Concert No III
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General Info
Year: 2013
Duration: c. 25:45
Difficulty: VII (see Ratings for explanation)
Publisher: Impromptu Editores
Cost: Score and Parts (print) - Unknown
Instrumentation
- Full Score
- C Piccolo
- Flute I-II
- Oboe I-II
- English Horn
- Bassoon I-II
- E-flat Soprano Clarinet
- B-flat Soprano Clarinet I-II-III
- E-flat Alto Clarinet (optional)
- B-flat Bass Clarinet
- E-flat Alto Saxophone I-II
- B-flat Tenor Saxophone I-II1
- E-flat Baritone Saxophone
- B-flat Trumpet I-II-III-IV
- B-flat Flugel Horn I-II
- Horn in F I-II-III
- Trombone I-II-III
- Bass Trombone
- Euphonium I-II
- Tuba
- Double Bass
- Harp (optional)
- Piano (optional)
- Timpani
- Percussion I-V
(percussion details desired)
- Violoncello (optional)
Errata
None discovered thus far.
Program Notes
Commissioned and premiered by the Banda Sinfónica Uhiâ Musical de Lliria in Valencia, Spain, under the direction of Enrique Artiga in 2013, the Concert No. 3 for Symphonic Band begins with a four-note motif upon which the entire piece is built. Each section of the ensemble comes together with virtuosic artistry, displaying grandiosity, tension, mystery, splendor, and delicacy throughout the composition.
- Program Note from San Francisco Wind Ensemble concert program, 21 April 2018
A mysterious writing phrase will generate a large scale concert sound and technique. Keeping the form “Concert” and developing in all its aspects thoroughly inspiration the reason for the work, this is going to place in evidence all the accomplices of interpretation, for his virtuosity and responsibility to deal with such persistence and careful score, built with expression maximum detail.
An attractant composition, delicate, mysterious and flamboyant is the result of this conjugation, combined with art, skill and expertise all colorful elements available to the conjugated wind orchestra percussion.
Grandiosity, tension, mystery, splendor, delicacy and sweetness, the terms could be showing this Concert N. 3 for Symphonic Band.
- Program Note from publisher
Concert No. 3 for symphonic band was commissioned by “Banda Unión de Llíria” to participate in the Honorary Division at the “Certamen Internacional de Bandas de Música Ciudad de Valencia”.
In order to feature every element from the orchestra highlighting its skills when either performing solos or ensembles, I decided to use the concerto form. This is a three-movement concerto with all three movements connected to maintain the tension that the music framework accumulates. One could say that it is written in modal/serial aesthetics although treating every texture in an impressionistic and coloristic way in order to deliver an understandable and easy language. The music material is the main source for the content of the piece. It is a large-scale development of the specified motifs and the theme itself, which could be understood as a motivic composition since the motif generates the rest of themes and melodies, and it always shows up with all its contrapuntal variations. One could state that the tonal center is C. The main motif resolves onto C. The secondary motive starts with that note and declines toward the note C, and at the end, among some other details, C becomes its fundamental.
- Program Note by composer
Media
(Needed - please join the WRP if you can help.)
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- San Francisco Wind Ensemble (San Mateo, Calif.) (Martin H. Seggelke, conductor) – 21 April 2018 *Premiere United States Performance*
- Banda Sinfónica Unión Musical de Liria (Spain) (Enrique Artiga, conductor) – 21 July 2013 *Premiere Performance*
Works for Winds by This Composer
Adaptable Music
- Sonatur (Flex instrumentation) (2016)
All Wind Works
- 24 Horas Deportivas (2019)
- Abu Simbel (2009)
- Al Centenario (1998)
- Algemiz
- Ave Fénix (2020)
- Bravo, mestre! (1999)
- Canto a Unicef
- Castelo do Inferno
- Ceremonial
- Comic Overture (2001)
- Concert per a Orquesta de Vents I Procussió (2008)
- Concert No. 3 (2013)
- Concierto del Simún (1998)
- Concha Manzana (2018)
- Consuelo Ciscar (2003)
- Côte d'Or (1999)
- Desert Storm. See: Tormenta del Desierto
- Don Pajarita
- Dragut el Pirata (2018)
- Echo de la Montagne (2003)
- El Bosque Mágico (2002)
- El Brillo del Fénix (2020)
- El Coloso (2011)
- El Ingenioso Hidalgo (2005)
- El Misteri del Foc (2007)
- El Principito (2010)
- El Quijote (2015)
- El Rugir del Kimbo
- El Siervo de Yahvé (2010)
- Els Pecats Capitals (2004)
- En Un Lugar de la Mancha (2003)
- A Fairy Tale (2009/2012)
- Fuegos del Alma (2014)
- The Great Spirit (2010)
- Hydra Concerto (2001)
- IVAM (2007/2010)
- Jesús Chover (2019)
- Jordi Mayor (2019)
- Juana de Arco (2005)
- Jungla (2006)
- Junta Local Fallera de Cullera (2021)
- La Cuidad Sumergida. See: The Submerged City
- La Fallera (2017)
- La Inmortal (2000)
- La Passió de Crist (2001)
- La Rodana
- La Sombra del Cruzado (1997)
- La Torre de Hercules
- Las Aventuras del Principito (2010)
- Los Barbas (2012)
- Manolo Morla (2013)
- Mar i Bel (2000)
- Marta Alandete (2017)
- Miticaventura (2002)
- Musica i Poble (2000)
- Nelo el Sorlí (2014)
- O Camiño das Animas en Pena
- Olé Toronto (1998)
- Patricia Sanz (2022)
- Peter Pan (2016)
- Piccole Note (2016)
- Pinocchio (2007)
- Red Dragon
- Roberto Forés (2014)
- Salomón (2006)
- Santa Claus (2019)
- Sonatur (Flex instrumentation) (2016)
- The Submerged City (2000)
- Symphony No. 1. See: Tormenta del Desierto
- Symphony No. 2. See: La Passio de Crist
- Symphony No. 3. See: The Great Spirit
- Symphony No. 4. See: El Coloso
- Tormenta del Desierto (1999)
- Tu Sueño (2010)
- Tyrannosaurus Rex (2012), from Bestiarium
- Xiquipirris
- Youth Funky (1998)
Resources
- Ferrer Ferran, personal correspondence, April 2018
- Ferrer Ferran website 23 April 2018
- WASBE Journal, 2014