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Feierlicher Einzug (arr. Johnson)
Richard Strauss (arr. William V. Johnson)
General Info
Year: 1909 / 2022
Duration: c. 7:05
Difficulty: (see Ratings for explanation)
Original Medium: Brass choir
Publisher: William V. Johnson
Cost: Score and Parts (print) - $20.00
Instrumentation
Full Score
Flute I-II
Oboe I-II
English Horn
Bassoon I-II
Contra-Bassoon
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
B-flat Contrabass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II
Bass Trombone
Euphonium
Tuba
String Bass
Organ
Timpani
Percussion, including:
- Bass Drum
- Crash Cymbals
- Snare Drum
Off-stage Trumpets
Off-stage Trombones
Errata
None discovered thus far.
Program Notes
In English, the title of this work is "Fanfare for the Solemn Procession of the Knights of the Order of St. John." It was composed in 1909 at the request of that society, which was founded in Jerusalem during the first crusade. Originally written for brass ensemble, Strauss later scored it for full orchestra.
- Program Note from Heritage Encyclopedia of Band Music
Strauss was already a well-known conductor and composer when he wrote Feierlicher Einzug der Ritter des Johanniter-Ordens (Solemn Entrance of the Knights of the Order of Saint John) in 1909. One of only a handful of his works written exclusively for winds, Strauss’s powerful, majestic Feierlicher Einzug is scored for 15 trumpets, 4 horns, 4 trombones, 2 tubas, and timpani. It was composed for the investiture ceremonies of the Order of St. John, a Western Christian military order that was founded in Jerusalem in 1023 to care for poor, sick, or injured pilgrims journeying to the Holy Land.
- Program Note from Northwestern University Symphonic Wind Ensemble concert program, 9 June 2019
Feierlicher Einzug (Solemn Entry) is an original work for 25-part brass choir with timpani. This arrangement is for full wind ensemble, organ and antiphonal trumpets and trombones. Strauss left a great musical legacy which had a profound influence on the development of 20thcentury music.
- Program Note from William V. Johnson
Media
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- Cuesta Wind Ensemble with Cal Poly Wind Ensemble and Wind Orchestra (San Luis Obispo, Calif.) (Jennifer Martin, conductor) – 5 March 2023
Works for Winds by This Composer
- Acht Lieder (trans. Iijima) (1885/2017)
- Allerseelen (arr. Davis, ed. Fennell) (1885/1955/1987)
- Allerseelen (trans. Heger) (1885/1933)
- Also Sprach Zarathustra: Fanfare (arr. Longfield) (1896/2001)
- Also Sprach Zarathustra: Introduction (arr. Rogers) (1896/1999)
- An die Nacht (arr. Blair) (1918/)
- At the Summit from "Eine Alpensinfonie" (arr. Miller)
- Auf Stillem Waldespfad (arr. Davis) (2010)
- Beim Schlafengehn Im Abendrot (arr. Vesbein) (1949/)
- Concerto No 1 for Horn and Symphonic Band (tr. Anderson)
- Dance of the Seven Veils from "Salome" (arr. Morita) (1907/2011)
- Don Juan (tr. Hindsley) (1888/197-?)
- Don Juan (tr. Patterson) (1888/)
- Don Juan (arr. Schyns) (1889/2019)
- Fanfare fur die Wiener Philharmoniker (1924)
- Fanfare zur Eröffnung der Musikwoche der Stadt Wien im September 1924
- Feierlicher Einzug (arr. Johnson) (1909/2022)
- Feierlicher Einzug (ed. Villanueva) (1909)
- Feierlicher Einzug der Ritter des Johanniter-Ordens (1909)
- Festmusik der Stadt Wien (1942-3)
- Festmusik der Stadt Wien (arr Banks) (arr. Banks) (1942-3/1979)
- Finale from "Death and Transfiguration" (arr. Harding) (1950)
- Hero's Courtship, A (tr. Harding) (1956)
- Hero's Life, Synthesis for Concert Band, A (tr. Hindsley)
- Introduction to "Also Sprach Zarathustra" (tr. Schmalz) (1896/1986)
- Königsmarsch (arr. Barrett) (1906/1941)
- Königsmarsch (tr. Borodach) (1906/2021)
- Olympische Hymne
- Parade March (arr. Longfield) (1905/2016)
- Presentation of the Silver Rose (arr. Reed) (1910/1988)
- Rondo from Concerto No. 1, Opus 11 (arr. Glover) (1883/2009)
- Salome's Dance (tr. Hindsley) (1907/ [196-?]
- Selections from "Der Rosenkavalier" (arr. Odom)
- Serenade (arr. Fennell) (1881/1986)
- Sonatina I (1943)
- Sonatina No. 2, Fröhliche Werkstatt (1944-5)
- A Strauss Fanfare (arr. Friedman) (2006)
- Suite in B-flat , Opus 4
- Symphony for Wind. See: Sonatina No. 2, Fröhliche Werkstatt
- Three Songs (arr. Kreines) (1885-1894)
- Till Eulenspiegel’s Merry Pranks (tr. Hindsley) (1865/197-?)
- Till Eulenspiegel’s Merry Pranks (tr. Weber) (1865/)
- Trio from "Der Rosenkavalier" (arr. Reynolds) (1911/1994)
- Vienna Philharmonic Fanfare (arr. Hobbs) (1924/2015)
- Vienna Philharmonic Fanfare (arr. Linklater) (1924)
- Waltzes from "Der Rosenkavalier" (arr. Cailliet) (1911/1946)
- Wiener Philharmoniker Fanfare (1924)
- Wiener Philharmoniker Fanfare (1924/1960)
- Wiener Philharmoniker Fanfare (arr. Dunnigan) (1924/2020?)
- Wiener Philharmoniker Fanfare (arr. Nefs) (1924)
- Wiener Philharmoniker Fanfare (arr. Rumbelow) (1924/2013?)
Resources
- Heritage Encyclopedia of Band Music. "Strauss, Richard." Accessed 6 March 2023
- Perusal score