Fêtes from "Three Nocturnes" (arr. Schaefer)
Claude Debussy (arr. William Schaefer)
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Subtitle: "Festivals," from Three Nocturnes
General Info
Year: 1899 / 1959
Duration: c. 6:40
Difficulty: V (see Ratings for explanation)
Original Medium: Orchestra
Publisher: TRN
Cost: Score and Parts (print) - $70.00 | Score Only (print) - $8.00
Instrumentation
(Needed - please join the WRP if you can help.)
Errata
None discovered thus far.
Program Notes
Fêtes, Festivals, is the brilliant second movement of the orchestral work Three Nocturnes. This movement and the first (Nuages) were premiered in Paris on December 9, 1900. The third part, titled Sirenes, was premiered with a repetition of the other two on October 27, 1901.
Debussy's imagination, according to his own written description, dwelt on "the restless dancing rhythms of the atmosphere, interspersed with abrupt scintillations." After the exciting opening section, a procession starts as if approaching from a distance. Debussy described it as "a wholly visionary pageant, passing through and blending with the revelry, the background of the uninterrupted festival persisting: luminous dust participating in the universal rhythms." The music ends with a repetition of the opening measures, fading away into the distance.
- Program note from Band Music Notes
Nocturnes, L. 91, CD. 98 (also known as Trois Nocturnes or Three Nocturnes) is an impressionist orchestral composition in three movements by the French composer Claude Debussy, who wrote it between 1892 and 1899. It is based on poems from Poèmes anciens et romanesques (Henri de Régnier, 1890).
Debussy writes: "[The second movement,] Fêtes, gives the vibrating, dancing rhythm of the atmosphere with sudden flashes of light. There is also the episode of the procession (a dazzling fantastic vision), which passes through the festive scene and becomes merged in it. But the background remains resistantly the same: the festival with its blending of music and luminous dust participating in the cosmic rhythm. "
Debussy went on to explain to Poujaud that "Festivals" had been inspired by a recollection of merry-making in the Bois de Boulogne, with noisy crowds watching the drum and bugle corps of the Garde Nationale pass in parade.
- Program Note from Wikipedia
Media
- Audio: Reference recording. Ensemble and conductor unknown
- Audio CD: United States Military Academy Band (David Deitrick, conductor) – 2000
State Ratings
- Alabama: Class AA
- Maryland: VI
- South Carolina: VI
- Virginia: VI
Performances
To submit a performance please join The Wind Repertory Project
- United States Military Academy Band (West Point, N.Y.) (David Deitrick, conductor) – 23 December 2000 (2000 Midwest Clinic)
Works for Winds by this Composer
Adaptable Music
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All Wind Works
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- The Afternoon of a Faun. See also: Prelude a l'apres-midi d'un faune
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- Children's Corner Suite (arr. Winterbottom) (1908)
- Clair de Lune (orch. Blair) (1890/1905/2021)
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- Danse (arr. Boyd) (1890/1983)
- Danse (arr. Scheiwiller) (1890/2019)
- Danse (Flex instrumentation) (arr. Kurokawa)
- Danses Sacrée et Profane (arr. Odom) (1904/2019)
- Danses Sacrée et Profane (tr. J. Lloyd) (1904)
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- The Engulfed Cathedral (tr. Longfield) (1910/1987)
- The Engulfed Cathedral (arr. Miller) (1910/1986)
- The Engulfed Cathedral (tr. Patterson) (1910/1993)
- The Engulfed Cathedral. See also: La Cathédrale Engloutie
- Fêtes from "Nocturnes" (arr. Patterson) (c. 1899/2007)
- Fêtes from "Three Nocturnes" (arr. Schaefer) (c.1899/1959)
- Fêtes from "Three Nocturnes" (tr. Tatebe) (c.1899/1999)
- Four Debussy Songs (trans. Anderson) (2018)
- The Girl with the Flaxen Hair (tr. Beyrent) (1910/2013)
- The Girl with the Flaxen Hair (tr. Brand) (1910)
- The Girl with the Flaxen Hair (tr. Bernotas) (1910)
- The Girl with the Flaxen Hair (arr. Moss) (1910/2007)
- The Girl with the Flaxen Hair (arr. Sparke) (1910/2007)
- Golliwogg's Cakewalk (arr. Lewis) (1908/2004)
- Golliwog's Cakewalk (arr. Curnow) (1908/1985)
- Golliwog's Cakewalk (Flex instrumentation) (arr. Kano) (1908)
- Hommage à Rameau (arr. Hunsberger) (1905/2009)
- La Cathédrale Engloutie (arr. Mortimer) (1910/2016)
- La Cathédrale Engloutie. See also: The Engulfed Cathedral
- La Mer (trans. Odom) (1905/)
- Le Martyre de Saint Sébastien (1911)
- L’isle joyeuse (arr. Mashima) (1904/2005)
- L'isle joyeuse (arr. Volans) (1904/1995)
- Marche Écossaise (tr. Onodera) (1891/1908/2015(?))
- Marche Écossaise (tr. Onodera) (Octet) (1891/1908/2015(?))
- Marche Écossaise (tr. Schaefer) (1891/1908/1964)
- Marche Écossaise (tr. Scatterday) (1891/1908)
- 'Menuet' from Suite Bergamasque (arr. Southard) (1890/2012)
- Minstrels (tr. Scarbrough) (1910/2016)
- Pagodes from "Estampes" (arr. Grainger) (1996)
- Petite Suite (arr. Brakkee) (1889/1999?)
- Petite Suite (tr. Winterbottom) (1889/1927)
- Petite Suite (arr. Kimura) (1889/1998)
- Prelude a l'apres-midi d'un faune (tr. Sousa) (1894)
- Prelude a l'apres-midi d'un faune. See also: Prelude to the Afternoon of a Faun and The Afternoon of a Faun
- Prelude a l'apres-midi d'un faune (arr. Stalmeieir) (1894/1992)
- Prelude from "Suite Bergamasque" (arr. St. Louis)
- Prelude to the Afternoon of a Faun (tr. Hindsley) (1894/1973)
- Prelude to the Afternoon of a Faun. See also: Prelude a l'apres-midi d'un faune
- Premiere Arabesque (1891)
- Première Rhapsodie (arr. Yodo)
- Première Rhapsody (tr. Baars) (1910/12016)
- Première Rhapsody (arr. Walker; ed. Pappas) (1910/1963/2004)
- Reverie (arr. Boo) (1890/)
- Rêverie (tr. Thompson) (1890/2011)
- Sarabande (tr. Bennefield) (1894/1901/2020)
- Sarabande (tr. Erickson) (1894/1967)
- Sarabande (arr. Howland; ed. Gregory) (1894/2018)
- Suite Bergamasque Mvt 2 Menuet (arr. Thompson)
- Three Debussy Pieces (arr. Singletary)
- Three Pieces from "Children's Corner" (orch. Sheen) (1908/1988)
Resources
- Debussy, C.; Schaefer, W. (1959). Fêtes: "Festivals," from Three Nocturnes [score]. Bandland: Detroit, Mich.
- Nocturnes (Debussy), Wikipedia Accessed 17 July 2021
- Smith, Norman E. (2002). Program Notes for Band. Chicago: GIA Publications. pp. 161.