Fanfares on Re for Ray
From Wind Repertory Project
Contents |
General Info
Year: 2003
Duration: c. 7:00
Difficulty: VI (see Ratings for explanation)
Publisher: ProNovaMusic
Cost: Score and Parts - $180.00 | Score Only - $39.00
Instrumentation
Full Score
Piccolo
Flute I-II
Oboe I-II
Bassoon I-II
Eb Soprano Clarinet
Bb Soprano Clarinet I-II-III
Bb Bass Clarinet
Alto Saxophone I-II
Tenor Saxophone
Baritone Saxophone
Trumpet (in Bb) I-II-III
Horn in F I-II-III-IV
Trombone I-II
Bass Trombone
Euphonium
Tuba
Timpani
Harp (Opt.)
Piano
String Bass (Opt.)
Percussion I-II-III-IV, including:
- Bass Drum (large)
- Cymbals (small, medium and large suspended)
- Glockenspiel
- Gong (Tam-tam)
- Marimba
- Snare Drum
- Tom-Toms (4)
- Tubular Bells
- Vibraphone
- Xylphone
Errata
None discovered thus far.
Program Notes
These fanfares were composed to celebrate the retirement of Ray E. Cramer, after many outstanding years of service and leadership at the Indiana University School of Music, where he was on faculty since 1969 and was Director of Bands from 1982-2004.
Personally, I had the honor of playing under Ray Cramer in the 1984 IU Wind Ensemble tour of Japan, experiencing his musical, organizational and social skills first-hand. And like so many composers, I have had the good fortune of having music taken up by Ray. In 1990 he generously premiered a work I composed as a student, and since then has premiered three other works. In all cases, the musical leadership and personal integrity demonstrated by Ray Cramer has been exemplary. I am therefore honored and grateful to have been asked to compose this work for him by his family.
Fanfares on Re for Ray presents a series of short celebratory fanfares, each centered on the pitch D (Re). I initially planned the ‘fanfares’ to be rather separate entities, but as the work evolved it became a single through-composed piece, with ideas recurring in the various fanfares, or sections. The work develops from the introductory first fanfare, with wildly swirling textures but no pulse, through two ‘bell’ fanfares exploring central motifs, into a more traditionally thematic fourth fanfare followed by the concluding finale. The five fanfares, played without pause, are titled thus: 1) Swirls, 2) Bright Bells, 3) Dark Bells, 4) Echoes and 5) Kaleidoscope. It perhaps stretches the listener’s (and composer’s) imagination to suggest that the five fanfares are representative of the five decades during which Ray Cramer has been on faculty at IU, starting at the end of the 1960s, but there it is.
For those interested in musical building blocks, the principal (ubiquitous?) melodic idea in the work came from the letters in Ray E. Cramer’s name, though I left the ‘y’ out, as no pitch name begins with ‘y’ in any language I know of! So, the melodic fragment used was DAECDAEED, and of that, mostly just the first five pitches, beginning and ending on D.
Program Note by David Dzubay
Commercial Discography
None discovered thus far.
Audio Links
State Ratings
((none))
Recent Performances
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Additional Works for Winds by this Composer
- As Filaments of Memory Spin
- Elegy and Quickstep
- Incantation
- Myaku
- Nocturne
- Roll
- Shadow Dance
- Ra
- Nocturne
- Shake, Rattle and Roll
Additional Resources
None discovered thus far.
