concerto IV (Alto Saxophone and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
• Concerto IV (Alto Saxophone, Piano and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
• Concerto IV (Flute and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
• Concerto IV (Flute, Piano and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
• Concerto IV (Soprano Saxophone and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
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• Contrapunctus I (arr. Barnes) (c. 1745/1988)
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• Contrapunctus V (arr. Daehn) (c. 1745)
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• Fantasia and Fugue in C minor, BWV 537 (arr. Hunsberger) (1727?/1997)
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• Fantasia and Fugue in G minor, BWV 542 "The Great" (arr. Boyd) (c. 1838/1985)
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• French Suite No. 2 (Flex instrumentation) (arr. Shishikura) (1722/)
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• Fugue à la Gigue (ed. Mitchell). See: Bach's Fugue à la Gigue
• Fugue à la Gigue (arr. Rondeau) (1921/2011)
• Fugue en sol mineur BWV 578 (Flex instrumentation) (arr. Costa) (1703-1707/)
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• Goldberg Variations (arr. Colgrass)
• Hertzlich tut mich verlangen. See: Fervent is My Longing; Organ Fugue in G Minor
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• If Thou Be Near (arr. Reed) (1725/1984)
• In Dulci Jubilo (arr. Reed) (1970)
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• Jesu, Joy of Man's Desiring (arr. Custer) (1723/1975/1997)
• Jesu, Joy of Man's Desiring (arr. Hazo) (1723/2012)
• Jesu, Joy of Man's Desiring (tr. Leidzen) (1723/1936)
• Jesu, Joy of Man's Desiring (arr. Moerenhout) (1723/2019)
• Jesu, Joy of Man's Desiring (arr. Pekas) (1723/)
• Jesu, Joy of Man's Desiring (arr. Reed) (1723/)
• Jesu, Joy of Man's Desiring (arr. Sapieyevski) (1723/)
• Jesu, Joy of Man's Desiring (arr. Sparke) (1723/2004)
• Jig Fugue (arr. Marlatt) (2003)
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• A Little Bach Suite (arr. Gordon) (1966)
• Little Fugue (arr. Romm; adapt. Custer) (c. 1705/1974/1991)
• Little Fugue in G minor (arr. Howland) (c. 1705/1974/2015)
• Little Fugue in G Minor, BWV 578 (arr. Parks)
• March (arr. Grainger) (1946)
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• My Heart is Filled With Longing (arr. Reed) (c. 1710/1986)
• My Jesus, Oh What Anguish (arr. Reed)
• My Soul Longeth to Depart in Peace
• Nun komm der Heiden Heiland (arr. McAlister)
• Nun komm, der Heiden Heiland (arr. Stert) (c. 1748/2013)
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• O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (arr. Grainger; ed. Brand and Brion) (1724?/1937-1942/1987)
• Our Father Who Art in Heaven (arr. Reed) (1710/1988)
• Passacaglia (arr. Glover) (c. 1703-1713?/2014)
• Passacaglia and Fugue in C minor (tr. Hunsberger) (1703-1713?/ 1968/1975)
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• Prelude and Fugue in D minor, BWV 554 (tr. Moehlmann) (1852/1988)
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• Prelude and Fugue in E-flat, BWV 552 (setting Hunsberger) (c. 1739/2009)
• Prelude and Fugue in F major (arr. Moehlmann) (1852/?)
• Prelude and Fugue in F minor, BWV 555 (arr. Moehlmann) (1852/1954)
• Prelude and Fugue in G minor, BWV 535 (tr. Moehlmann) (1852/1939)
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• Prelude in E-flat, BWV 552 (arr. Tamura) (c. 1739/2001)
• Prelude No. 22 (tr. Lynch) (c. 1722/2013)
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• Sinfonia from "Cantate 156" (arr. Daniels) (1729/)
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• St. Anne. See: Prelude and Fugue in E-flat
• Three Fugues by J.S. Bach (Flex instrumentation) (arr. Danyew) (1722/2020)
  • Fugue No. 2 (Flex instrumentation) (arr. Danyew) (1722/2020)
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• Thus Do You Fare, My Jesus (arr. Reed)
• Toccata, Adagio and Fugue in C Major (arr. Rechtman) (c. 1717)
• Toccata, Adagio, and Fugue, BWV 564 (tr. Paynter) (c. 1717/2000)
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• Toccata & Fuge d-Moll (arr. Goldhammer) (1705/2011)
• Toccata and Fugue in D minor (arr. Goldhammer). See: Toccata & Fuge d-Moll
• Toccata and Fugue in D minor (tr. Goto) (1705/2014)
• Toccata and Fugue in D minor (tr. Hindsley) (1705)
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Resources

• Bach, J.; Reed, A. (1985). Forget Me Not = Vergiss Mein Nicht : Concert Band/Wind Ensemble [score]. C.L. Barnhouse, Oskaloosa, Iowa.
• Perusal score