E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III-IV-V-VI
E-flat Alto Clarinet
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Cornet I-II-III
B-flat Trumpet I-II
Horn in F I-II-III-IV
Percussion I-VI, including:
- Bass Drum
- Snare Drum
- Suspended Cymbal, large and small
- Tam-Tam, small and large
- Temple Blocks
- Tubular Bells (Chimes)
None discovered thus far.
Somewhat aleatoric in nature, Epinicion represents an ancient song of victory sung at the conclusion of a triumphant battle. The Greeks would sing the song as they walked through the battlefield sorting the wounded from the dead.
Times were changing. The social revolution of the 1960s spilled into the ‘70s with decade-old commotion, unrest, uncertainty, and experimentation. The “Me Generation” of the ‘70s would be defined by a rejection of the old, and search for the new. During the ‘60s some pioneering composers and conductors sought to redefine what band music would be — rejection of the old, and search for the new. These mavericks initiated change that would transform the body of literature made available for the concert band. A high school band director from Minnesota, John Paulson, was affected by their cause. Epinicion would become one such composition that redefined band music.
Epinicion is an intense composition and is unsettling music; it is music that came forth in response to the societal afflictions of the Vietnam War. Epinicion is music that seems to suspend time; indeed, often there is no indicated tempo indicated in the score. Epinicion is haunting music; the title is taken from the ancient Greek word meaning a song of victory in time of war. Epinicion is disparate music; the divisiveness of the Vietnam War during the 1960s and ‘70s remains no less provocative in debate today. Epinicion is lonely, destitute, and alienating music. Just like in the other arts, in the 1970s band music takes a decidedly new direction.
There was a tremendous output of new music for band in this decade of art music for the sake of art. But much of this music was received as being impersonal, selfish, and distancing. Audiences were alienated by this new music. This new style of band music might very well have been genuine, heartfelt, and profound. Performers, conductors, and audiences might readily accept that this new music was, indeed, artistic. But to many, it seemed that composers did not care if anyone was listening. For it was during the ‘70s that audiences literally walked out of many a band concert. It seemed as though most people were not interested in hearing this new, art music for wind ensemble. Audiences at wind ensemble concerts often asked, “Was that supposed to be music?”
- Program note by Lawrence Stoffel for the California State Northridge Wind Ensemble concert program, 16 March 2012
- Audio CD: CMEA Connecticut Music Educators Southern Region Festival Concert Band (Gary M. Ciepluch, conductor)
- Texas: IV
To submit a performance please join The Wind Repertory Project
- Humboldt State University (Arcata, Calif.) Wind Ensemble (Paul Cummings, conductor) – 8 November 2018
- California State University, Northridge, Wind Ensemble (Lawrence Stoffel, conductor) – 27 November 2018
- Sacramento (Calif.) State University Concert Band (Matthew Morse, conductor)- 9 May 2018
- Indiana State University Wind Symphony (Nikk Pilato, conductor) - 15 February 2018
- Ohio State University (Columbus) Scarlet High School Honor Band (Scott A. Jones, conductor) – 14 January 2018
- James Madison University (Harrisonburg, Va.) Symphonic Band (Stephen Bolstad, conductor) – 17 October 2017
- State University of New York, Potsdam, Concert Band (James T. Madeja, conductor) – 19 November 2016
- University of North Texas (Denton) University Band (Jacqueline Townsend, conductor) – 23 November 2015
- California State University, Fresno, Symphonic Band (David Fullmer, conductor) - 15 March 2013 (2013 Sutherland Wind Festival (Fresno, Calif.))
- California State Northridge Wind Ensemble (Lawrence Stoffel, conductor) - 16 March 2012 (CBDNA Convention, Reno, Nev.)
- University of California Santa Cruz Wind Ensemble (Robert Klevan, conductor) - 1 December 2012
- Indiana University of Pennsylvania Concert Band (Stephanie Caulder, conductor) - 21 March 2010
- University of Prince Edward Island Wind Symphony (Charlottetown, PEI, Can.)(Karem J. Simon, conductor) - 23 November 2005
Works for Winds by this Composer
- Miles, Richard B., and Larry Blocher. 2002. Teaching Music Through Performance in Band. Volume 4. Chicago: GIA Publications. pp. 470-473.
- Paulson, J. (1975). Epinicion: For Winds and Percussion [score]. Neil A. Kjos Music: Park Ridge, IL.