Folk Dances (arr. Curnow)

Dmitri Shostakovich

Dmitri Shostakovich (arr. James Curnow)

General Info

Year: 1942 / 2000 / 2009
Duration: c. 4:35
Difficulty: III-1/2 (see Ratings for explanation)
Original Medium: Orchestra
Publisher: Curnow Music Press, through Hal Leonard
Cost: Score and Parts (print) - $85.00   |   Score Only (print) - $10.00

Instrumentation

Full Score
C Piccolo
Flute
Oboe
Bassoon
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II
Trombone I-II-III
Euphonium
Tuba
String Bass
Timpani
Percussion I-II-III, including:

• Bass Drum
• Crash Cymbals
• Snare Drum
• Tambourine
• Triangle
• Xylophone

Errata

None discovered thus far.

Program Notes

Here is one of the most popular and exciting works of Russian master composer Dmitri Shostakovich, skillfully adapted for younger bands. Filled with humor and vitality, this single-movement work is an engaging and worthy entry in the repertoire for bands at all levels.

- Program Note from publisher

This popular wind band work by the Soviet-era composer Dmitri Shostakovich was originally composed in 1942 as the third movement, Dance of Youth, of My Beloved Country, Op. 63. It was first arranged for Russian bands by Mark Vakhutinskii in 1970.

- Program Note from California Polytechnic State University, San Luis Obispo, Wind Orchestra concert program, 23 November 2013

Shostakovich wrote the suite Op. 63, Native Leningrad, in 1942 as a tribute to the courage of the citizens of Leningrad. This suite was culled from the incidental music for a "concert play spectacle" entitled Native Country or Motherland. It was scored for tenor and bass soloists, choir and orchestra, and was premiered on November 7, 1942, at the Dzerzhinsky Central Club.

The suite has four movements: Overture – October 1917, Song of the Victorious October (Song of the River Neva), Youth Dance (Song of the Sailors), and Song of Leningrad. The Youth Dance is the movement transcribed as Folk Dances. It first received this name when transcribed for piano by Lev Solin. The name stuck when retranscribed for military band by M. Vakhutinsky. H. Robert Reynolds rescored Vakhutinsky's transcription, making it suitable for American wind bands.

While the melodies used in Youth Dance are reminiscent of folk tunes, Shostakovich's work is original. Considering the programmatic nature of the work, it is justifiable to assume Shostakovich wished to evoke an overt Russian sentiment in the same way that Gustav Holst's First Suite in E-flat and Gordon Jacob's An Original Suite sound and feel distinctly British.

- Program Note from State University of New York, Potsdam, Symphonic Band concert program, 13 April 2017

Media

• Audio: Reference recording. Ensemble and conductor unknown
• Audio CD: Irmo High School Symphonic Winds (Bruce Dinkins, conductor) – 2000

State Ratings

• Iowa: III
• South Carolina: IV
• Tennessee: IV

Performances

To submit a performance please join The Wind Repertory Project

• Irmo High School (Columbia, S.C.) Symphonic Winds (Bruce Dinkins, conductor) – 23 December 2000 (2000 Midwest Clinic)

Works for Winds by this Composer

Adaptable Music

• Waltz No. 2 (Flex instrumentation) (arr. Brown) (post 1956/2021)

All Wind Works

• Allegro from "Symphony No. 10" (tr. Fisher) (1954/2010)
• Ballet Suite #4 (arr. Pappajohn) (1953)
• Batterie from "The Nose" (arr. Schaefer) (1928/1978)
• Concertino (orch. Singleton) (1953/)
• Dance I. See: Jazz Suite No. 2
• Ein Volksfest (arr. Rembach) (1955/1995)
• Ein Volksfest. See: Folk Festival
• Excerpts from "Symphony No. 5" Finale (arr. Longfield) (1937/2007)
• Festive Overture (arr. Frost) (1954/2016)
• Festive Overture (tr. Hunsberger) (1954/1965)
• Festive Overture (tr. Martin) (1954/2016?)
• Festive Overture (tr. Patterson) (1954/)
• Festive Overture (tr. Takahashi) (1954/1998)
• The Fire of Eternal Glory (tr. Timothy Rhea) (1960/2011)
• Fire of Eternal Glory (arr. Curnow) (1960/2011)
• Folk Dances (tr. Reynolds) (1942/1979)
• Folk Dances (arr. Erickson) (1942/1979)
• Folk Dances (arr. Curnow) (1942/2000)
• Folk Festival (tr. Hunsberger) (1955/1971)
• Folk Festival. See also: Ein Volksfest
• Fortinbras March from "Hamlet" (tr. Suchoff) (1932/1967)
• The Gadfly (1955/)
• The Gadfly (tr. Patterson) (1955/)
• Galop (tr. Hunsberger) (1959/1971)
• Galop (from "The Limpid Stream") (tr. Miller) (1935)
• Hamlet Suite (tr. Suchoff) (1964/1975)
• Intermezzo (arr. Cahn) (1928/1986/1994)
• Jazz Suite No. 1 (1934)
• Jazz Suite No. 2 (arr. de Meij) (post-1956/1994)
  • March (arr. de Meij) (post-1956/1994)
  • Lyric Waltz (arr. de Meij) (post-1956/1995)
  • Dance I (arr. de Meij) (post-1956/1994)
  • Dance II (arr. de Meij) (post-1956/1994)
  • Waltz No. 2 (arr. de Meij) (post-1956/1994)
  • Finale (arr. de Meij) (post-1956/1994)
• March (arr. Curnow) (2014)
• March (arr. de Meij). See: Jazz Suite No. 2
• March of the Soviet Militia (ed. Iakubov) (1970/2006)
• October, Op 131 (arr. Mitchell) (1967)
• Overture on Russian and Kirg (arr. Janssen)
• Overture on Russian and Kirghiz Folk Songs (tr. Duker) (1963/1989)
• Overture to "The Gadfly" (arr. Geert Flik) (1955/2006)
• Piano Concerto No 2 (tr. Pontini) (1957/2012)
• Piano Concerto No 2 in F Major (arr. Bamonte)
• Piano Trio No. 2 (arr. Graham)
• Priest and His Servant Balda, The (1934)
• Prelude, Op. 34, No. 14 (arr. Reynolds) (1988)
• Prelude 21 and Fugue 1 (arr. McCullough) (1952/)
• Prelude (Variations) from "Ballet Suite No. 4" (arr. Blankenship) (1953/)
• Romance (arr. Peel) (1955/1985)
• Spanish Dance from "The Gadfly" (arr. Curnow)
• Suite for Jazz Orchestra no. 1. See: Jazz Suite No. 1
• Symphony No. 1 (tr. Scarbrough) (1924-25)
• Symphony No. 5, Mvmt I (tr. Schaeffer)
• Symphony No. 5, Mvmt II (tr. Smith) (1937/1944)
• Symphony No. 5: Finale (tr. Righter) (1937/1947)
• Symphony No. 5, Mvmt IV (tr. Rogers) (1937/2003)
• Symphony No. 5, Mvmt IV (tr. Bocook) (1937/2005)
• Symphony No. 9 (arr. Mertens and Suykerbuyk) (1945/1986)
• Symphony No. 9 (tr. Schaefer) (1945/1976)
• Symphony No. 10, Mvt. II (tr. Fisher) (tr. Fisher) (1954/2010)
• Symphony No. 10, Mvmt II (tr. O'Brien) (1954)
• Symphony No. 11: Second Movement Excerpts (arr. Daehn) (1957/1989)
• Tahiti Trot (tr. Brubaker) (1927/2009)
• Three Symphonic Preludes (arr. Reed)
• Two Scarlatti Pieces (1928)
• Waltz No. 2 (Flex instrumentation) (arr. Brown) (post 1956/2021)
• Waltz No. 2 (arr. Connery) (post 1956/1996)
• Waltz No. 2 (arr. Curnow) (post 1956/2010)
• Waltz No. 2 (arr. De Meij). See: Jazz Suite No. 2

Resources

• Perusal score
• Shostakovich, D.; Curnow, J. (2000). Folk Dances [score]. Curnow Music Press: Wilmore, Ky.